| Photos (See all 26 | slideshow) |
| William Petersen | ... | Will Graham | |
| Kim Greist | ... | Molly Graham | |
| Joan Allen | ... | Reba McClane | |
| Brian Cox | ... | Dr. Hannibal Lecktor | |
| Dennis Farina | ... | Jack Crawford | |
| Tom Noonan | ... | Francis Dollarhyde | |
| Stephen Lang | ... | Freddy Lounds | |
| David Seaman | ... | Kevin Graham | |
| Benjamin Hendrickson | ... | Dr. Frederick Chilton | |
| Michael Talbott | ... | Geehan | |
| Dan Butler | ... | Jimmy Price (as Dan E. Butler) | |
| Michele Shay | ... | Beverly Katz | |
| Robin Moseley | ... | Sarah | |
| Paul Perri | ... | Dr. Sidney Bloom | |
| Patricia Charbonneau | ... | Mrs. Sherman | |
| Bill Cwikowski | ... | Ralph Dandridge | |
| Alex Neil | ... | Eileen | |
| Norman Snow | ... | Springfield | |
| Jim Zubiena | ... | Spurgen | |
| Frankie Faison | ... | Lt. Fisk | |
| Garcelle Beauvais | ... | Young Woman Housebuyer | |
| Joanne Camp | ... | Mother on Plane | |
| David Allen Brooks | ... | Mr. Leeds (as David A. Brooks) | |
| Elisabeth Ryall | ... | Mrs. Leeds (as Lisa Ryall) | |
| Chris Elliott | ... | Zeller | |
| Gary Chavaras | ... | Guard | |
| Chris Cianciolo | ... | Attendant | |
| Ken Colquit | ... | Husband Housebuyer (as Ken Colquitt) | |
| Ron Fitzgerald | ... | Storage Guard #1 | |
| Dennis Quick | ... | Storage Guard #2 | |
| David Meeks | ... | Dr. Warfield | |
| Sherman Michaels | ... | Technician | |
| Robin Trapp | ... | Secretary #1 | |
| Lisa Winters | ... | Secretary #2 | |
| Daniel T. Snow | ... | State Trooper | |
| Cynthia Chvatal | ... | Airport Waitress | |
| King White | ... | Swat Man | |
| Mickey Lloyd | ... | Atlanta Detective | |
| Dawn Carmen | ... | Child on Plane | |
| David Fitzsimmons | ... | Bill | |
| Robert A. Burton | ... | Doctor | |
| Steve Hogan | ... | Helicopter Pilot | |
| Mickey Pugh | ... | Lear Jet Technician | |
| Kin Shriner | ... | Mr. Sherman | |
| John Posey | ... | Mr. Jacobi | |
| Kristin Holby | ... | Mrs. Jacobi | |
| Greg Kelly | ... | Jacobi Boy #1 | |
| Brian Kelly | ... | Jacobi Boy #2 | |
| Ryan Langhorne | ... | Jacobi Boy #3 | |
| Hannah Caggiano | ... | Sherman Child #1 | |
| Lindsey Fonora | ... | Sherman Child #2 | |
| Jason Frair | ... | Leeds Child #1 | |
| Bryant Arrants | ... | Leeds Child #2 | |
| Christopher Arrants | ... | Leeds Child #3 | |
| Melvin Clark | ... | SWAT Team Member | |
| Renee Ayala | ... | SWAT Team Member | |
| Dana Dewey | ... | SWAT Team Member | |
| Stephen Hawkins | ... | SWAT Team Member | |
| Leonard Johnson | ... | SWAT Team Member | |
| Keith Pyles | ... | SWAT Team Member | |
| Michael Russell | ... | SWAT Team Member | |
| Michael Vitug | ... | SWAT Team Member | |
| Pat Williams | ... | SWAT Team Member | |
| Charles Yarbaugh | ... | SWAT Team Member | |
| Bill Smitrovich | ... | Lloyd Bowman | |
| Peter Maloney | ... | Dr. Dominick Princi | |
| Michael D. Roberts | ... | The Runner | |
| rest of cast listed alphabetically: | |||
| Marshall Bell | ... | Atlanta Policeman (uncredited) | |
| Gusmano Cesaretti | ... | National Tattler Photographer (uncredited) | |
| Annie McEnroe | ... | Stewardess (uncredited) | |
Directed by | |||
| Michael Mann | |||
Writing credits | ||
| Thomas Harris | (novel "Red Dragon") | |
| Michael Mann | (screenplay) | |
Produced by | |||
| Richard Roth | .... | producer | |
| Bernard Williams | .... | executive producer | |
| Dino De Laurentiis | .... | executive producer (uncredited) | |
Original Music by | |||
| The Reds | |||
| Michel Rubini | |||
Cinematography by | |||
| Dante Spinotti | |||
Film Editing by | |||
| Dov Hoenig | |||
Casting by | |||
| Bonnie Timmermann | |||
Production Design by | |||
| Mel Bourne | |||
Art Direction by | |||
| Jack Blackman | |||
Costume Design by | |||
| Colleen Atwood | |||
Makeup Department | |||
| Kareen Boursier | .... | hair stylist | |
| John Caglione Jr. | .... | special makeup designer | |
| Doug Drexler | .... | special makeup designer | |
| Stefano Fava | .... | chief makeup artist | |
| Sharon Ilson | .... | assistant makeup artist (as Sharon Ilson Reed) | |
| Neal Martz | .... | special makeup lab | |
| Gene Witham | .... | makeup artist | |
| Jeff Goodwin | .... | makeup artist (uncredited) | |
Production Management | |||
| Don Kurt | .... | post-production supervisor | |
| Jon Landau | .... | unit production manager | |
