In the year 199X, human civilization has been all but destroyed by a nuclear holocaust. In an age where the strong rule over the weak, the survivors of the fallout struggle over the ... See full summary »
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After a nuclear holocaust tears the world apart, mankind is forced to the harshness of not only the oppression of others who are much more powerful, but the dead earth which seems to be ... See full summary »
A nightmarish combination of cybernetics and psychic potential. At its core: the tortured souls of 2 human beings. Many desire to control this monstrosity, but can its hatred be contained? ... See full summary »
Peace was brought to the land by Kenshirô years ago. But now he is gone; merely a legend. Along with the peace came a distinction in classes, and soon a new era of violence began. A new ... See full summary »
In the year 199X, human civilization has been all but destroyed by a nuclear holocaust. In an age where the strong rule over the weak, the survivors of the fallout struggle over the remaining supply food and water left. Kenshiro, successor to an ancient, deadly martial art known as Hokuto Shinken (Fist of the North Star), wanders the wasteland with seven scars in the shape of the Big Dipper on his chest. This infamous style uses the body's hidden 708 pressure points to destroy opponents from within and allows practitioners to unleash 100% of their humanly strength. Accompanied by a young thief and an orphan girl, this messiah brings justice to this lawless world with the strongest fist in the world. Written by
FIST OF THE NORTH STAR -- ultraviolent anime TV series
"Hokuto no Ken" ("Fist of the North Star," 1984) took its cue from the Australian movies, MAD MAX (1979) and THE ROAD WARRIOR (aka MAD MAX 2, 1981), and pioneered a new style of violent animated action on Japanese television. It presented a more exaggerated version of the movies' post-apocalyptic landscape and its roving bands of savage bikers with Mohawk haircuts, spiked leather and bulging muscles who ravage the budding communities trying to rebuild society in a bleak and devastated terrain. Into the role of defender of the weak steps Ken, master of Hoto Shin Ken, or Fist of the North star, an intricate martial arts system that wreaks havoc on his opponents' nervous systems and causes all kinds of fatal disfigurements, usually an exploding decapitation. The stoic, deadpan Ken brooks no argument with those who offend him and spends most of the series ridding the landscape of these musclebound cretins. To balance out the constant violence with regular doses of sentiment, Ken's empathetic qualities are drawn out by the presence of two children, an adolescent harmonica-playing boy and a young girl saddled with a puppy, who become Ken's companions for much of the series.
While the violence is quite gruesome, the gore is muted by depicting the exploding heads in silhouette or shadow and having the spurting body fluids colored neutral hues. The carnage is, nevertheless, particularly satisfying because we get to watch dozens of murderous thugs get wasted, one by one, in colorful and imaginative ways. (The 1986 animated feature version of this series, also called FIST OF THE NORTH STAR, was much more explicit in its bloodshed.)
The first series lasted for 109 episodes, from 1984 to 1987, while a second series (1987-88) lasted 43 episodes. A number of episodes from the first season have been released in the U.S. and include the first story arc (22 episodes), which involves Ken's quest for vengeance against Shin, his one-time buddy and master of the Fist of the Southern Cross, who took Ken's girl away from him--by force--and left him with a seven-mark scar in the form of Ursa Major, the Big Dipper (or Great Bear) constellation. The second story arc gave Ken a new and equally formidable opponent in Raoh, master of Nanto Suichoken, a technique which literally slices opponents into pieces.
The animation does an expert job of recreating the stark imagery of the original manga (comic book), which was written by "Buronson" and drawn by Tetsuo Hara, capturing the near-desert landscape and spectacular urban ruins in evocative detail. The character design is equally well-etched, with great linework applied to even the most transient characters. Color is used well in both the parched quality of the arid landscape and the flamboyant nature of the rampaging biker gangs with their clown makeup and playing card gang motifs. There's a wash quality, suggesting water colors, in some of the background art. It should be pointed out that the hard-edged look and tone of the series is something traditional pen-and-ink animation could do so well but is much harder to achieve in the overly slick digital animation era in which anime finds itself today. A series like FIST is more to be valued because of the near impossibility of duplicating such an effort today.
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