| Charlotte Rampling | ... | Margaret Jones | |
| Anthony Higgins | ... | Peter Jones | |
| Victoria Abril | ... | Maria | |
| Anne-Marie Joubert | ... | Suzanne (as Anne-Marie Besse) | |
| Nicole Calfan | ... | Hélène | |
| Pierre Étaix | ... | Le détective / Detective | |
| Bernard Haller | ... | Robert | |
| Sabine Haudepin | ... | Françoise, la prostituée | |
| Christopher Hovik | ... | Nelson Jones | |
| Fabrice Luchini | ... | Nicolas | |
| Diana Quick | ... | Camille | |
| Milena Vukotic | ... | Margaret's Mother | |
| Bernard-Pierre Donnadieu | ... | Archibald (as Bernard Pierre Donnadieu) | |
| Thomas Austerweil | |||
| Bonnafet Tarbouriech | ... | Le vétérinaire (as Pierre Bonnafet) | |
| Philippe Brigaud | |||
| Roselyne Brunet | |||
| Pierre Cheremetieff | (as Pierre Cherementieff) | ||
| David Gabison | ... | Le brigadier | |
| Ève Greter | |||
| Pierre Guillermo | |||
| Nicholas Hawtrey | (as Nicolas Hawtrey) | ||
| Claude Jaeger | ... | Roger Lemaître, le zoologue / Zoologist | |
| Anne Kreis | |||
| Laurent Spielvogel | ... | Dr. Mischler | |
| Robin Steiger | |||
| rest of cast listed alphabetically: | |||
| Ailsa Berk | ... | Max (uncredited) | |
Directed by | |||
| Nagisa Ôshima | (as Naghisa Oshima) | ||
Writing credits | ||
| Nagisa Ôshima | (scenario) (as Nagisa Oshima) and | |
| Jean-Claude Carrière | (scenario) | |
| Jean-Claude Carrière | (based on an idea by) | |
Produced by | |||
| Serge Silberman | .... | producer | |
Original Music by | |||
| Michel Portal | |||
Cinematography by | |||
| Raoul Coutard | |||
Film Editing by | |||
| Hélène Plemiannikov | |||
Production Design by | |||
| Pierre Guffroy | |||
Costume Design by | |||
| Bernard Perris | (costume designer: women) | ||
Makeup Department | |||
| Stuart Artingstall | .... | makeup special effects collaborator | |
| Janice Barnes | .... | makeup special effects collaborator | |
| Ailsa Berk | .... | makeup special effects collaborator | |
| Jacques Clemente | .... | chief makeup artist (as Jacques Clément) | |
| Jamie Courtier | .... | makeup special effects collaborator | |
| Elisabeth Daynes | .... | special makeup | |
| Marie-Hélène Duguet | .... | assistant makeup artist | |
| Diana Moseley | .... | makeup special effects collaborator (as Diana Mosley) | |
| William Plant | .... | makeup special effects collaborator | |
| Jean-Marie Roueche | .... | hair stylist | |
| John Stephenson | .... | makeup special effects collaborator (as John Stevenson) | |
Production Management | |||
| Therese Kaufmann | .... | second assistant unit manager (as Thérèse Kaufmann) | |
| Loic Nedelec | .... | assistant unit manager (as Loïc Nédélec) | |
| Claude-Anne Paureilhe | .... | unit manager | |
| Ulrich Picard | .... | production manager (as Ully Pickardt) | |
Art Department | |||
| Alain Guffroy | .... | second assistant decorator | |
| Pierre Lefait | .... | set dresser | |
| Marc Pinquier | .... | assistant set dresser | |
| Jacques Preisach | .... | property master | |
| Albert Rajau | .... | first assistant decorator | |
Sound Department | |||
| Daniel Couteau | .... | sound effects | |
| Jean-Philippe Le Roux | .... | sound engineer | |
| Lionel Pauty | .... | sound assistant | |
| Claude Villand | .... | sound mixer | |
| Adeline Yoyotte | .... | sound editor (as Adeline Yoyotte-Husson) | |
Special Effects by | |||
| Ray Scott | .... | makeup special effects | |
| Clive R. Kay | .... | special effects contact lenses (uncredited) | |
Stunts | |||
| Claude Carliez | .... | stunt consultant | |
Camera and Electrical Department | |||
| Bruno Affret | .... | assistant camera | |
| Arnaud Borrel | .... | still photographer (as Arnaud Borel) | |
| André Clément | .... | camera operator | |
| Jean-Pierre Fizet | .... | still photographer | |
| Jean Garcenot | .... | assistant camera | |
| Jean Henneu | .... | key grip (as Jean Henneau) | |
| Michel Vocoret | .... | chief electrician | |
Costume and Wardrobe Department | |||
| Brigitte Demouzon | .... | assistant costumer | |
| Thérèse Fournier | .... | wardrober (as Thérése Fournier) | |
| Sylvia Panigel | .... | chief costumer | |
Editorial Department | |||
| Florence Poulain | .... | assistant editor | |
| Catherine Sevetier | .... | assistant editor | |
Music Department | |||
| Francis Darizcuren | .... | musician: bass guitar | |
| Carole Fredericks | .... | musician: Voix | |
| Michel Portal | .... | musician: clarinet | |
| Georges Rodi | .... | music recordist: A. D. S. R. (as G. Rodi) | |
| Jean Schwarz | .... | music recordist: Celia Records (as J. Schwarz) | |
Other crew | |||
| Noëlle Audejan | .... | production secretary | |
| Rick Baker | .... | chimp's sequence advisor | |
| Jacques Baschung | .... | production administrator | |
| Maurice Binder | .... | title designer | |
| Monique Herran | .... | script supervisor | |
| Jacqueline Oblin | .... | production administrator | |
| Bertrand Raison | .... | press attache | |
| Paul Witz | .... | transflex | |
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| Coming Soon | Sleeping Dogs Lie | Animal Passions | Convention City | Sex Galore |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb France section |
Seen with an audience in a theater, Max Mon Amour can be a surprising and satisfying parable. When a womanizing diplomat (Anthony Higgins) realizes that his wife (Charlotte Rampling) may be having an affair, he's shocked, then disgusted that this lover is in fact a full-grown chimpanzee. At first, it appears that Rampling may be using the simian to exact emotional revenge on his wife; then, it seems that a special kind of love might be in play - which inflames his jealousy to the point of violence.
Nagisa Oshima frames the film as an offbeat comedy, but it's hard to ignore ignore its themes, which include the blindness of love, questioning to what degree we're human or animal. To the very last scenes, it's difficult to predict that will happen to the chimp or the strange romance. It's presented almost entirely without music, and filmed in French and English - as if to say the language spoken here is beyond words, speaking the language of the heart.
Of particular note is the rendering of the chimp, which is presented so realistically that you almost believe it's real. Charlotte Rampling is enigmatic and sensual as Max's "lover."