| Peter R. McIntosh | .... | unit production manager (as Peter McIntosh) | |
| Bernard Williams | .... | unit production manager | |
Art Department | |||
| Joseph Bernard | .... | concept artist | |
| Tristan Paris Bourne | .... | set dresser (as Tristan Bourne) | |
| David Brace | .... | lead man | |
| David Brace | .... | set dresser | |
| Steve Davis | .... | assistant set decorator | |
| Anthony Dunne | .... | construction coordinator (as Tony Dunne) | |
| Jim Hill | .... | supervising carpenter | |
| Linda Kiffe | .... | assistant property master | |
| John D. Kretschmer | .... | set dresser (as John Kretschmer) | |
| Todd B. Lawson | .... | propmaker | |
| Alba Leone | .... | on-set dresser | |
| Charles E. McCarry | .... | assistant art director (as Charles McCarry) | |
| Julie Plakanis | .... | assistant art director | |
| Mickey Pugh | .... | property master | |
| Mickey Pugh | .... | stand-by | |
| Dawn Snyder | .... | draftswoman | |
| A.E. Stapleton | .... | shop foreman (as Jeep Stapleton) | |
| Charles Stewart | .... | property master | |
| Brian Stultz | .... | scenic artist (as Brian Stolz) | |
| Dean Taucher | .... | assistant art director | |
| Dean Taucher | .... | head scenic artist | |
| Joan Travis | .... | set dresser | |
| Mark S. Turner | .... | scenic | |
| Brian Kontz | .... | plasterer (uncredited) | |
Sound Department | |||
| George H. Anderson | .... | sound editor | |
| David A. Arnold | .... | sound editor | |
| Michael J. Benavente | .... | sound editor | |
| Steve Borne | .... | sound editor (as Steve Born) | |
| Ed Callahan | .... | sound editor | |
| Don Digirolamo | .... | sound re-recording mixer | |
| Susan Dudeck | .... | sound editor (as Susan M. Dudeck) | |
| Jim Fitzpatrick | .... | stereo sound consultant: Dolby | |
| Robert Glass | .... | sound re-recording mixer (as Bob Glass) | |
| Scott Hecker | .... | sound editor (as Scott A. Hecker) | |
| J. Paul Huntsman | .... | looping editor | |
| Robert Knudson | .... | sound re-recording mixer (as Buzz Knudson) | |
| John A. Larsen | .... | sound editor | |
| John W. Mitchell | .... | sound mixer (as John Mitchell) | |
| Bob Newlan | .... | sound editor | |
| Dan O'Connell | .... | foley artist | |
| Keith Pamplin | .... | boom operator | |
| Tom Passmore | .... | sound assistant | |
| Robert R. Rutledge | .... | supervising sound editor | |
| Frank Serafine | .... | sound editor | |
| Charles Ewing Smith | .... | sound editor (as Charles E. Smith) | |
| Jay Wilkinson | .... | sound editor | |
| Ed Golya | .... | adr mixer (uncredited) | |
Special Effects by | |||
| Wayne Beauchamp | .... | pyrotechnician | |
| Joe Digaetano | .... | special effects supervisor (as Joseph Digaetano III) | |
| R.J. Hohman | .... | special effects assistant (as R. J. Hohman) | |
| Larry Reid | .... | special effects assistant (as Larry Daniel Reid) | |
Visual Effects by | |||
| Gusmano Cesaretti | .... | visual consultant | |
Stunts | |||
| Jack Carpenter | .... | stunts | |
| Bud Davis | .... | stunt coordinator | |
| Bud Davis | .... | stunts | |
| Chuck Hart | .... | stunts | |
| Michael Haynes | .... | stunts (as Mike Haines) | |
| Bernard Johnson | .... | stunts | |
| Larry Modlin | .... | stunts | |
| Don Pulford | .... | stunts | |
| Dennis Scott | .... | stunts | |
| Debra Shuckman | .... | stunts (as Deborah Shuckman) | |
Casting Department | |||
| Mac Bass | .... | extras casting | |
| Mark Fincannon | .... | additional casting | |
Costume and Wardrobe Department | |||
| Jennifer L. Bryan | .... | wardrobe assistant (as Jennifer Bryan) | |
| William A. Campbell | .... | wardrobe supervisor (as Bill Campbell) | |
| John A. Dunn | .... | assistant costume designer | |
| Tom McKinney | .... | wardrobe buyer | |
| Susie Money | .... | wardrobe assistant | |
| Ursula Schrader | .... | wardrobe supervisor (as Ursula Schraeder) | |
| Hartsell Taylor | .... | wardrobe assistant | |
Editorial Department | |||
| Dan Engstrom | .... | second assistant editor | |
| Daniel S. Frisch | .... | post-production assistant | |
| Richard D. Keefe | .... | assistant editor | |
Music Department | |||
| George A. Martin | .... | music editor | |
| Michel Rubini | .... | musician | |
| Greg Fulginiti | .... | music engineer (uncredited) | |
Transportation Department | |||
| Eric Bartsch | .... | driver | |
| Ron Bledsoe | .... | transportation | |
