District Attorney Tom Logan is set for higher office, at least until he becomes involved with defence lawyer Laura Kelly and her unpredictable client Chelsea Deardon...
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District Attorney Tom Logan is set for higher office, at least until he becomes involved with defence lawyer Laura Kelly and her unpredictable client Chelsea Deardon. It seems the least of Chelsea's crimes is the theft of a very valuable painting, but as the women persuade Logan to investigate further and to cut some official corners, a much more sinister scenario starts to emerge.
Written by Jeremy Perkins <jwp@aber.ac.uk>
Debra Winger actually left the powerful CAA agency over this film. She felt that since all the major cast and crew members were with CAA at the time, they did not hire the best people, they hired only clients who could get the film made.
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Goofs
Continuity:
The night Logan can't sleep and Chelsea arrives at his apartment, there is falling rain vigorously streaking the outside of his window (and later Chelsea's window when they arrive at her loft) but exterior scenes have only wet streets.
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Quotes
Tom Logan:
Ladies and gentlemen, Chelsea Deardon didn't kill Victor Taft. The prosecution has suggested a possible motive, but one based on hearsay, conjecture and circumstantial evidence. Evidence that appears to have some substance, but upon closer examination, will prove to have no relevance whatsoever to this case.
[stops and looks at the jury]
Tom Logan:
You're not buying this, are you? You're not listening to a word I'm saying. Yeah? Guess what? I don't blame you. After listening to Mr. Blanchard lay out the prosecution's evidence, even I'M convinced my client murdered Victor Taft.
[...]
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