17 user 51 critic

The Night Is Young (1986)

Mauvais sang (original title)
Unrated | | Crime, Drama, Romance | 26 November 1986 (France)
1:45 | Trailer

Watch Now

From $2.99 on Amazon Video

Marc (Michel Piccoli) recruits Alex (Denis Lavant), son of his former, now dead colleague. Alex is a card shark with a big dream to go out to the world and leave his own mark. His ... See full summary »



3 wins & 5 nominations. See more awards »



Learn more

People who liked this also liked... 

Drama | Romance
    1 2 3 4 5 6 7 8 9 10 7/10 X  

Paris by night. Alex, 22, wants to become a filmmaker. He is fascinated by first times and his girlfriend, Florence, has just left him for his best friend, Thomas. First break-up, first ... See full summary »

Director: Leos Carax
Stars: Denis Lavant, Mireille Perrier, Carroll Brooks
Drama | Romance
    1 2 3 4 5 6 7 8 9 10 7.5/10 X  

Alex, who's homeless and addicted to alcohol, and Michèle, who's losing her sight, form a relationship while sleeping rough on Paris's Pont-Neuf bridge.

Director: Leos Carax
Stars: Juliette Binoche, Denis Lavant, Daniel Buain
Pola X (1999)
Drama | Romance
    1 2 3 4 5 6 7 8 9 10 5.9/10 X  

A young writer becomes intrigued with a mysterious dark-haired woman who claims to be his long-lost sister and he begin an unusual relationship with her prompting a downward spiral involving his domineering mother and lovely fiancée

Director: Leos Carax
Stars: Guillaume Depardieu, Yekaterina Golubeva, Catherine Deneuve
Holy Motors (2012)
Drama | Fantasy
    1 2 3 4 5 6 7 8 9 10 7.1/10 X  

From dawn to dusk, a few hours in the shadowy life of a mystic man named Monsieur Oscar.

Director: Leos Carax
Stars: Denis Lavant, Edith Scob, Eva Mendes
Documentary | Biography | Mystery
    1 2 3 4 5 6 7 8 9 10 6.6/10 X  

The image of a mysterious, solitary filmmaker - a cineaste maudit - who flees from both the media and the public, is unrelentingly bound to the figure of Leos Carax, in France. Elsewhere, ... See full summary »

Director: Tessa Louise-Salomé
Stars: Mehdi Belhaj Kacem, Juliette Binoche, Richard Brody
Tokyo! (2008)
Comedy | Drama | Fantasy
    1 2 3 4 5 6 7 8 9 10 7.1/10 X  

A cinematic triptych of three Tokyo-set stories.

Directors: Joon-ho Bong, Leos Carax, and 1 more credit »
Stars: Ayako Fujitani, Ryô Kase, Ayumi Itô
Roundabout (1989)
Crime | Drama | Romance
    1 2 3 4 5 6 7 8 9 10 7/10 X  

Al and Elsa have been a couple for some time, but the chances that their relationship will be long-lived are few. For one thing, Al is appallingly dependent on Elsa for his every emotional ... See full summary »

Director: Pierre Pradinas
Stars: Juliette Binoche, François Cluzet, Thierry Gimenez
Beau Travail (1999)
    1 2 3 4 5 6 7 8 9 10 7.3/10 X  

This film focuses on an ex-Foreign Legion officer as he recalls his once glorious life, leading troops in Africa.

Director: Claire Denis
Stars: Denis Lavant, Michel Subor, Grégoire Colin
Comedy | Thriller
    1 2 3 4 5 6 7 8 9 10 4.3/10 X  

This parody of the detective-story genre merrily detours into spoofing French foibles as well, making it more of an exercise in verbal gymnastics than a narrative with a mission. Esther is ... See full summary »

Director: Jacques Rouffio
Stars: Michel Serrault, Michel Piccoli, Jean Carmet
Help Me, Eros (2007)
    1 2 3 4 5 6 7 8 9 10 6.2/10 X  

Ah Jie lost everything in the stock market due to a severe economic crisis. He spends his days in his sealed apartment, smoking joints and looking after the marijuana plants that he ... See full summary »

