David Merrill (Robert De Niro), a fictitious 1950s Hollywood director, returns from filming abroad in France to find that his loyalty has been called into question by the House Committee on... See full summary »
Robert De Niro,
Set in Italy, the film follows the lives and interactions of two boys/men, one born a bastard of peasant stock (Depardieu), the other born to a land owner (de Niro). The drama spans from ... See full summary »
Robert De Niro,
A conflict develops between a troubled Vietnam veteran and the sister he lives with when she becomes involved romantically with the army buddy who reminds him of the tragic battle they both... See full summary »
In 1671, with war brewing with Holland, a penniless prince invites Louis XIV to three days of festivities at a chateau in Chantilly. The prince wants a commission as a general, so the ... See full summary »
Jeremy Irons plays a Spanish Jesuit who goes into the South American wilderness to build a mission in the hope of converting the Indians of the region. Robert DeNiro plays a slave hunter who is converted and joins Irons in his mission. When Spain sells the colony to Portugal, they are forced to defend all they have built against the Portuguese aggressors. Written by
The picture was nominated for 7 Academy Awards in 1987 including Best Picture but just won the one gong for Best Cinematography awarded to director of photography Chris Menges. The D.O.P had won in the same category about two years earlier for The Killing Fields (1984) which had also been directed by Roland Joffé the director of The Mission (1986). See more »
The cut glass decanter depicted when Cardinal Altamirano visits the missions is a Regency or Victorian style not produced until after the early 1800s. See more »
Your Holiness, the little matter that brought me here to the furthest edge of your light on Earth is now settled. The Indians are once more free to be enslaved by the Spanish and Portuguese settlers. I don't think that's hitting the right note. Begin again... Your Holiness, I write to you in this year of Our Lord 1758 from the southern continent of the Americas, from the town of Asunción, in the Province of La Plata, two weeks march from the great mission of San Miguel. These ...
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At the film's very end, after the final credits, Altimarano gives the audience an ambiguous, almost accusing look, as if he were asking it, "Would you or would you not have done this?" See more »
I found myself emotionally devastated after seeing this film the first time. The film packs a punch in its contrast between the beauty of nature and human self-sacrifice on the one hand and the depths of human self-interest and ruthlessness on the other. Its theme is as relevant today as it was in the 1600s - what are the consequences of my actions, and what price must be paid by me and by others as a result? The film depicts several characters with whose choices the viewer can identify - the missionary, the repentant killer, the papal legate - and gives no easy answers to the choices that confront them. But the fact that there are no easy answers doesn't let them off the hook. In the end, they all have to take responsibility for what they do or fail to do.
The magnificent visuals of the Iguassu Falls and the moving score by Morricone (surely his best) all contribute to an unforgettable picture.
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