Will Graham is a former FBI agent who recently retired to Florida with his wife Molly and their young son. Graham was a 'profiler'; one who profiles criminal's behavior and tries to put his mind into the minds of criminals to examine their thoughts while visiting crime scenes. Will is called out of his self-imposed retirement at the request of his former boss Jack Crawford to help the FBI catch an elusive serial killer, known to the press as the 'Tooth Fairy', who randomly kills whole families in their houses during nights of the full moon and leaves bite marks on his victims. To try to search for clues to get into the mind of the killer, Will has occasional meetings with Dr. Hannibal Lecktor, a charismatic but very dangerous imprisoned serial killer that Will captured years earlier which nearly drove him insane from the horrific encounter that nearly cost Will's life. With some help and hindrance, Will races against the clock before the next full moon when the 'Tooth Fairy' will ... Written by
Curiously enough, Michael Mann had initially considered fellow filmmaker William Friedkin for the part of Hannibal Lecktor, but when Brian Dennehy - also a prospective Hannibal - insisted that Mann see Scotsman Brian Cox in the acclaimed 1984 off-Broadway production of "Rat in the Skull, " Mann was instantly won over by Cox's award-winning performance. Cox's scenes as Lecktor were shot over a three-day period. See more »
Close to the beginning of the movie as Will & Kevin are outside and Jack & Molly are sitting at the coffee table talking; there are figures seen moving in the reflection on the coffee table one of which is holding a video camera. See more »
We should have talked at the boatyard. You don't wanna talk about it here.
I'm not fallin' all over myself to talk about much anywhere, Jack.
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This film reminds me of a deglamorized verison of the Hannibal films. IMO it has a more realistic view to it. Instead of the likable and friendly Ed Norton, we have the moody and intense William Petersen playing Will Graham. Brian Cox's Hannibal is just as clever as Anthony Hopkins' but not as charismatic. Thus, that makes him more realistic, instead of superhuman, like the character later becomes. Instead of a spooky dark basement prison as in Slience or Hannibal, we have an austure white cell. Ralph Fiennes' Dolarhyde is quiet to the point of being a mute and almost semi retarded almost. I can't see how the girl would be attacted to him (even if she is blind). Tom Noonhan's Dolarhyde is more amible and friendly. He actually speaks in a friendly voice, at times even being a normal person. Even the ending is more realistic. Instead of having a supspense full thilling end, it ends rather anti-climaticly...but thus is life.
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