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|Index||37 reviews in total|
It is some years since I saw this film, but I definitely thought at the time it was vastly under-rated, and now that I have seen the voter's scores for this, I am surprised all over again. Obviously, I have to log off and go to the video store to refresh my memory, but: the story was great, the song Joni Mitchell contributed was one of her all-time bests, and how could Meryl Streep ever be in anything that wasn't worthwhile? By the way, the book was better, punctuated with recipes. It is an autobiographical tale, which bursts the balloon of the Watergate heroes and is definitely one of the most entertaining and realistic of the cinematic versions of life and love.
Let's face it, these aren't the two most likable people on the planet,
but that's only because writer Nora Ephron may have been a little too
hard on herself. (Actually, she's hard on most everyone in this.) We
care about this relationship, and the performances ofthe excellent cast
make it intriguing at first, but viewers are just as likely to grow
impatient with these characters as they do with each other. It's worth
seeing, but a hard film to love.
Now, some words about the Carly Simon song, "Coming Around Again." I heard the song before I saw the movie and it no doubt affected my viewing of it. So many movies seem to just tack on any old song at the end credits, but this song really captures the essence of love and marriage and brings out all the emotions of a great film scene in merely a few minutes. I cannot believe the overblown "Take My Breath Away" from "Top Gun" (also overblown) won the 1986 Oscar for Best Original Song, and "Coming Around Again" was not even nominated! Perhaps this is why Carly Simon won her Oscar for "Let the River Run" two years later, to make up for this gross omission. (She would also duet with Streep during the end credits of "Marvin's Room"--an even better film.) The song alone is reason enough to see "Heartburn".
Although somewhat artificial, the humor and "heartburn" of this Nora Ephron
film seem more affecting and less manufactured than those in her more slick
subsequent films, When Harry Met Sally... and Sleepless in Seattle. Perhaps
the autobiographical slant helped.
Meryl Streep and Jack Nicholson play a couple based on Ephron and Carl Bernstein. They meet, marry, settle in Washington, and have children. Streep's wedding-day jitters, it turns out, were amply justified; she discovers an affair between her husband and a social-climbing hostess.
Streep is so luminous and so natural that one may not realize until the end of the film how completely insipid and devoid of any distinguishing qualities her character is. "Rachel" changes from a wan, nervous divorcee (before meeting Nicholson's character) to an obsessively devoted wife and mother who keeps babbling about how happy she is.
Nicholson is well-cast as the rakish but (initially) endearing husband. The supporting cast reflects the expert hand of Juliet Taylor, Woody Allen's longtime casting director, who peppered it with many familiar faces, including Allen favorites Joanna Gleason, Caroline Aaron, and Karen Akers. Maureen Stapleton is particularly droll as Streep's shrink. Nineties audiences will enjoy seeing Kevin Spacey as a neurasthenic mugger.
The comedy in the film is somewhat uneven, but often extremely engaging, as in a running parody of "Masterpiece Theatre." And compare the spontaneous bravado of Nicholson's lopsided rendition of "Soliloquy" from Carousel (the comic highlight) to the forced quirkiness of Meg Ryan's tone-deaf "Surrey with the Fringe on Top" in When Harry Met Sally...
Heartburn is probably classified as a "chick flick", but I don't care. It is
a very good story about real people living in the real world. I'm sure there
are many men out there that would probably fall asleep during this, due to
lack of machine gun fire or kung foo fighting. But for women it is a great
slice of life piece. I could watch it over and over again. It has some great
comedic moments, from Mark (Jack Nicholson) and his friend Arthur (Richard
Masur) several times as they have profound discussions about every day
things in a Woody Allen type banter. One part that always touches me is when
Rachel finds out about Mark's affair and confronts him. A few minutes later
she is packing up to leave and we hear Carly Simon's song "Coming Around
Again" on the soundtrack. If you listen to the lyrics of the song it
perfectly fits the action that is going on at that moment. It helps the
viewer understand Rachel's despair. Her idea of the perfect marriage has
Anyway, if you want to watch a movie with heart, then this is it. I think many of the people who say this movie is boring or garbage are too used to today's action standards and dismiss it too quickly. By the way, this is also a semi biographical account of now director Nora Ephron's marriage to a Washington journalist. The book is also a good read as well. If you think Mark treated her badly in the movie, it is nothing compared to the book.
In summary, Heartburn is a movie for people who are emotional and intelligent.
I can watch this movie over and over again and will never get tired of
it.Meryl Streep and Jack Nicholson at their best! I originally loved
the book as well.
The ups and downs of a marriage juggling carreers,pregnancy,adulterous spouses,social events etc is really brought up in a masterful but still truthful way.
