| Yves Montand | ... | Cesar Soubeyran dit Le Papet | |
| Daniel Auteuil | ... | Ugolin | |
| Emmanuelle Béart | ... | Manon (as Emmanuelle Beart) | |
| Hippolyte Girardot | ... | Bernard Olivier | |
| Margarita Lozano | ... | Baptistine | |
| Yvonne Gamy | ... | Delphine | |
| Ticky Holgado | ... | Le Spécialiste (as Tiki Olgado) | |
| Jean Bouchaud | ... | Le Curé | |
| Elisabeth Depardieu | ... | Aimee Cadoret | |
| Gabriel Bacquier | ... | Victor | |
| Armand Meffre | ... | Philoxène | |
| André Dupon | ... | Pamphile, le menuisier | |
| Pierre Nougaro | ... | Casimir | |
| Jean Maurel | ... | Anglade | |
| Roger Souza | ... | Ange, le fontainier | |
| Didier Pain | ... | Eliacin | |
| Pierre-Jean Rippert | ... | Cabridan | |
| Marc Betton | ... | Martial | |
| Chantal Liennel | ... | Amandine | |
| Lucien Damiani | ... | Belloiseau | |
| Fransined | ... | Le Fleuriste | |
| Françoise Trompette | ... | Une villageoise |
Directed by | |||
| Claude Berri | |||
Writing credits(in alphabetical order) | ||
| Claude Berri | adaptation | |
| Gérard Brach | adaptation (as Gerard Brach) | |
| Marcel Pagnol | novel | |
Produced by | |||
| Pierre Grunstein | .... | executive producer | |
| Alain Poiré | .... | associate producer | |
Original Music by | |||
| Jean-Claude Petit | |||
Cinematography by | |||
| Bruno Nuytten | |||
Film Editing by | |||
| Hervé de Luze | (as Herve De Luze) | ||
| Geneviève Louveau | (as Genevieve Louveau) | ||
Casting by | |||
| Marie-Christine Lafosse | |||
Production Design by | |||
| Bernard Vézat | (as Bernard Vezat) | ||
Set Decoration by | |||
| Olivier Coutagne | |||
| François Dariani | (as François Bariani) | ||
| Françoise Doré | |||
Costume Design by | |||
| Sylvie Gautrelet | |||
Makeup Department | |||
| Pierre Bellis | .... | makeup artist | |
| Jean-Pierre Berroyer | .... | hair stylist | |
| Michel Deruelle | .... | makeup artist | |
| Jean-Pierre Eychenne | .... | makeup artist | |
Production Management | |||
| Jacques Allaire | .... | unit manager | |
| Frédéric Auburtin | .... | unit manager (as Frederic Auburtin) | |
| Olivier Austen | .... | unit manager | |
| Marie-Françoise Eugene | .... | unit manager | |
| Pascal Klein | .... | unit manager | |
| Jacky Lapointe | .... | unit manager | |
| Alain Olivieri | .... | unit manager | |
| Philippe Savournin | .... | unit manager | |
| Janou Shammas | .... | unit manager | |
| Roland Thénot | .... | production manager (as Roland Thenot) | |
Second Unit Director or Assistant Director | |||
| Pascal Baeumler | .... | assistant director | |
| Xavier Castano | .... | assistant director | |
| Isabelle Henri | .... | assistant director (as Isabelle Henry) | |
| Emmanuel Touraille | .... | assistant director | |
Art Department | |||
| Jean-Pierre Cognard | .... | assistant decorator | |
| Jean Marc Druais | .... | assistant decorator (as Jean-Marc Druais) | |
| Thomas Godelle | .... | assistant decorator | |
| Marcel Laude | .... | property master | |
| Christian Marti | .... | assistant decorator | |
| Patrick Martin | .... | assistant decorator | |
| Christian Tamisier | .... | assistant decorator | |
Sound Department | |||
| Jocelyne Cartier-Stern | .... | dubbing (as Jocelyne Cartier) | |
| Bernard Chaumeil | .... | boom operator | |
| Pierre Gamet | .... | sound | |
| François Groult | .... | assistant sound mixer | |
| Dominique Hennequin | .... | sound | |
| Gérard Lamps | .... | sound recordist (as Gerard Lamps) | |
| Mireille Leroy | .... | sound editor | |
| Alain Lévy | .... | foley artist (as Alain Levy) | |
| Jacques Lévy | .... | dubbing (as Jacques Levy) | |
| Jérôme Lévy | .... | foley artist (as Jerome Levy) | |
| Maryline Monthieux | .... | sound editor | |
| Laurent Quaglio | .... | sound | |
Special Effects by | |||
| Jean-Marc Mouligne | .... | special effects | |
| Paul Trielli | .... | special effects | |
Camera and Electrical Department | |||
| Jean-Luc Bezeau | .... | grip | |
| Louis Bihi | .... | electrician | |
| Bernard Brégier | .... | grip (as Bernard Bregier) | |
| Gerard Buffard | .... | grip | |
| Bernard Caroff | .... | electrician | |
| Rémy Chevrin | .... | assistant camera (as Remy Chevrin) | |
| Benoît Delhomme | .... | assistant camera | |
| Etienne George | .... | still photographer | |
| Franck Landron | .... | assistant camera | |
| Gilles Lienard | .... | electrician | |
| Pierre Novion | .... | assistant camera | |
| Georges Pierre | .... | still photographer | |
| Bernard Prim | .... | still photographer | |
| Gérard Rival | .... | grip (as Gerard Rival) | |
