District Attorney Tom Logan is set for higher office, at least until he becomes involved with defence lawyer Laura Kelly and her unpredictable client Chelsea Deardon. It seems the least of ... See full summary »
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District Attorney Tom Logan is set for higher office, at least until he becomes involved with defence lawyer Laura Kelly and her unpredictable client Chelsea Deardon. It seems the least of Chelsea's crimes is the theft of a very valuable painting, but as the women persuade Logan to investigate further and to cut some official corners, a much more sinister scenario starts to emerge. Written by
Jeremy Perkins <firstname.lastname@example.org>
Tom Logan has a law partner who put a dog on the witness stand. A client who can't enter a room without a crime being committed. And a case that could turn out to be the murder of the year. His. See more »
The script for this movie started out as a documentary on the battle over the estate of artist Mark Rothko. See more »
The night Logan can't sleep and Chelsea arrives at his apartment, there is falling rain vigorously streaking the outside of his window (and later Chelsea's window when they arrive at her loft) but exterior scenes have only wet streets. See more »
Ladies and gentlemen, Chelsea Deardon didn't kill Victor Taft. The prosecution has suggested a possible motive, but one based on hearsay, conjecture and circumstantial evidence. Evidence that appears to have some substance, but upon closer examination, will prove to have no relevance whatsoever to this case.
[stops and looks at the jury]
You're not buying this, are you? You're not listening to a word I'm saying. Yeah? Guess what? I don't blame you. After listening to Mr. Blanchard lay out the ...
[...] See more »
charming is the right word. because it is a nice film, without high ambitions and using old recipes, mixture of crime and romance, with a good performance of Daryll Hannah and same Redford who does a seductive character. a movie who can not be real convincing but who know explore in a smart manner, the common clichés. and that is its great virtue - to not be serious or a parody but a perfect choice for Sunday evening. the secret - maybe, courage to use tricks from old romantic comedies in decent doses. and it works at whole. the vulnerability of characters, the action scenes, the thin artistic stain, all as tools for a charming show who reminds classic films and who can be opportunity for rediscover good actors at duty.
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