During a Thanksgiving Day party we make acquaintance with a numerous and problematic family. The leading characters are three sisters: Lee, the woman of Frederick, an old misanthrope painter; Holly, who dreams of becoming a writer, or an actress, or who knows who...; Hannah, famous actress, beautiful, intelligent, good mother, good wife, good sister, in short perfect, the pivot of the family. The balance begins to break up when Hannah's husband, Elliot, falls in love with Lee, who leaves Frederick. Holly goes through a deep crisis and meets Mickey, the former husband of Hannah, a hypochondriac TV producer. The affairs evolve and at the last Thanksgiving ... Written by
Maurizio Semolic <email@example.com>
Many of Hannah's scenes were filmed in Mia Farrow's own apartment. Woody Allen said that Farrow once had the eerie experience of turning on the TV, finding a chance broadcast of the movie, and seeing her own apartment on TV while she was sitting in her apartment. See more »
Dolly tracks are visible when the camera pulls back in the living room. See more »
God, she's beautiful. She's got the prettiest eyes. She looks so sexy in that sweater. I just want to be alone with her and hold her and kiss her and tell her how much I love her and take care of her. Stop it you idiot, she's your wife's sister. But I can't help it. I'm consumed by her. It's been months now. I dream about her, I - I - I think about her at the office. Oh Lee, what am I gonna do? I hear myself moaning over you and it's disgusting. Before, when she squeezed past me at...
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Woody Allen makes movies that will sometimes be partial duds with great lines and characters, and then he'll make an all around great movie like Manhattan, Sleeper or Deconstructing Harry. In the 80's, he had a period where most of his films were generally great (Midsummer Night's Sex Comedy might be the exception). But this is one of the gems in that period, a comedy with great acting matched with a finely tuned screenplay.
Though not without an ending that leaves everything a little too neat (however upon pressure from the studio, not Allen's original intentions of course), this is another relationship-centric picture, with the side-bar of Woody's character being chronically afraid of death and what comes after it. Deservedly his last big award winner, it's a possibility for my favorite Woody 80s movie (even if the experience in the theater sucked- the downside to seeing an Allen movie is the large amount of old people, and the occasional old man who sits very close with a constantly shifting candy wrapper, smacking lips, and a penchant for a horrible sinus conditon...just think who the fans of Woody movies will be then they croak).
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