Director: Kang-sheng Lee
Stars: Kang-sheng Lee, Hui-Jen Liao, Dennis Nieh
Crime | Drama | Thriller
    1 2 3 4 5 6 7 8 9 10 4.8/10 X  

Fred is a gambler and deep in debt. He owes crime boss Victor a lot of money and the time to pay has come. Gégé, his loyal friend, advises him to make money quickly, or face the ... See full summary »

Director: Bob Decout
Stars: Philippe Léotard, Annie Girardot, Jacques Penot
Sans titre I (1997)
    1 2 3 4 5 6 7 8 9 10 6.5/10 X  

In 1997, for it's fiftieth anniversary, the Cannes Film Festival asked Leos Carax for a short film, a kind of postcard addressed to the festival, in which the director would give news of himself and of his film project "Pola X".

Director: Leos Carax
Stars: Guillaume Depardieu, Yekaterina Golubeva, Catherine Deneuve


Cast overview, first billed only:
Hans Meyer ...
Carroll Brooks ...
The American woman
Hugo Pratt ...
Mireille Perrier ...
The young mother
Jérôme Zucca ...
Paul Handford
Charles Schmitt
François Négret
Philippe Fretun
Thomas Peckre


Marc (Michel Piccoli) recruits Alex (Denis Lavant), son of his former, now dead colleague. Alex is a card shark with a big dream to go out to the world and leave his own mark. His determination leads him to break up with his girl friend, Lise (Julie Deply). Alex initially refuses to help Marc and Hans for their "job" of stealing the culture of new drug. But Anna (Juliette Binoche)'s charm and beauty were irresistible. Alex joins the elders. Alex's dance to David Bowie's Modern Love illustrates unfolding emotions of young Alex moving into an adult (graying if not dying) world. The interplay among the generations, between genders, among social classes, memory and hopes, all played against black and white and occasional red back drop. Anna's cobalt blue robe punctuates the moment when Alex confesses his love for her. Written by lucidwisdom@gmail.com

Plot Summary | Add Synopsis


...love that burns fast but lasts forever...


Unrated | See all certifications »

Parents Guide:






Release Date:

26 November 1986 (France)  »

Also Known As:

Bad Blood  »

Box Office

Opening Weekend:

$4,699 (USA) (6 December 2013)


$21,483 (USA) (6 December 2013)

Company Credits

Show detailed on  »

Technical Specs


Sound Mix:



Aspect Ratio:

1.66 : 1
See  »

Did You Know?


An essential film of the Cinema du look movement of France. See more »


Anna: Life is splendid with him. He guides me so well. He requires of me very beautiful things, very rigorous. You know, he is self-taught. Yes, he has done it all. He looked at me with the eyes of an inventor, with the eyes of a researcher, like I was an invaluable discovery, as if I had the solution to something. Something secret and mysterious that is hidden deep inside him. Sometimes I get so close, so near, but more often I am light years away? Curious, isn't it? It's my life, this thing, this ...
See more »


References Band of Outsiders (1964) See more »


Simple Symphony - Variation on a theme of Franck Bridge
Music by Benjamin Britten
Chandos Records
See more »

Frequently Asked Questions

This FAQ is empty. Add the first question.

User Reviews

One of the most striking, unique and eccentric films of the 1980's
21 June 2008 | by (United Kingdom) – See all my reviews

CAHIERS DU CINÉMA: There are no rules to cinema. No set way of getting from point A to point B, or a general expectation on the part of the filmmaker to include certain themes and conventions for the benefit of the audience. A film should make us think and feel; the rest is purely secondary. At twenty-six years old, Leos Carax understood this notion perfectly; taking inspiration from the early Nouvelle Vague films of director Jean Luc Godard and producing a work that underlined the key themes already established in his bleak and beautiful debut feature, Boy Meets Girl (1984), albeit, with a more clearly-defined and pronounced approach to the conventions of genre and narrative. Like Godard's early work, such as À bout de soufflé (1960), Bande à part (1964) and Pierrot le fou (1965), Mauvais Sang (1986) focuses on a number of weighty, existentialist themes - such as unrequited love and the alienation of Parisian youth - disguised by a series of hard-boiled genre conventions - brazenly lifted from post-war crime cinema and early film noir - and an approach to character that is filled with wit, emotion and searing imagination.

