During a Thanksgiving Day party we make acquaintance with a numerous and problematic family. The leading characters are three sisters: Lee, the woman of Frederick, an old misanthrope painter; Holly, who dreams of becoming a writer, or an actress, or who knows who...; Hannah, famous actress, beautiful, intelligent, good mother, good wife, good sister, in short perfect, the pivot of the family. The balance begins to break up when Hannah's husband, Elliot, falls in love with Lee, who leaves Frederick. Holly goes through a deep crisis and meets Mickey, the former husband of Hannah, a hypochondriac TV producer. The affairs evolve and at the last Thanksgiving ... Written by
Maurizio Semolic <email@example.com>
Woody Allen was originally going to have a more downbeat ending, but the studios asked him to make it more upbeat. See more »
When Lee is about to play a record for Elliot, the music is heard before the needle touches the vinyl. See more »
God, she's beautiful. She's got the prettiest eyes. She looks so sexy in that sweater. I just want to be alone with her and hold her and kiss her and tell her how much I love her and take care of her. Stop it you idiot, she's your wife's sister. But I can't help it. I'm consumed by her. It's been months now. I dream about her, I - I - I think about her at the office. Oh Lee, what am I gonna do? I hear myself moaning over you and it's disgusting. Before, when she squeezed past me at...
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Woody Allen's film about a family and their romances and interactions features himself (as the perpetual neurotic), with Mia Farrow playing his ex-wife, Michael Caine one of his best performances - playing her cheating husband, Barbara Herschey playing Farrow's sister and Caine's mistress, Max von Sydow playing Herschey's partner, and Dianne Wiese playing Farrow and Herschey's wild sister.
The strongest scene in this film features the lovely poem by e e cummings entitled somewhere i have never traveled', which Caine sends to Herschey as a token of his regard for her. Other goodies include the touching ending when two misfits learn to love and accept each other. This is my favourite Allen movie as it brings together all the strands of movie-making at which he excels, and perhaps, along with Crimes and Misdemeanors, his strongest cast.
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