In a futuristic London, the rising sea levels mean that large areas are under feet of water. Hauer plays a cop who previously lost his partner to some strange creature. Now the creature is ... See full summary »
This movie features a character who is supposed to be the descendant of the character played by Steve McQueen in the television series of the same name. And like McQueen's Josh Randall, ... See full summary »
A band of medieval mercenaries take revenge on a noble lord who decides not to pay them by kidnapping the betrothed of the noble's son. As the plague and warfare cut a swathe of destruction... See full summary »
Jennifer Jason Leigh,
Philipe Gastone, a thief, escapes from the dungeon at Aquila, sparking a manhunt. He is nearly captured when Captain Navarre befriends him. Navarre has been hunted by the Bishop's men for ... See full summary »
On a lonely quiet night, Allison decides to make a quick pit stop before driving to her house to meet her wonderful boyfriend, Jeff. Her peaceful night from her mothers place gets a 180 ... See full summary »
A young man transporting a car to another state is stalked along the road by a cunning and relentless serial killer who eventually frames the driver for a string of murders. Chased by police and shadowed by the killer, the driver's only help comes from a truck stop waitress. Written by
Keith Loh <email@example.com>
Screenwriter can be seen in a cameo role toward the end of the film as a sheriff's deputy escorting the prisoner to the transfer bus. See more »
When two police cars try to shoot out tires, not only can you see the ram holes in the bottom of the cars, just after that you can see a car battery and large air-tank fly out of a trunk. The air-tank is the power for the ram that flips the car. And that cars battery should have been in the front, not the trunk. See more »
[trying to get policemen to help untie Nash from between two large trucks]
Why don't you do something?... FUCKING DO SOMETHING!
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an intense, nihilistic take on the 'predator/prey' theme
A cat spends the day chasing a mouse. When he finally corners the mouse, he takes sadistic delight in batting it around, playing with it before it goes in for the kill. The cat wishes to savor the look of fear on its prey, instead of merely indulging the reward it's worked so hard to catch. This is the predator/prey relationship evidenced in "The Hitcher," one of the most relentlessly intense and mean-spirited horror films ever made.
Since the setting is the desert, I suppose it would make more sense to call John Ryder (played by Rutger Hauer) a vicious coyote, who is picked up one rainy night by a stray lamb named Jim Halsey (C. Thomas Howell). Ryder, who's apparently been murdering people all over the desert, is looking to do the same with Halsey, who cheats death only to be tormented for the rest of the film by this savage predator. The coyote craves a challenge--in fact, he seems to live for it.
Nothing else needs to be said. "The Hitcher" relies so heavily on a plot that weaves in and out of 'the expected' that any further description would spoil the fun. The two leads are excellent--Rutger Hauer has created one of the great villains of modern cinema, and C. Thomas Howell is a sympathetic and believable victim driven to madness. While the film isn't necessarily deep, the high-energy cast, moody desert settings and twisty script fuel this effort for 98 intense minutes. 3.5 stars out of 5.
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