Streep was actually pregnant for real in the movie.The subtext she brings out in her acting and all the little details just make you love her more and more.
Her culinary tricks makes you run for your notebook.I actually get so hungry for Carbonara whenever I watch this movie.
It is full of tears and laughter and you can't help loving it.
I take this movie to my heart forever.
*** This review may contain spoilers ***
Heartburn is a movie that admittedly requires little thinking or
concentration, but I still found it very watchable. However, the
beginning is a bit odd.
Within the first 20 minutes Mark and Rachel have met, gone on a first date, had sex, agreed they never wanted to get married again, and then got married! I found it all very rushed and under developed, and I was tempted to turn off at this point. I was glad I didn't. Once all of this is over, Heartburn actually turns into a good movie. It's a very realistic, and often humorous account of an everyday marriage. Baby Annie is very cute! I was wondering how they managed to get a 2 year old to co-operate in such a way, but I understand that she's actually Meryl Streep's real life daughter? It definitely shows. Scenes between the two of them were really sweet and often very funny, and again realistic.
But then, sadly, the ending lets this movie down. I found it very abrupt and un-explained, much like the beginning. It's a shame really, the centre of the movie is very enjoyable. I cannot understand why the producers didn't see the under-development of the plot at the beginning. And then nothing really happens at the end. Sure she leaves Mark again, but she already did that once and went back. So what exactly was she going off to do? Hmm, didn't really 'get' the ending at all. Cute scene on the plane though.
While all of this sounds relatively boring, I can assure you it isn't. Heartburn is a very pleasant movie, just don't expect any major surprises.
When viewing this movie, I en visualized a film making challenge. It
was almost like presenting a class of senior year cinematic arts
students with a graduate project. Take Jack Nicholson, Meryl Streep and
add a few seasoned comedic supporting members such as Catharine O'Hara,
and produce the most boring movie imaginable.
The set was dreary, repetitive, and depressing. Nicholson and Streep took to their characters well, but even their efforts couldn't save this one. The lackluster plot was commonplace and predictable. It played out like a slow moving expanded drama that replicates itself millions of times in American homes. In fact many of you could have watched the same drama unfold in the homes of your neighbors, co-workers or family. So why go to the theater or rent this DVD?
Nora Ephron adapts her best-selling novel (a transparent dramatization of her failed marriage to reporter Carl Bernstein) to the big screen, but in the process falls into the same trap that snares too many filmed versions of popular fiction. In a nutshell, the movie is all dialogue and precious little depth, presenting a bare bones account of marital love and infidelity that skims lightly over the salient points of the relationship without ever scratching any dramatic surface. A large part of its appeal (if not its only attraction) lies in watching the not inconsiderable combined talents of Meryl Streep and Jack Nicholson, but the popularity of the two stars only undermines their ability (with a script this thin, at any rate) to effectively ply their trade. Viewers will see the actors, not the character each is supposedly portraying, and if proof were needed try to recall in detail afterward anything about their respective roles.
Like a good relationship that goes sour, "Heartburn" is impossible to
love but hard to write off entirely. Despite its fine cast and script
by Nora Ephron, the film is disjointed and, ultimately, dishonest.
Meryl Streep and Jack Nicholson play two Washington journalists who meet at a wedding, and seemingly in the next scene are saying their own vows. The developments that follow in their relationship are just as abrupt and just as believable. The rapid-fire pace of their many separations and reconciliations stretches credibility to the limit, and it's hard to generate any interest in these characters when it was never clear what drew them together in the first place.
Streep does a fine job as magazine writer Rachel, but Nicholson's cad is all too familiar in his role of Mark, the womanizing columnist. Supporting players Stockard Channing, Maureen Stapleton, Jeff Daniels and Kevin Spacey, while uniformly excellent, seem underutilized and distract from the main plot.
"Heartburn" is worth watching, if only for its strong cast, but it's as memorable as leftover lasagna.
When I watch a movie I always find myself looking at the number of Oscar winners, for acting & directing, are in the movie. The Oscar winners could be for performances either prior to or subsequent to their performance in the movie I'm watching. This one features Meryl Streep, Jack Nicholson, Mercedes Ruehl, Maureen Stapleton, Kevin Spacey, Milos Forman [acting not directing] and Mike Nichols. Just goes to show that outstanding actors and directors need a good story and/or script to make a good movie. Although Nora Ephron has been nominated for 3 Oscars for screenplays she has written, this one just didn't do it for me and, from the tone of most of the comments, for many other people. Of course, I'd enjoy watching Streep & Nicholson reading the phonebook.
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