Quotes
[
Solly is telling the men's group about he and his wife swapping partners]
Solly:
I said let's switch partners. It was my idea, right? Ok. We did it. It wasn't the first time. Only this time, she was moaning with love.
Harold:
Did it ruin your weekend?
Solly:
It was terrible, man. I lost my erection.
[
The group breaks out laughing]
Solly:
I left and my wife comes running after, 'Solly! Solly Berliner!' She said, it's not her fault. It was my idea. I hit her, I said, that's my idea too!
[
The group cracks up]
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Crazy Credits
Head-shots of the main male characters, the members of The Men's Club, are part of the letters that make up the title screen (e.g. Harvey Keitel appears within the "T" and Roy Scheider appears within the "H", etc.). Also, as their headshot appears, their character names and occupations are given. The female characters are credited under one of two categories, "Wives and Girlfriends" or "The House of Affections". The title "THE MEN'S CLUB" remains on the screen until the last credit, "Directed by Peter Medak", is given.
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Well, at least it's different. This was apparently one of those "art house" type of films, as I cannot imagine anyone thinking it would be a commercial success. I didn't find it terribly bad, but certainly not very good, either. Direction, acting, photography were all OK. The script was what it was, and I can't think of any way to do it differently. One note for the ladies: there do exist a lot of guys who are faithful to their wives. Who want to be, and are. These might not be the best-looking ones, though. You make your choices, and you take your chances. Interesting, the conception of what goes on in high-dollar whorehouses. Having never been to one (in any price range) I've always wondered.
This might be worth watching if you've nothing better to do (or watch)