at Crackle

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Directed by | |||
| John G. Avildsen | |||
Writing credits(in alphabetical order) | ||
| Robert Mark Kamen | characters created by | |
| Robert Mark Kamen | written by | |
Produced by | |||
| William J. Cassidy | .... | associate producer | |
| Susan Ekins | .... | associate producer (as Susan E. Ekins) | |
| R.J. Louis | .... | executive producer | |
| Karen Trudy Rosenfelt | .... | associate producer | |
| Jerry Weintraub | .... | producer | |
Original Music by | |||
| Bill Conti | |||
Cinematography by | |||
| James Crabe | |||
Film Editing by | |||
| John G. Avildsen | |||
| David Garfield | |||
| Jane Kurson | |||
Casting by | |||
| Caro Jones | |||
Production Design by | |||
| William J. Cassidy | |||
Art Direction by | |||
| William F. Matthews | |||
Set Decoration by | |||
| Lee Poll | |||
Costume Design by | |||
| Mary Malin | |||
Makeup Department | |||
| John M. Elliott Jr. | .... | key makeup artist (as John Elliott) | |
| John M. Elliott Jr. | .... | makeup department head | |
| Stephen Elsbree | .... | hair stylist | |
| Jim Kail | .... | makeup artist (as James R. Kail) | |
| Cheri Ruff | .... | key hair stylist | |
Production Management | |||
| Howard Pine | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Clifford C. Coleman | .... | first assistant director | |
| Christine Larson | .... | second second assistant director | |
| Dennis Maguire | .... | second assistant director | |
Art Department | |||
| Sam Gordon | .... | property master | |
| Robert Ikeda | .... | set dresser (as Bobby Ikeda) | |
| William James Teegarden | .... | set designer (as Jim Teagarden) | |
| Michael Van Dyke | .... | construction foreman: Hawaii | |
| Robert Van Dyke | .... | propmaker foreman | |
| Hendrik Wynands | .... | construction coordinator | |
Sound Department | |||
| Jim Bullock | .... | foley editor | |
| Blake R. Cornett | .... | first assistant sound editor | |
| Don Digirolamo | .... | sound re-recording mixer | |
| Doreen A. Dixon | .... | supervising adr editor | |
| Robert Glass | .... | sound re-recording mixer | |
| Joseph Holsen | .... | sound editor | |
| Jay Kamen | .... | adr editor | |
| Robert Knudson | .... | sound re-recording mixer | |
| Tom C. McCarthy | .... | supervising sound editor | |
| Greg Orloff | .... | foley mixer | |
| William J. Randall Jr. | .... | sound mixer | |
| William M. Randall Jr. | .... | cable person | |
| Dennis C. Salcedo | .... | cable person: supplemental unit | |
| David Stafford | .... | boom operator | |
| Martha Burns Holsen | .... | sound editor (uncredited) | |
| Carolyn Tapp | .... | foley recordist (uncredited) | |
Special Effects by | |||
| Dennis Dion | .... | special effects foreman | |
| Walter Dion | .... | special effects | |
| Paul Haines | .... | special effects | |
| Al Wininger | .... | special effects | |
Visual Effects by | |||
| Syd Dutton | .... | special visual effects | |
| Bill Taylor | .... | special visual effects | |
Stunts | |||
| Linda Arvidson | .... | stunts | |
| Erik Felix | .... | stunts | |
| Mike Hassett | .... | stunts | |
| Roger Ito | .... | stunts | |
| Lori Lynn Ross | .... | stunts | |
| Bill M. Ryusaki | .... | stunts (as Bill Ryusaki) | |
| Pat E. Johnson | .... | stunt coordinator (uncredited) | |
| Nijel | .... | assistant fight coordinator (uncredited) | |
Camera and Electrical Department | |||
| Craig Denault | .... | camera operator | |
| Alan R. Disler | .... | first assistant camera | |
| Brad Edmiston | .... | first assistant camera | |
| O.T. Henderson | .... | dolly grip | |
| John Lubin | .... | best boy | |
| John Lubin | .... | grip | |
| Ross A. Maehl | .... | gaffer | |
| Ralph Nelson | .... | still photographer (as Ralph Nelson Jr.) | |
| James M. Sheppherd | .... | key grip | |
| Stephen St. John | .... | Steadicam operator | |
| Stephen St. John | .... | camera operator | |
| Ron Veto | .... | key grip: stunt unit | |
| Phil Walker | .... | best boy | |
| Mario Zavala | .... | second assistant camera | |
Costume and Wardrobe Department | |||
| Eddie Marks | .... | costume supervisor: men | |
| Elizabeth Pine | .... | costume supervisor | |
Editorial Department | |||
| Timothy Alverson | .... | first assistant editor | |
| Reid Burns | .... | color timer | |
| Karen Kory | .... | assistant film editor | |
Music Department | |||
| Brooks Arthur | .... | music supervisor | |
| Jack Eskew | .... | orchestrator | |
| Stephen A. Hope | .... | music editor | |
| Dan Wallin | .... | score mixer | |
| Masakazu Yoshizawa | .... | musician | |
| Julie Giroux | .... | orchestrator (uncredited) | |
Transportation Department | |||
| Alan Falco | .... | transportation coordinator | |
| Harry Ueshiro | .... | transportation coordinator | |
Other crew | |||
| Peter Benoit | .... | unit publicist | |
| Pete Corral | .... | location manager (as William 'Pete" Corral) | |
| Paul De Rolf | .... | choreographer | |
| Jose De Vega | .... | choreographer | |
| Jennifer Erskine | .... | assistant to Jerry Weintraub | |
| Joyce Wilson Fetherolf | .... | assistant to director (as Joyce Fetherolf) | |
| Zenko Heshiki | .... | technical advisor | |
| Adam Hill | .... | breakaway statue caster: Paramount Studios | |
| Jeannie Jeha | .... | production coordinator | |
| Pat E. Johnson | .... | martial arts choreographer | |
| Dan Malmuth | .... | assistant to director (as Daniel Malmuth) | |
| Marshall Schlom | .... | script supervisor | |
| Doug Seelig | .... | assistant to director (as Douglas Seelig) | |
| Stephanie Spangler | .... | location scout | |
| Yasukazu Takushi | .... | technical advisor | |
| Jamie Weintraub | .... | assistant to Jerry Weintraub | |
| Jody Weintraub | .... | assistant to Jerry Weintraub | |
| Julie Weintraub | .... | assistant to Jerry Weintraub | |
| Lynette Katselas | .... | dialogue coach (uncredited) | |
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| The Karate Kid, Part III | The Karate Kid | Kung Fu Panda | Back to the Future Part II | Back to the Future Part III |
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| Full cast and crew | Company credits | External reviews |
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Rarely does a sequel live up to the original. This movie is one of my personal favorites. It has taught me many lessons that I still hold dear. They don't make them like this anymore.
I enjoyed the fight scenes. They were handled well. It was an interesting plot to see Mr. Myagi go back to face his old friend. A story of love and friendship that turned to bitter hate over that love. And of how true friendship and true love never really die, as Mr. Myagi saves Sato, even as Sato is cursing him with every filthy insult he can think of ( it's a PG movie, though, so instead of the profane and filth, you hear things like " lower than a snake's belly " and " no honor " instead of the more colorful words we hear in movies these days. )
I loved Mr. Myagi's response to what Daniel asked in the airport. Daniel sees a poster of a karate guy breaking a board and asks if Mr. Myagi can do that. Myagi's response? " Don't know. Never been attacked by tree. "
Live or die, man??? DIE! Wrong!! ( Honk!!! )
Priceless and timeless...