A veteran cop, Murtaugh, is partnered with a young suicidal cop, Riggs. Both having one thing in common; hating working in pairs. Now they must learn to work with one another to stop a gang of drug smugglers.
A young man transporting a car to another state is stalked along the road by a cunning and relentless serial killer who eventually frames the driver for a string of murders. Chased by police and shadowed by the killer, the driver's only help comes from a truck stop waitress. Written by
Keith Loh <email@example.com>
When Jim enters the abandoned garage, birds fly in front of the camera for dramatic effect. Though the hole in the floor seems to be intentional, the person visible pushing the birds out from said hole was probably not. See more »
Actually we're all from Mars around here, we keep our spaceship out back. So... what planet are you from?
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A normal ordinary guy picks up a stranger in the middle of nowhere so that he could drive awake. Little does he know that he's going into a road trip from hell...
Rutger Hauer give what I think is his best performance. Sure, there was that menacing Replicant in Blade Runner, but this one overshoots it by a long shot. He delivers a performance so good, that you'll find it difficult to question whether his character is believable or unbelievable.
C. Thomas Howell, one one of the kids in Steven Spielberg's ET, plays the protagonist. Here, he faces every driver's worst nightmare imaginable, and he delivers it with realism. Howell also demonstrates how an ordinary teenager can change into a helpless being who is caught between a psychopathic game of cat-and-mouse set by a brutal man hell-bent on killing him.
The nice New Mexico cinematography of which the film was filmed and set gives tranquility to the picture and makes the film looks good while delivering the thrills. Strongly supporting this topic is composer Mark Isham's gritty yet beautiful score. It;s just perfect for this kind of movie.
The action sequences are handled very nicely here. We got a petrol station blowing up, an intense police car chase, and one of the greatest endings in cinematic history. Period.
The Hitcher (1986) is one of the first films I have ever watched, and I still cherish it to this day. The 2007 remake, or rather, reDO, is a shallow and uninspiring music-videoish piece of crud that will only be liked by the MTV generation, but never the fans of the original. Why was it remade, we will never know.
Overall, it is an excellent movie and one of the best thrillers ever made. Pick this one up, guys, it's worth it.
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