7.4/10
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O melissokomos (1986)

A bee keeper, Spiros, travels from the north to the south of Greece with his bees to meet the spring.
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1 nomination. See more awards »

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Cast

Credited cast:
...
Spyros
...
The Girl
...
Sick Man
Jenny Roussea ...
Spyros' Wife
Dinos Iliopoulos ...
Spyros' Friend
Vasia Panagopoulou
Iakovos Panotas ...
Solder / The Girl / Side Boyfriend
Rest of cast listed alphabetically:
Mihalis Giannatos
Karyofyllia Karabeti
Konstandinos Konstandopoulos ...
(as Kostas Konstadopoulos)
Nikos Kouros
Christoforos Nezer
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Storyline

Spiros retires as a schoolteacher, his daughter is married, and he starts his annual journey with his bees to get honey from different areas. In his truck he finds a young girl who has just been abandoned and has no roots. Spiros lets her follow for a day. Seeing her difficulty in getting further hitch-hiking, he takes her back. They will meet and part several times. Later she will say that Spiros is the only one who has ever been kind to her. But his emotions are so restrained that he cannot show anything until a volcanic eruption breaks through. He does not seek serious contact until the eruption makes him drive the car right through the glass wall of the café in which the girl is sitting. She immediately follows him. But after this criminal event they can no longer live at hotels. From the beginning she was willing to sleep with him. But when he finally kisses her, her justified reaction is to repeat "Not in this way!" A friend had a shut down cinema where they could sleep. ... Written by Max Scharnberg, Stockholm, Sweden

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Drama

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Release Date:

21 August 1987 (UK)  »

Also Known As:

El apicultor  »

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Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

Part II of "A Trilogy of Silence". See more »

Connections

Follows Taxidi sta Kythira (1984) See more »

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User Reviews

 
Stung by the bite of alienation..
23 September 2005 | by See all my reviews

"The Beekeeper" (1986) is Theo Angelopoulos' seventh film and features leading man Marcello Mastroianni. The minimal and meaningless plot (following the disintegration of his family, a beekeeper embarks on a trip and has an on/off affair with a young girl) is an excuse for Angelopoulos to indulge in his trademark semi-poetic images of Greek rural and urban landscapes.

A few of the sequences stick out, but most are unremarkable (and there's too much deja-vu about them, all Angelopoulos films are pretty much the same). There is very little action, very little dialog, too much boredom, too much doodling. This is the definition of pretentious art-house pomp.


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