Marc (Michel Piccoli) recruits Alex (Denis Lavant), son of his former, now dead colleague. Alex is a card shark with a big dream to go out to the world and leave his own mark. His ...
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Paris by night. Alex, 22, wants to become a filmmaker. He is fascinated by first times and his girlfriend, Florence, has just left him for his best friend, Thomas. First break-up, first ... See full summary »
A young writer becomes intrigued with a mysterious dark-haired woman who claims to be his long-lost sister and he begin an unusual relationship with her prompting a downward spiral involving his domineering mother and lovely fiancée
The image of a mysterious, solitary filmmaker - a cineaste maudit - who flees from both the media and the public, is unrelentingly bound to the figure of Leos Carax, in France. Elsewhere, ... See full summary »
Mehdi Belhaj Kacem,
Suzanne is sixteen and is having sex with many boys, just for fun, but did not manage to really love one of them. Her family does not understand her. The father does not like her behaviour.... See full summary »
In 1997, for it's fiftieth anniversary, the Cannes Film Festival asked Leos Carax for a short film, a kind of postcard addressed to the festival, in which the director would give news of himself and of his film project "Pola X".
Marc (Michel Piccoli) recruits Alex (Denis Lavant), son of his former, now dead colleague. Alex is a card shark with a big dream to go out to the world and leave his own mark. His determination leads him to break up with his girl friend, Lise (Julie Deply). Alex initially refuses to help Marc and Hans for their "job" of stealing the culture of new drug. But Anna (Juliette Binoche)'s charm and beauty were irresistible. Alex joins the elders. Alex's dance to David Bowie's Modern Love illustrates unfolding emotions of young Alex moving into an adult (graying if not dying) world. The interplay among the generations, between genders, among social classes, memory and hopes, all played against black and white and occasional red back drop. Anna's cobalt blue robe punctuates the moment when Alex confesses his love for her. Written by
Having seen only his incredibly intense 1999 film, Pola X, I didn't exactly know what to expect with Bad Blood. The film is as a whole not as effective as the later film, but it serves to solidify Leos Carax in my mind as a truly great director. I love both films, and this one is definitely flawed, but the poetry which comes through onto the screen is absolutely incredible. Alex running down the street to Bowie, the motorcycle getaway, and the amazingly passionate and beautiful final scenes will remain with me for a while... the film is exquisitely wild and reckless and is truly innovative in the way it's put together. Even as I write this, shot after shot and scene after scene resurface in my mind, all of them worthy of mention, and all of them gorgeous and shattering in their own way. Carax is a deserving heir to the thrones erected by the new wave. Bad Blood is the work of a master, whether the film itself is a masterpiece or not... The characters are wonderfully crafted with very nice performances by everyone, it's very watchable and very human poetry of the highest calibre. See it, see a Leos Carax film, any of his films - I'm going to track down Boy Meets Girl and Lovers on the Bridge as soon as I can.
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