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In New York, the owner of a sophisticated antique shop Russell Edwin Nash is challenged to a sword fight in the parking lot of the Madison Square Garden by a man called Iman Fasil that is beheaded by Russell. He hides his sword and is arrested by the police while leaving the stadium. Russell recalls his life in the Sixteenth Century in Scotland, when he is Connor MacLeod and is deadly wounded in a battle against another Clan. However he surprisingly survives and his Clan believes he has a pact with the devil and expels him from their lands. Then he meets Juan Sanchez Villa-Lobos Ramirez that explains that he is immortal unless he is beheaded. Further, the immortals dispute a game killing each other and in the end only one survives receiving a price with the power of the other immortals. Russell is released by the police, but the snoopy forensic agent Brenda J. Wyatt is attracted by the case since she founds fragments of an ancient Katana and follows Russell. But the also immortal ... Written by
Claudio Carvalho, Rio de Janeiro, Brazil
The novelization delves into The Kurgan's backstory: His first death occurred in 970 B.C., when his drunken father crushed his head with a rock. Upon returning to life, the Kurgan proceeded to force his father to swallow a searing hot stone, killing him. He then went off to join a group of bandits that raided caravans. He eventually encountered another Immortal, "The Bedouin," who revealed to him his true nature, and who became the only person who could be labeled as his friend. During the intervening centuries, the Kurgan took an incalculable number of Immortal heads. Circa 410 A.D., the Kurgan joined the Vandals, Goths, and Visigoths in attacking Rome and other Roman settlements, also fighting with the Goths against the Huns. He would then later ally himself with the Huns directly, fighting alongside Attila, around the year 453. From the fifth to thirteenth centuries, the Kurgan would spread terror with the Tatars of the Gobi and ancient Turkey, as well as with Viking raiders and the Mongol horde of Genghis Khan. See more »
In the parking garage, Fasil is doing flip-flops. In the next shot he is running and the next shot after that he is doing more flip-flops. See more »
Don't see me, Connor - let me die in peace. Where are we?
We're in the Highlands, where else? Running down a mountainside. The sun is shining. It's not cold. You've got your sheepskins on, and the boots I made for you. Good night, my bonny Heather.
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Largely panned by the critics, but surprisingly a good, ingenious sci-fi offering.
Highlander is an ingenious and very entertaining science fiction film which has come in for rather a lot of (unwarranted) scathing criticism. Although the plot jumps around with reckless abandon, the scripters Gregory Widen, Larry Ferguson and Peter Bellwood manage to pull in all the loose ends by the climax. The word "confusing" has been used to describe the film quite often as well, but if you stick with it the confusing moments are explained quite cleverly towards the closing reels. This is, in fact, not a bad film at all. I'd venture to say it's a pretty good one.
The opening sequence has Russell Nash (Christopher Lambert) at a wrestling match in New York's Madison Square Gardens. He leaves early, and while walking through the underground car park is confronted by a man with a sword. Nash is not perturbed by this - he merely brandishes a sword of his own, and the pair of them fight to the death, resulting in the decapitation of Nash's opponent. Slowly, we learn (via flashbacks) that Nash is an immortal swordsman who has spent centuries duelling with like immortals. The only way they can die is by decapitation at the hands of one of their counterparts. Each swordsman has spent the whole of history pursuing the others, hoping to be the last one alive whereupon he will gain mortality, virility and vast knowledge.
The film is very energetic (what would you expect from a former music video director?) with dazzling camera work and a pounding, Flash Gordon-style soundtrack by Queen. Sean Connery has a pleasant supporting role as an immortal who teaches Lambert the art of swordplay, and Alan North has a funny part as a bewildered cop who can't figure out why headless corpses keep turning up in his city. The film's intentionally muddled structure is slightly irritating on the first viewing, but with repeated viewings it becomes more comprehensible, even clever. Highlander is a good, inventive piece of hokum.... and it's a real shame that those very same critics who are always grumbling about the lack of cinematic imagination these days didn't give it some merit when it was first released.
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