During the process of making the sphere of plutonium Paul doesn't use any type of protection (filter) from airborne plutonium particles. There is a high probability of death when plutonium is inhaled. As a minimum it results in radiation sickness. See more »
Dr. John Matthewson:
Now, the beta synchrotron sends the electrons through this magnet which bends the course of them down to the reaction vessel. Stay away from that elbow joint. All right. Bran, you want to get that? Now, this is a tunable excimer laser. It's tuned to the exact resonance of the plutonium-239 that's in the reaction vessel down at that end. Now, I think we're all set. Hit it.
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If the beauty of film is that it encourages us to briefly suspend our disbelief and enjoy experiencing a different world, The Manhattan Project simply demands too much suspension of disbelief to make this possible.
Almost every plot point in The Manhattan Project is an absolute impossibility in real life, even though the dramatic power of this film ostensibly derives from the notion that something remotely like this could really happen. From nuclear radiation triggering detectors without hurting people, to a single rent-a-cop defending an entire nuclear weapons lab, to one teenager doing in a month what took Oppenheimer and company years, to the U.S. military letting national security breaches walk away into the sunset, there is just no way to focus on the story when faced with so many intellectual insults.
On the bright side, the science in the movie is presented well and seems fairly accurate, so it does seem like the filmmakers at least tried to make something special out of an insufficient screenplay. The Manhattan Project is not a terrible movie, but it does suffer from too many inexcusable lapses to be called good. Just like the most realistic character in the movie, this film is a bomb.
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