Suffering from writer's block and eagerly awaiting his writing award, Harry Block remembers events from his past and scenes from his best-selling books as characters, real and fictional, come back to haunt him.
During a Thanksgiving Day party we make acquaintance with a numerous and problematic family. The leading characters are three sisters: Lee, the woman of Frederick, an old misanthrope painter; Holly, who dreams of becoming a writer, or an actress, or who knows who...; Hannah, famous actress, beautiful, intelligent, good mother, good wife, good sister, in short perfect, the pivot of the family. The balance begins to break up when Hannah's husband, Elliot, falls in love with Lee, who leaves Frederick. Holly goes through a deep crisis and meets Mickey, the former husband of Hannah, a hypochondriac TV producer. The affairs evolve and at the last Thanksgiving ... Written by
Maurizio Semolic <email@example.com>
Many of Hannah's scenes were filmed in Mia Farrow's apartment. Woody Allen said that Farrow once had the eerie experience of turning on the TV, finding a chance broadcast of the movie, and seeing her own apartment on TV while she was sitting in her apartment. See more »
When Hannah, Holly, and Lee meet for lunch, the camera zooms in on Holly right after they sit down, and begins to move in a circular motion around the table. When it passes behind Hannah, the shadow of the camera appears briefly on the back of her head. See more »
God, she's beautiful. She's got the prettiest eyes. She looks so sexy in that sweater. I just want to be alone with her and hold her and kiss her and tell her how much I love her and take care of her. Stop it you idiot, she's your wife's sister. But I can't help it. I'm consumed by her. It's been months now. I dream about her, I - I - I think about her at the office. Oh Lee, what am I gonna do? I hear myself moaning over you and it's disgusting. Before, when she squeezed past me at...
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Woody Allen makes movies that will sometimes be partial duds with great lines and characters, and then he'll make an all around great movie like Manhattan, Sleeper or Deconstructing Harry. In the 80's, he had a period where most of his films were less than great (Midsummer Night's Sex Comedy and September for example). But this is the gem in that period, a comedy with great acting matched with a finely tunes screenplay with the usual neurotic characters (Woody, of course, and also Caine in a awesome, Oscar Winning role) and somewhat normal ones. Often hilarious, a little bittersweet, and in the end it shows that it is a worthy Allen picture. A+
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