Maine Ocean (1986)
For example: A priest and a boy are sitting in the waiting room of a country estate. The boy stands up to look at some paintings that are hanging on the wall, and Ruiz cuts from the boy's perspective of the paintings to some reverse shots of him to some vague and distorted images (suggesting "memories" in '40s shorthand) and then back to the wide shot of the waiting room—the trusty,
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