At the offices of a Japanese corporation, during a party, a woman, who's evidently a professional mistress, is found dead, apparently after some rough sex. A police detective, Web Smith is ... See full summary »
Philipe Gastone, a thief, escapes from the dungeon at Aquila, sparking a manhunt. He is nearly captured when Captain Navarre befriends him. Navarre has been hunted by the Bishop's men for ... See full summary »
In New York, the owner of a sophisticated antique shop Russell Edwin Nash is challenged to a sword fight in the parking lot of the Madison Square Garden by a man called Iman Fasil that is beheaded by Russell. He hides his sword and is arrested by the police while leaving the stadium. Russell recalls his life in the Sixteenth Century in Scotland, when he is Connor MacLeod and is deadly wounded in a battle against another Clan. However he surprisingly survives and his Clan believes he has a pact with the devil and expels him from their lands. Then he meets Juan Sanchez Villa-Lobos Ramirez that explains that he is immortal unless he is beheaded. Further, the immortals dispute a game killing each other and in the end only one survives receiving a price with the power of the other immortals. Russell is released by the police, but the snoopy forensic agent Brenda J. Wyatt is attracted by the case since she founds fragments of an ancient Katana and follows Russell. But the also immortal ... Written by
Claudio Carvalho, Rio de Janeiro, Brazil
According to Russell Mulcahy, Sean Connery was fond of getting the producers and director together to discuss in detail what he thought the crew was doing incorrectly. "He can't stand inefficiency of any kind," Mulcahy said. "He would group us together and air his views on why so and so wasn't doing his job correctly. This was free advice-very expensive, I might add-that none of us needed. When he saw the rushes though, things changed." See more »
The Kurgan slices the roof off a Chevrolet Mailbu/Chevelle but when it emerges from the alley it becomes a Plymouth Duster. See more »
[after Kurgan rips the top of a car off and throws the driver out]
[looking over at the old woman in the passenger seat with insincere affection]
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A Good Film Whose Reputation Has Been Dragged Down By Poor Sequels
When I first saw this film, I thought it was great. Connery is good, Lambert does passably well, the effects are good, the idea of a bunch of special individuals who had known about each other (and in some cases, liked each other) for centuries being drawn together, knowing that only one could come out alive. The effects were, at the time, good and had not been flogged to death. I even enjoyed the introductory clan-on-clan warfare.
Then came Highlander 2, a film which deserved its place on the Bottom 100 and the nadir of Sean Connery's career. As someone else said about that film: "don't break every rule you set up in the first film." Even the series didn't do that. And the reputation of the first good film suffered.
Separating the first film from the bad sequels, and a series that a lot of people can take or leave, it is still a good film. Unfortunately, a good idea was taken and flogged to death afterward.
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