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The Night Is Young (1986)
"Mauvais sang" (original title)

Unrated  |   |  Crime, Drama, Romance  |  26 November 1986 (France)
7.4
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Ratings: 7.4/10 from 3,621 users   Metascore: 74/100
Reviews: 16 user | 49 critic | 5 from Metacritic.com

Marc (Michel Piccoli) recruits Alex (Denis Lavant), son of his former, now dead colleague. Alex is a card shark with a big dream to go out to the world and leave his own mark. His ... See full summary »

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Title: The Night Is Young (1986)

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3 wins & 5 nominations. See more awards »

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Cast

Cast overview, first billed only:
...
Marc
...
Anna
...
Hans Meyer ...
Hans
...
Lise
Carroll Brooks ...
The American woman
Hugo Pratt ...
Boris
Mireille Perrier ...
The young mother
...
Charlie
Jérôme Zucca ...
Thomas
Paul Handford
Charles Schmitt
François Négret
Philippe Fretun
Thomas Peckre
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Storyline

Marc (Michel Piccoli) recruits Alex (Denis Lavant), son of his former, now dead colleague. Alex is a card shark with a big dream to go out to the world and leave his own mark. His determination leads him to break up with his girl friend, Lise (Julie Deply). Alex initially refuses to help Marc and Hans for their "job" of stealing the culture of new drug. But Anna (Juliette Binoche)'s charm and beauty were irresistible. Alex joins the elders. Alex's dance to David Bowie's Modern Love illustrates unfolding emotions of young Alex moving into an adult (graying if not dying) world. The interplay among the generations, between genders, among social classes, memory and hopes, all played against black and white and occasional red back drop. Anna's cobalt blue robe punctuates the moment when Alex confesses his love for her. Written by lucidwisdom@gmail.com

Plot Summary | Add Synopsis

Taglines:

...love that burns fast but lasts forever...


Certificate:

Unrated | See all certifications »

Parents Guide:

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Details

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Release Date:

26 November 1986 (France)  »

Also Known As:

Bad Blood  »

Box Office

Opening Weekend:

$4,699 (USA) (6 December 2013)

Gross:

$21,483 (USA) (6 December 2013)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

(Fujicolor)

Aspect Ratio:

1.66 : 1
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Did You Know?

Quotes

Alex: Someday it will be like we already lived.
See more »

Connections

Referenced in Frances Ha (2012) See more »

Soundtracks

Roméo et Juliette
Music by Sergei Prokofiev (as Prokofiev)
Erato
ed. Chants du Monde
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User Reviews

 
Joint internal flight
9 June 2012 | by (Greece) – See all my reviews

I think music used throughout this reveals quite a bit of the cinematic exercise.

  • Prokofiev's Roméo and Juliette, so a ballet, a cinematic opera on


forbidden love between youth that aches to dream. Love that cannot be consummated in the ugly day of light and has to take to dreams, liebestod, Tristan and Isolde.

  • Limelight tied into this, that precious bit of Chaplin beneath the


big old sappy narratives that was purely evocative body, that was in essence a dance between innocence and star-crossed fate.

  • David Bowie, 'Modern Love' aptly enough, so the rush of purely


energetic instrumentation, dazzling camera beats, irony, New Wave atonality, in this case the song randomly caught on radio and meant to guide feelings, a dadaist gesture. Denis Lavant leaps across the frame with his wiry seething-petite frame that reminds a bit of the old silent comedians, he's a real pleasure to watch just move.

In something like Beau Travail also with Lavant and operatic, space is arranged bodily, the whole thing is cinematic and flows. Not so here. The guy responsible for this wants to be a little like Godard, so we have the interminable recitations, the poetry, the deliberately crude crime plot where you only need a gun and a girl, always Godard's weaker spots.

This too bad. Because there are visual moments here that left me practically giddy, for example love as a matter of leaping from a plane, a matter of joint flight and tenderly balancing mid-air.

Instead we get a patchy, stuttery ride that only now and then blossoms into some internal scenery.

The opportunity missed is that the eye dances but is not fully consumed with its musical capacity. Nouvelle Vague ruins this by proxy. I like to think that Wong Kar Wai saw this and immediately knew which parts worked.


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