The death of King Henry VIII throws his kingdom into chaos because of succession disputes. His weak son Edward, is on his deathbed. Anxious to keep England true to the Reformation, a ...
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A debauched nobleman offers himself to a beautiful woman, but she is repelled by his advances. He dons a mask and tries again, and this time is more successful. But the mask cannot conceal ... See full summary »
Helena Bonham Carter,
Feodor Chaliapin Jr.
An impoverished woman who has been forced to choose between a privileged life with her wealthy aunt and her journalist lover, befriends an American heiress. When she discovers the heiress is attracted to her own lover and is dying, she sees a chance to have both the privileged life she cannot give up and the lover she cannot live without.
Helena Bonham Carter,
Based on the controversial novel by Philippa Gregory, "The Other Boleyn Girl" is a fictionalised account of the life of Lady Mary Boleyn who becomes mistress to England's King Henry VIII, ... See full summary »
Muriel, François and René, three childhood friends from a working class neighbourhood of Marseille, suddenly stop their careers as thieves after having killed a jeweller.To keep a low ... See full summary »
Edwardian child Enid Blyton begins to tell stories to her brothers as an escape from their parents' rows before the father deserts the family. Whilst training as a teacher after the Great ... See full summary »
Helena Bonham Carter,
During the 16th Century, the Catholic Mary, Queen of Scots engages in over two decades of religious and political conflict with her cousin, the Protestant Queen Elizabeth I of England, amidst political intrigue in her native land.
The death of King Henry VIII throws his kingdom into chaos because of succession disputes. His weak son Edward, is on his deathbed. Anxious to keep England true to the Reformation, a scheming minister John Dudley marries off his son, Guildford to Lady Jane Grey, whom he places on the throne after Edward dies. At first hostile to each other, Guildford and Jane fall in love. But they cannot withstand the course of power which will lead to their ultimate downfall. Written by
Samantha Santa Maria <TE7441667@ntuvax.ntu.ac.sg>
This was the third filmed for the cinema version of the Lady Jane story. The tale had been filmed twice before for the big screen, the most recent at the time was half a century earlier in 1936, as Nine Days a Queen (1936), and before that, the first time in 1923, about sixty-three years earlier, as Lady Jane Grey; Or, The Court of Intrigue (1923). See more »
During the deer hunt in the beginning of the film, the handlers are seen with deer-hounds on a leash. In reality, deer-hounds were set loose to hunt the prey, running it to ground. See more »
You gave them all that money and they just threw it back at you?
Money? Do you know what's happened to the value of money?
[Guilford slides Jane a coin]
No, it isn't. It's a shilling.
It can't be, shillings are made of silver.
Should be, used to be. But not now.
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"The next time I see your face, I want it for eternity." If you know much at all about Lady Jane Grey and her unfortunate marriage to Guildford Dudley, you must know this cannot at all be what she said to him as they were parted for the last time. Yet the story branches away from the historical aspects of Jane's life and builds up a romance completely created in the minds of the writers, who have done an excellent job. In the beginning, the scene at Bradgate in Leicester, with the dance for the King, is extremely well shot. The plot thickens between the cunning Earl of Northumberland and the cold, greedy Duchess of Suffolk, while Jane argues theology with the Catholic doctor. Comparing this with history, I believe this was also very well written; from what I've read on Jane Grey (I have done extensive Tudor period research) I know she was very Protestant and, unlike the later Queen Elizabeth, very willing to argue on the topic of religion. Perhaps my favorite scene in the entire movie is the one where Jane goes to visit the Princess Mary. In this scene the Renaissance class system is extremely well depicted. The outwardly friendly but rather sneaky nature the Princess' maid (I believe that is Lady Anne Wharton) conducts herself shows the "subservience of the lesser nobility"; the proud way Jane speaks to the maid shows what the upper nobility could do; and then the regal, majestic, icy cold way the Princess Mary enters the room and "embraces" her second-cousin is the perfect example of a Princess of two royal bloodlines. Later, the love that blooms between Guildford and Jane will, without a doubt, sweep you off your feet. If you've ever been in love, I guarantee you'll relive some fond memories there. Overall, an excellent movie and highly recommended.
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