A man, having fallen in love with the wrong woman, is sent by the sultan himself on a diplomatic mission to a distant land as an ambassador. Stopping at a Viking village port to restock on supplies, he finds himself unwittingly embroiled on a quest to banish a mysterious threat in a distant Viking land.
Born in the Highlands of Scotland in 1518, Connor Macleod is immortal. When he is wounded in battle but does not die, he is banished from his village. He meets another like himself, Ramirez, who teaches him swordsmanship--the only way to kill another immortal is to take his head--and the ways of the immortals. Modern-day New York is the location of "The Gathering," where Connor and the few remaining immortals must battle to the last for "The Prize." Written by
Jeff Hansen <firstname.lastname@example.org>
The low flying aircraft in the final scene was a Sepecat Jaguar T2 belonging to 226 Operational Conversion Unit based at R.A.F. Lossiemouth. This unit is incorrectly listed in the final credits as the "Jaguar Fighter Wing, R.A.F. Lossiemouth." The Jaguar is actually a ground attack aircraft and not a fighter. 226 O.C.U. was a training unit used to train pilots to fly the Jaguar. See more »
In the final fight when the water tower falls, water can clearly be seen coming from behind the broken tank. See more »
[to herself, in the mirror]
You know what you're doing?
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Largely panned by the critics, but surprisingly a good, ingenious sci-fi offering.
Highlander is an ingenious and very entertaining science fiction film which has come in for rather a lot of (unwarranted) scathing criticism. Although the plot jumps around with reckless abandon, the scripters Gregory Widen, Larry Ferguson and Peter Bellwood manage to pull in all the loose ends by the climax. The word "confusing" has been used to describe the film quite often as well, but if you stick with it the confusing moments are explained quite cleverly towards the closing reels. This is, in fact, not a bad film at all. I'd venture to say it's a pretty good one.
The opening sequence has Russell Nash (Christopher Lambert) at a wrestling match in New York's Madison Square Gardens. He leaves early, and while walking through the underground car park is confronted by a man with a sword. Nash is not perturbed by this - he merely brandishes a sword of his own, and the pair of them fight to the death, resulting in the decapitation of Nash's opponent. Slowly, we learn (via flashbacks) that Nash is an immortal swordsman who has spent centuries duelling with like immortals. The only way they can die is by decapitation at the hands of one of their counterparts. Each swordsman has spent the whole of history pursuing the others, hoping to be the last one alive whereupon he will gain mortality, virility and vast knowledge.
The film is very energetic (what would you expect from a former music video director?) with dazzling camera work and a pounding, Flash Gordon-style soundtrack by Queen. Sean Connery has a pleasant supporting role as an immortal who teaches Lambert the art of swordplay, and Alan North has a funny part as a bewildered cop who can't figure out why headless corpses keep turning up in his city. The film's intentionally muddled structure is slightly irritating on the first viewing, but with repeated viewings it becomes more comprehensible, even clever. Highlander is a good, inventive piece of hokum.... and it's a real shame that those very same critics who are always grumbling about the lack of cinematic imagination these days didn't give it some merit when it was first released.
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