Labyrinth (1986)

15-year-old Sarah accidentally wishes her baby half-brother, Toby, away to the Goblin King Jareth who will keep Toby if Sarah does not complete his Labyrinth in 13 hours.

Director:

Jim Henson

Writers:

Dennis Lee (story), Jim Henson (story),

Stars:

David Bowie, Jennifer Connelly, Toby Froud

Nominated for 1 BAFTA Film Award. Another 3 nominations.

Cast

Cast overview, first billed only:
David Bowie	...	Jareth the Goblin King
Jennifer Connelly	...	Sarah
Toby Froud	...	Toby
Shelley Thompson	...	Stepmother
Christopher Malcolm	...	Father
Natalie Finland	...	Fairy
Shari Weiser	...	Hoggle
Brian Henson	...	Hoggle / Goblin (voice)
Ron Mueck	...	Ludo / Firey 2 / Goblin (voice)
Rob Mills	...	Ludo / Firey 3
Dave Goelz	...	Didymus / The Hat / The Four Guards / Left Door Knocker / Firey 3 (voice) (as David Goelz)
David Alan Barclay	...	Didymus / Firey 1
David Shaughnessy	...	Didymus / The Hat / The Four Guards / Goblin (voice) (as David Shaughnessy)
Karen Prell	...	The Worm / The Junk Lady / Firey 2
Timothy Bateson	...	The Worm / The Four Guards / Goblin (voice)

Storyline

Young Sarah is left home alone by her parents and she has to babysit her little brother Toby. But the baby keeps crying and Sarah, while telling him a story to make him sleep, inadvertently conjures from a fantasy world the Goblin King who steals the child and brings him to his castle in the middle of a labyrinth. Sarah has to rescue him before midnight, or the baby will became a goblin...

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Plot Keywords:

goblin | labyrinth | baby | child | castle | 

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Taglines:

A' mazing tale of never-ending fantasy.

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Genres:

Adventure | Family | Fantasy | Musical

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Certificate:

PG

Details

Country:

UK USA

Language:

English

Release Date:

27 June 1986 (USA)

Also Known As:

Laberinto

Filming Locations:

West Wycombe Park, West Wycombe, Buckinghamshire, England, UK

Box Office

Budget:

$25,000,000 (estimated)

Gross:

$12,729,917 (USA)

Company Credits

Production Co:

Henson Associates (HA), Lucasfilm, Jim Henson Company, The

Technical Specs

Runtime:

101 min

Sound Mix:

Dolby

Color:

Color

Aspect Ratio:

2.35 : 1

Did You Know?

Trivia

The various things that Jareth does with the crystal balls (rolling them around his arms and in his hands and so forth) are not camera tricks or any other kind of special effect. They are actually done by choreographer Michael Moschen, who is an accomplished juggler. Moschen was actually crouched behind Bowie with his arm(s) replacing Bowie's. Unlike a typical Muppet performance, however, he had no video screen to view his performance. In other words, his manipulations were performed completely blind.

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Goofs

Early on, around when Sarah reluctantly sends Merlin into the garage, the hand in which she holds some of her dress in a bundle - changes between shots.

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Quotes

Didymus: Ambrocious, unlock this door!
[a spear point taps him on the shoulder, and someone clears his throat. Didymus turns around, and sees a squad of mounted goblins pointing their spears at his chest]
Didymus: So, had enough, eh? All right then, throw down your weapons, and I'll see that you're well-treated.

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Connections

Referenced in The Nostalgia Critic: Suburban Knights: Part VI (2011)

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Soundtracks

"Within You"
Performed by David Bowie
Written by David Bowie
Produced by David Bowie and Arif Mardin

User Reviews

A relic of a time that seems wonderful by comparison

Oh dear, Jim Henson, you are sorely missed. Not necessarily because you went before your time, or even in somewhat rotten circumstances. No, it is because unlike the purveyors of so-called family entertainment these days, your work was actually entertaining to the whole family. When I was a lad, I used to think these films were childish and patronising. By comparison to what is being aimed at the children of my cousins, it is MENSA material, and I realise now that it was far more brilliant than I had previously given it credit for. Indeed, compared to the "you're not good if you don't have good feelings" rubbish that the likes of B'Harni fill the heads of children with, Henson productions deserve a medal.

At its heart, Labyrinth is a simple fable about how much we miss something once it is gone. A young girl wishes that her annoying stepbrother would disappear, only to find when he is gone that she misses him. Enter the Goblin King, played with a great malice by David Bowie. The challenge the Goblin King sets almost sounds like a video game. Indeed, one popular Commodore 64 game of the time set the challenge of collecting the pieces to solve a key puzzle to save the world in a certain time period. Labyrinth was even adapted into a game for the Commodore 64. In Labyrinth the film, this young woman named Sarah, played with a certain kind of brilliance by a young Jennifer Connelly, is challenged to navigate a massive labyrinth in less than thirteen hours, lest her brother become one of the Goblins.

It sounds like a very simple idea, and it is. What makes Labyrinth the under-appreciated classic that it is is in the details. As previously indicated, the leads are absolutely brilliant. While David Bowie chews scenery like there is no tomorrow, Jennifer Connelly gets so into her character that she makes it seem perfectly natural when she is interacting with some of Jim Henson's most ludicrous creations. The scene in which she rescues a giant yeti-like thing called Ludo is one of the most superbly-made things in the history of children's film. It is also worth noting that in contrast to the aforementioned normalism of B'Harni and his ilk, Henson's creations taught the valuable lesson that appearances are not the sum total of a living creature's character. Ludo looks like he could tear apart our protagonist, but his manner and speech show him as one of the most gentle and lovable characters ever depicted in film.

As you might guess from this film featuring David Bowie as the top-billed star, there are also a few song and dance numbers. Some of them, such as the magic dance number, are immortally embarrassing. Or at least, they would be, if not for two things. First, the suspension of disbelief that Henson so admirably achieves with his puppets is a real pleasure. Second, Bowie's golden voice could charm the paint off walls. When he sings "I saw my baby, crying hard as babe could cry", it stands out like a stark reminder of why this man used to be able to sign record deals worth tens of millions of dollars. It may even bring tears to your eyes.

If Labyrinth does have a weakness, it is in the closing reels. The final song from Bowie stretches the scene beyond its welcome, but it recovers nicely once Sarah returns to the real world. The compositing work in the Firey sequence is rather lousy, and the story seems to grind to a halt when they do their song and dance number. On the other hand, their song and dance number is still incredibly amusing to behold.

In all, I gave Labyrinth an eight out of ten. It is not perfect. In fact, I wonder if whomever designed Bowie's costume was not playing an elaborate joke upon him. But for all of its problems, Labyrinth is an underrated classic. One of the few films that is advertised as being for all ages, and can entertain audiences of that description. A great light went out in our world when Jim Henson passed away.