| Christian Weyers | .... | electrician | |
Costume and Wardrobe Department | |||
| Madeline Fontaine | .... | costumer | |
| Simone Leroy | .... | costumer | |
| Paule Mangenot | .... | costumer | |
| Gil Noir | .... | costumer | |
| Michèle Richer | .... | costumer (as Michele Richer) | |
| Catherine Taisson | .... | costumer | |
| Claudia Tenaglia | .... | costumer | |
Editorial Department | |||
| Corinne Rozenberg | .... | assistant editor | |
| Catherine Sabbah | .... | assistant editor | |
Music Department | |||
| Gabriel Bacquier | .... | singing voice: "Monsieur" | |
| Eve Brenner | .... | singing voice: "Madame" | |
| Sophie Coussein | .... | music editor: songs | |
| Roland Guillotel | .... | music mixer | |
| Roland Guillotel | .... | music recordist | |
| Maurice Guis | .... | musician: psalterion | |
| Jean-Claude Petit | .... | conductor | |
| Virginie Petit | .... | musical director | |
| Pascal Revelard | .... | music editor: songs | |
| Emmanuelle Simon | .... | music editor: songs | |
| Toots Thielemans | .... | musician: harmonica solo | |
Other crew | |||
| Michel Andre | .... | animal director | |
| Bernard Bruna | .... | animal director | |
| Josée Bénabent-Loiseau | .... | press attache (as Josee Benabent Loiseau) | |
| Jean-Paul Camail | .... | location manager | |
| Frederic Fouille | .... | location manager (as Frederic Fouillé) | |
| Denise Henry | .... | production secretary | |
| Gilles Loutfi | .... | location manager (as Gilles G. Loutfi) | |
| Andre Pavon | .... | animal director | |
| Tamara Setton | .... | administrator | |
| Colette Suder | .... | administrator | |
| Hélène Sébillotte | .... | script supervisor (as Helene Sebillotte) | |
| Jackline Tolianker | .... | production secretary (as Jacqueline Tolianker) | |
| Dominique Trebert | .... | location manager | |
| Jean-Pierre Vincent | .... | press attache | |
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| Jean de Florette | My Father's Glory | Madame Bovary | Strayed | My Mother's Castle |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb Italy section |
Following the death of her father, Manon (Emmanuelle Beart) has remained in the farm house tending goats. Galinette (Auteuil) and his uncle Cesar (Montard) have greatly prospered from the fresh spring water and their carnations grow well. Galinette begins to turn towards ideas of love and steadily falls for the distant Manon. Meanwhile she has discovered the treachery that once befell her father and begins her plan to uncover the culprits.
This follows on from the open-ended story of "Jean de Florette". Time has passed and Manon is now a beautiful young woman. This film will satisfy those who felt the bleak ending of the first film was not satisfying. This sees those who acted in greed receive their deserves. As a conclusion to the story it is satisfactory - the film begins quite relaxed and is quite humorous throughout. However the "punishment" of both Galinette and Cesar is moving. Cesar's fate is particularly impacting and you feel sorry for him and his greediness.
The performances are not as strong as before. In the first film both Montard and Auteuil had set characters to play. Here they are less set and act out their roles rather than their characters. Beart is good as Manon, but she is too different in heart from the angel of the first - it's understandable why she has changed but where she was since the last film is not clear, it's unlikely that her mother would have left her at the farm or that she would have let her leave to return. But this is a minor complaint over a moving tale of deserves. I would say this rather than revenge - because both Galinette and Cesar bring their pains upon themselves.
My only problem with this is that it follows the story of the first film. However to me the first film was more about human nature (greed & hope specifically) rather than the story of the farmland and the spring. Although the end of Jean de Florette was bleak it was perhaps understandable that things should end that way. That said this is a good conclusion to the story if that's what you want - although as a further look at human nature it doesn't convince as well as the first did.
Manon des Sources is a good film that has all the visual beauty of the first film and continues the strong emotive story - as a pair of films they are an excellent piece of work. However for me, the first film is so strong in all areas that it leaves too much for the second to live up to.
A moving sequel that almost manages to live up to what went before.