An ex-bullfighter who gets turned on by killing, a lady lawyer with the same fetish and a young man driven insane by his religious upbringing - these are the main characters in this stylish... See full summary »
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An ex-bullfighter who gets turned on by killing, a lady lawyer with the same fetish and a young man driven insane by his religious upbringing - these are the main characters in this stylish black comedy about dark sides of human nature. Written by
Dragan Antulov <email@example.com>
Every Artist has a reoccurring theme, that he successfully or unsuccessfully explores and tries to capture through out his life time, and that eventually becomes his, what we might call - style. With Ingmar Bergman it's the detachment from life and confronting death, with Woody Allen, the comical absurdity of man-woman relationship, with Filliny it's the nostalgia for the lost, often irreplaceable innocence of childhood. In case of Pedro Almodovar though, to put it lightly, it's unorthodox, sex crazed love stories. (love that guy!)
I had watched three films by him (Bad Education, Law Of Desire, Talk To Her), and all of them were rather twisted, but this one is defiantly the weirdest love fable I had ever seen or read even by his standards.
The story begins with a young man, (played by heavenly-gorgeous, 18 year old Antonio Banderas) who is studying to be a matador, under a world famous, but retired, due to an injury, Maestro. One night after being suspected of being a homosexual, he decides to prove his masculinity and toughness by attempting to rape Maestro's girlfriend. But being in reality a very innocent and tender soul, he literally faints before anything happens, when she accidentally cuts her finger.
The girls reports him, and while being questioned, the cops hang on him three more murders. Apparently there have been bodies popping up through out the city, with all the victims assaulted in the same strange manner - at the height of their sexual arousal, they are stabbed in the back of their necks, with a hair pin, with the same technique a toreador brings a bull down.
And now, brought together by serendipity, the female lawyer, who had come to defend Antonio, and is investigating the case, is beginning to have a sort of an "affair" with the Maestro. Both of them being obsessed with sex, violence and mostly important death, which they find the most arousing thing in the world. Imagine Romeo and Juliet, only where they both not only desire each other sexually, but also long for each other's death.
I had personally often wondered, why the element of violence is so often present in sex. Even when one makes love, no matter how gentle, there will be some hair pulling, slight choking or biting. To experience pain and dominance, seems to be counterintuitive to receiving pleasure, yet something in our wiring arouses us by that. With books like "Fifty Shades Of Grey' bondage and sadomasochism had become house hold names, and practices. But what I can't wrap my brain around is why do these seemingly, logically unpleasant activities arouse us?
The theme in this film, of the desire to kill the one you love, and to define death and brutal violence as sexy, that is bound to make an indelible imprint on your soul and to stay with you for the rest of your life.
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