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District Attorney Tom Logan is set for higher office, at least until he becomes involved with defence lawyer Laura Kelly and her unpredictable client Chelsea Deardon. It seems the least of Chelsea's crimes is the theft of a very valuable painting, but as the women persuade Logan to investigate further and to cut some official corners, a much more sinister scenario starts to emerge. Written by
Jeremy Perkins <firstname.lastname@example.org>
When Kelly and Logan enter Taft's warehouse, it's sunny with a few clouds. Moments later, when Taft closes the warehouse door, it's still broad daylight with bright sun. But a minute later when Kelly and Logan escape the warehouse, it's dusk and the buildings in the Manhattan skyline have their lights on. See more »
You don't get actors like Redford and Winger anymore. The subtleties in their facial expressions, the humanness of their characters are evident in each move they make and each action. In a sense, there is no 'acting', since the storyline, the characters and the flow reach a natural confluence. The only character that makes me feel a bit uncomfortable is Daryl Hannah's Chelsea - the performance artist. Brian Dennehy is also a little underutilised, but the movie is really a swinger for both Winger and Redford who make their attraction and talent as attorneys believable.
I've seen this movie about 5 times over the years and I never get sick of it. Though I know the plot, each time I find myself watching the actors rather than predicting the storyline. Its just great and really, so easy to watch and enjoy. There is humour, old fashioned romance, good IL' bad guys vs good guys, a bit of blood and gore and a lot of fine art thrown in. I highly recommend it!
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