Four young women driving across the desert to Las Vegas have their road trip turned upside-down when they pick up a handsome, seemingly-friendly hitchhiker. When their car breaks down near a roadside motel in the middle of nowhere, they find themselves trapped with a woman-hating, masochistic killer.
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A young man transporting a car to another state is stalked along the road by a cunning and relentless serial killer who eventually frames the driver for a string of murders. Chased by police and shadowed by the killer, the driver's only help comes from a truck stop waitress. Written by
Keith Loh <firstname.lastname@example.org>
The truck at the end of the film is a Dodge Ramcharger. See more »
When State Trooper Ed and Captain Esteridge escort Jim to the Semi, the police are talking nervously without stopping. However you can hear the English "Hold-your-fire" in almost audio tracks of almost every language, such as French, German, Italian, Spanish. This is because the maker forgot to treat it as audio rather than environment noise. See more »
[Alone with Jim in police car]
There is something strange going on between the two of you. I don't know what it is. I don't want to know.
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A normal ordinary guy picks up a stranger in the middle of nowhere so that he could drive awake. Little does he know that he's going into a road trip from hell...
Rutger Hauer give what I think is his best performance. Sure, there was that menacing Replicant in Blade Runner, but this one overshoots it by a long shot. He delivers a performance so good, that you'll find it difficult to question whether his character is believable or unbelievable.
C. Thomas Howell, one one of the kids in Steven Spielberg's ET, plays the protagonist. Here, he faces every driver's worst nightmare imaginable, and he delivers it with realism. Howell also demonstrates how an ordinary teenager can change into a helpless being who is caught between a psychopathic game of cat-and-mouse set by a brutal man hell-bent on killing him.
The nice New Mexico cinematography of which the film was filmed and set gives tranquility to the picture and makes the film looks good while delivering the thrills. Strongly supporting this topic is composer Mark Isham's gritty yet beautiful score. It;s just perfect for this kind of movie.
The action sequences are handled very nicely here. We got a petrol station blowing up, an intense police car chase, and one of the greatest endings in cinematic history. Period.
The Hitcher (1986) is one of the first films I have ever watched, and I still cherish it to this day. The 2007 remake, or rather, reDO, is a shallow and uninspiring music-videoish piece of crud that will only be liked by the MTV generation, but never the fans of the original. Why was it remade, we will never know.
Overall, it is an excellent movie and one of the best thrillers ever made. Pick this one up, guys, it's worth it.
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