| Howard Brady Davidson | .... | transportation captain (as Howard Davidson) | |
| Allan Hamilton | .... | transportation captain (as Allan D. Hamilton) | |
Thanks | |||
| Gudmund Vigtel | .... | special acknowledgment of thanks (as Director of High Museum of Art Gudmund Vigtel) | |
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| Red Dragon | So Sweet, So Dead | The Departed | 15 Minutes | The Fugitive |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Crime section | IMDb USA section |
I'm starting to think that I may be one of the only people who saw this film when it was originally theatrically released! Years after that, as a freshman in college, I was managing a video store when a woman came in looking for the recently released `Silence of the Lambs.' She said she knew William Petersen from childhood and told me that he was in THE first Hannibal the Cannibal movie. Having not read the novel or seen the movie for a while, I never related the two before that. But I specifically remembered `Manhunter' for its creepy killer, spectacular use of Iron Butterfly, and the strange & frightening notion (for then) of FBI profiling. These three details alone speak volumes for the film's acting, style and writing. The irony of forcing oneself to share the same maniacal thoughts as a killer in order to catch them is the stuff of nightmares. Since reconnecting with `Manhunter' back then, I've remained a constant fan of the film.
But the film suffers today in several ways. First off, any comparison to `Silence of the Lambs' is going to come up short. `Silence' is simply a better film a classic of the highest caliber that will continue to sustain itself with the passage of time. Those already acquainted with Jonathan Demme's world will probably have a hard time accepting `Manhunter.' But audiences should judge the film on its own merits, and recognize that unlike `Red Dragon' it was not designed to resemble an established world of a classic movie which is both a curse and an advantage for both films. I recently saw `Red Dragon,' by the way, and loved it. Walking out, I found myself asking whether I liked it better than `Manhunter.' These comparisons can get very silly because not only am I basing my impressions on a book, but also a previously filmed version and a closely related `sequel.' Best method: let each stand alone, THEN decide if either was successful. Both films succeed for similar and different reasons.
The approach of `Manhunter' is much more cold and observational than `Red Dragon.' This style (often concerned with widely symmetrical composition), like Kubrick's, can greatly benefit the story if used properly. I really liked it here. The neatness and sterility of the 80s décor also works perfectly in this format, providing a nice contrast to the horrors sometimes contained within its walls.
As for the music, it has not aged well. The synthesized stuff in the first hour is effective at times (especially when it's just a single, sustained note a la John Carpenter, or those bits that sound like `Blade Runner'), and the inclusion of In-a-Gadda-da-Vida is inspired, but the electronic balladry during Dolarhyde's romance is simply awful and detract from the scenes. Obviously, the danger of using such modern music is that it can become outdated and cheesy very quick. Is it just me, or does this especially seem true of 80s music? Given Michael Mann's career, he clearly wouldn't agree. I guess one never knows. The Tangerine Dream score for `Risky Business' or Phillip Glass' for `Thin Blue Line,' for example, still hold up remarkably well from this period.
The performances, however, are still wonderful. Petersen (whom I've heard didn't like the job he did) reaches just the right blend of seeming haunted, detached, morose, and as Dolarhyde describes him, purposeful. Dennis Farina, himself a former Chicago cop, exudes realistic authority as Jack Crawford. Tom Noonan obtains a disturbing childlike innocence and deliberation in his terror. And Brian Cox poor guy, will always be compared to Anthony Hopkins. It's unfair because he gives us a Lecter that is different, to be sure, but intelligent in a way that, to me, is more realistic, intriguing and ultimately frightening. Hopkins' Hannibal is so supremely horrible that he's practically supernatural at this point, not unlike Dracula or the Wolfman. I enjoy all of that too, but just on a different level.
8/10