King Kong is brought in by an evil ruler to dig for precious gems in a mine when the robot MechaKong is unable to do the task. This leads to the machine and the real Kong engaging in a tremendous battle that threatens to level Japan.
In 1933 New York, an overly ambitious movie producer coerces his cast and hired ship crew to travel to mysterious Skull Island, where they encounter Kong, a giant ape who is immediately smitten with leading lady Ann Darrow.
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A giant ape King Kong, which was shot and fell off the World Trade Center tower, appears to be alive, but is in coma for 10 years and desperately needs a blood transfusion in order to have an artificial heart implanted. Suddenly, in the rainforest, another gigantic ape is found - this time a female. She is brought to the USA, and the heart is successfully implanted. But then King Kong, having sensed the female ape, breaks loose. Written by
Boris Shafir <firstname.lastname@example.org>
This film is listed among the 100 Most Enjoyably Bad Movies Ever Made in Golden Raspberry Award founder John WIlson's book THE OFFICIAL RAZZIE® MOVIE GUIDE. See more »
When the rednecks pour beer into Kong's mouth, he only has a sip. When he spits the beer back out, it's way more than he actually has in his mouth. See more »
Dr. Andrew Ingersoll:
That cost this institute seven million dollars!
Dr. Benson Hughes:
She knows how much it costs. She's been a part of it since we first got Kong's heart resuscitated.
There's nothing wrong with the heart. The damn thing runs like a Swiss watch. It's his blood.
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D: John Guillermin. Linda Hamilton; Brian Kerwin; Mike Starr.
Silly but ambitious sequel to Dino DeLaurentiis' remake of the 1933 classic monster movie. Of all the wonderful stories that could be told using the most famous movie ape of all time, screenwriter Ronald Shusset (Alien, Dead and Buried) opts for a ludicrous tale about an overly involved scientist/doctor/biologist Hamilton and her emotional quest to save Kong. Future comedy talent Starr is wasted as a bad tempered facility guard while co-star Kerwin shows off his Indiana Jones impression as a `wild boy' adventurer. Only DeLaurentiis could make a good idea this bad. However, for a genuine Kong fan, this may provide some light entertainment once you look past the terrible Carlo Rambaldi (King Kong, Alien) visual effects and the rambling, overlong script. Director Guillermin's final theatrical effort.
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