Recent college graduate Benjamin Braddock is trapped into an affair with Mrs. Robinson, who happens to be the wife of his father's business partner and then finds himself falling in love with her daughter, Elaine.
A psychologically troubled novelty supplier is nudged towards a romance with an English woman, all the while being extorted by a phone-sex line run by a crooked mattress salesman, and purchasing stunning amounts of pudding.
Paul Thomas Anderson
Philip Seymour Hoffman
During a Thanksgiving Day party we make acquaintance with a numerous and problematic family. The leading characters are three sisters: Lee, the woman of Frederick, an old misanthrope painter; Holly, who dreams of becoming a writer, or an actress, or who knows who...; Hannah, famous actress, beautiful, intelligent, good mother, good wife, good sister, in short perfect, the pivot of the family. The balance begins to break up when Hannah's husband, Elliot, falls in love with Lee, who leaves Frederick. Holly goes through a deep crisis and meets Mickey, the former husband of Hannah, a hypochondriac TV producer. The affairs evolve and at the last Thanksgiving ... Written by
Maurizio Semolic <email@example.com>
According to USA Today, when the film was released, a movement tried to make Allen's script the first screenplay to be nominated for a Pulitzer Prize. See more »
Dolly tracks are visible when the camera pulls back in the living room. See more »
God, she's beautiful. She's got the prettiest eyes. She looks so sexy in that sweater. I just want to be alone with her and hold her and kiss her and tell her how much I love her and take care of her. Stop it you idiot, she's your wife's sister. But I can't help it. I'm consumed by her. It's been months now. I dream about her, I - I - I think about her at the office. Oh Lee, what am I gonna do? I hear myself moaning over you and it's disgusting. Before, when she squeezed past me at...
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An interesting and very well acted slice of different people's lives, the film poses a number of intriguing questions in terms of life, death, love and relationships. It is a fascinating film: carefully directed and aided by some meticulously perfect use of non-original music. The film is split in chapters, and such a style makes the film flow very well. Despite being a drama, it is still manages to meld in some of Woody Allen's delightful wit, creating a film with laughs, pains, joys and sorrows. And then there is the quality of the acting, which is stunning to say the least. Mia Farrow is sensational in the best performance of her career, just brilliant as the providing, sustaining sister of the family, and Caine, Allen, Hershey, Kavner and even Max Von Sydow are all at their careers' best. For a film that has nowhere much too go, it is certainly quite something.
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