L'ÉNFANT TERRIBLE: As ever with Carax, the results are unconventional and highly unique, as we follow a story that is deliberately trivialised in comparison to the more important hopes and dreams of the central characters, whose collective spirit of defiance, adventure and melancholic yearning spill out into the actual visual presentation of the film itself. Here, the similarities to Boy Meets Girl are clear, with lead actor Denis Lavant once again portraying a misfit character named Alex who here comes to act as a representation for Carax himself. However, unlike Boy Meets Girl, the film is this time presented in bold and vivid colour, with much of the action taking place on purposely built sets that fall somewhere between the traditional Gothic architecture of actual, rural France and the cold, retro-futurist design of Terry Gilliam's masterpiece Brazil (1985). Once again, the design of the film reflects the ideas behind the characters, with the notions of escape and of closing yourself off from the outside world and indulging in romantic folly being central to the underlining spirit of the characters, which are here, more important than the widely recognisable aspects of narrative development.

CINÉMA DU LOOK: By visualising the film in such a manner, Carax is able to create a stark and somewhat surreal nocturnal underworld where his characters hide out - free from the rules of society and the conventions of time - with the production design, cars and costumes all standing as deliberate anachronisms to maintain the idea of a world removed from our own. It also works with the ironic, referential tone, in which elements of Godard give way to Chapin, who gives way to Welles, who gives way to West Side Story (1961), and all wrapped up in a preposterous plot that ties in with other French films of this cinematic period - later dubbed the "cinema du look" - in particular, Diva (1981) by Jean Jacques Beineix and Subway (1985) by Luc Besson. The basic outline of the story behind Mauvais Sang involves Lavant's young street punk running away from responsibility and inadvertently ending up helping two elderly criminals in a plot to steal an AIDS like virus from a futuristic, high-security laboratory, so that they can pay off an out-standing debt to a matriarchal Mafia boss. Along the way he dodges an old adversary and the girlfriend that he left behind and falls head over heels in love with the young fiancé of one of the criminals that he's there to help.

L'AMOUR MODERN: This strand of the narrative is the one that is most clearly defined here, both in the romanticised nature of the film and the world view of its characters, as well as the appropriation of the American crime-film references and pretensions to post-war melodrama. Here, Alex is quite literally a boy playing the part of a gangster, with his self-consciously hard-boiled dialog, swagger and no nonsense attitude as he talks about his time spent in a young offender's institute, and how it has turned his insides into cement. Through his relationship with Anna - herself a cinematic reference to Anna Karina, right down to the Vivre sa Vie (1962) haircut - the weight of Alex's internal angst and macho bravado begins to erode, leading to that near-iconic moment in which our hero, realising his unspoken love for Anna, runs down the street in an exaggerated tracking shot, skipping, jumping and cart-wheeling to the sound Bowie's Modern Love. An astounding and unforgettable sequence that comes out of nowhere and immediately reinforces the film's unique sense of romantic fantasy and pure escapism against a backdrop of would-be gangster theatrics.

STRANGULATION BLUES: The juxtaposition between grit, melodrama, fantasy and genre subversion is characteristic of Carax's work, with the self-consciously artificial world of the film and the playful and yet decidedly romantic nature of Alex and Anna's relationship tying together the themes of Boy Meets Girl with those of the director's third film, the grand cinematic "disaster" Les Amants Du Pont-Neuf (1991). Like those films, Mauvais Sang uses concept and narrative merely to present a reason for the characters to meet and interact, as the rest of the film develops from a collection of random scenes - linked by one or two reoccurring characters - that accumulate over the course of the film's duration to create a kind of whole. With this film, Carax created a fascinating cinematic abstraction of young love and alienation, unfolding in a world in which the representation of the audience is a young voyeur played by the director himself; a keen comment on the nature of film, and yet another fascinating component to this striking, unique and highly imaginative ode to love, escapism, and cinema itself.

14 of 17 people found this review helpful.  Was this review helpful to you?

Message Boards

Recent Posts
Like This Film? TracesOfLove
Iconic eamon101
Dreams quote diamh
Song that the radio plays gypsyola
Prokofiev recurring? Lionrock
DVD Availability PseudoFilm
Discuss The Night Is Young (1986) on the IMDb message boards »

Contribute to This Page

Create a character page for: