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Directed by | |||
| Woody Allen | |||
Writing credits | ||
| Woody Allen | (written by) | |
Produced by | |||
| Robert Greenhut | .... | producer | |
| Charles H. Joffe | .... | executive producer | |
| Jack Rollins | .... | executive producer | |
| Gail Sicilia | .... | associate producer | |
Cinematography by | |||
| Carlo Di Palma | (director of photography) | ||
Film Editing by | |||
| Susan E. Morse | |||
Casting by | |||
| Juliet Taylor | |||
Production Design by | |||
| Stuart Wurtzel | |||
Set Decoration by | |||
| Carol Joffe | |||
Costume Design by | |||
| Jeffrey Kurland | |||
Makeup Department | |||
| Fern Buchner | .... | makeup designer | |
| Romaine Greene | .... | hair designer | |
| Craig Lyman | .... | key makeup artist (uncredited) | |
Production Management | |||
| Ezra Swerdlow | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Sally Andrews | .... | dga trainee | |
| Ken Ornstein | .... | second assistant director | |
| Thomas A. Reilly | .... | first assistant director (as Thomas Reilly) | |
Art Department | |||
| Pasquale Grossi | .... | set: Segment from the opera 'Manon Lescaut' by Puccini | |
| Dan Leigh | .... | assistant: Mr. Wurtzel | |
| James Mazzola | .... | property master | |
| James Sorice | .... | standby scenic artist | |
| Dave Weinman | .... | set dresser | |
| Frank Didio | .... | head carpenter (uncredited) | |
| Ron Petagna | .... | construction coordinator (uncredited) | |
Sound Department | |||
| Lee Dichter | .... | re-recording mixer: Sound One Corporation | |
| Noreen Evans | .... | assistant sound editor | |
| Jack Fitzstephens | .... | sound editor | |
| Les Lazarowitz | .... | production sound mixer | |
| Tod A. Maitland | .... | sound recordist (as Tod Maitland) | |
| Linda Murphy | .... | boom operator | |
| Marko A. Costanzo | .... | foley artist (uncredited) | |
Camera and Electrical Department | |||
| Ronald Burke | .... | dolly grip | |
| Vincent Delaney | .... | best boy (as Vin Delaney) | |
| Brian Hamill | .... | still photographer | |
| Douglas C. Hart | .... | assistant cameraman | |
| Jamie Jacobson | .... | additional photography (as Jamie Jacobsen) | |
| Dick Mingalone | .... | camera operator | |
| Robert Paone | .... | second assistant cameraman (as Bob Paone) | |
| Ray Quinlan | .... | gaffer | |
| Robert Ward | .... | key grip (as Bob Ward) | |
| Garrett Brown | .... | Steadicam operator (uncredited) | |
| Chris Hammond | .... | electrician (uncredited) | |
| Douglas Pellegrino | .... | assistant camera (uncredited) | |
Casting Department | |||
| Ellen Lewis | .... | casting assistant | |
| Todd M. Thaler | .... | additional casting (as Todd Michael Thaler) | |
Costume and Wardrobe Department | |||
| Mark Burchard | .... | wardrobe supervisor: men's | |
| Patricia Eiben | .... | wardrobe supervisor: women's | |
Editorial Department | |||
| Nicole Holofcener | .... | apprentice film editor | |
| Richard Nord | .... | assistant film editor | |
| Suzanne Pillsbury | .... | assistant film editor | |
| Tom San Martin | .... | negative matcher (uncredited) | |
| Arnold Shuster | .... | negative matcher (uncredited) | |
Music Department | |||
| Georgi Badev | .... | performer: "Concerto for Two Violins and Orchestra: | |
| Angelo Campoli | .... | conductor: Segment from the opera 'Manon Lescaut' by Puccini | |
| The Choir of the Church of The Transfiguration | .... | choir | |
| John Gordon Morris | .... | choirmaster | |
| Orchestra del Teatro Regio di Torino | .... | orchestra: segment from the opera "Manon Lescaut" by Puccini (as The Orchestra of the Regio Theatre) | |
Transportation Department | |||
| Harry J. Leavey | .... | transportation captain (as Harry Leavey) | |
| Patrick Hogan | .... | driver (uncredited) | |
Thanks | |||
| Marshall Arisman | .... | the producers gratefully acknowledge and wish to thank for their assistance: Frederick's oils courtesy of | |
| Randall Rupert | .... | the producers gratefully acknowledge and wish to thank for their assistance: Frederick's drawings courtesy of | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb USA section |
Hannah and Her Sisters (1986) Probably when all is said and done, my favorite Allen movie. This is definitely one of those examples where the sum is greater than the parts. Great shots of New York (specifically the city's architecture), great situations, great parties and great music
Among the Manhattan-dwelling characters is Michael Caine, who is married to Hannah (Mia Farrow) but lusts after her sister (Barbara Hershey) who lives with a tormented artist (Max Von Sydow.) Hannah's ex-husband (Woody Allen) starts dating her other sister (Diane Weist) who wants to date Sam Waterston, even though he'd rather date her friend (Carrie Fisher).
In addition to the cameo by Julia Louise Dreyfuss, the film features two supporting performances by old school actors, Lloyd Nolan and Mia Farrow's real life mom, the original Jane in the Tarzan movies, Maureen O'Sullivan.
If that's not enough, Allen throws in plenty of his trademark hypochondria hysteria, questioning the meaning of the universe and whether God exists.