A Florida con man uses the passing of the long time Congressman from his district who he just happens to share a name with, to get elected to his version of paradise, Congress, where the ... See full summary »
"Sugar" Ray is the owner of an illegal casino, who contend with the pressures of vicious gangster and corrupt policemen who want to see him go out of business. In the world of organized ... See full summary »
Roper, a hostage negotiator catches a murderous bank robber after a blown heist. The bank robber escapes and immediately goes after the man who put him behind bars. The ending is played out... See full summary »
Eddie Murphy plays a detective with a speciality of finding lost children. He is told he is the 'Chosen one' who will find and protect the Golden Child, a Bhuddist mystic who was kidnapped by an evil sorcerer. Murphy disbelieves the mysticism but finds more and more evidence of demon worship as he investigates. Written by
John Vogel <email@example.com>
During the "dream" sequence, when Fu steps behind Chandler he is wearing a red and blue visor. As he steps away he is wearing a yellow visor. The visor changes once more to red/blue and then finally to black and white as he leaves the room. The error in continuity may very well be intentional due to the fact that it is a dream sequence and the constantly changing visor adds to the surreality of the dream as do the horse walking by and the mirror with no reflection. See more »
A knock-off it may be, but it's a good quality one, the lustre of which is untarnished.
Whenever I see most reviews it's called 'a misfire for Eddie Murphy'. These critics want to take a look at some of the stuff he's doing these days, and maybe soften their stance in retrospect... "The Golden Child" is not highbrow entertainment, but thanks to some of the cast it breaths new life into old clichés, and gives Murphy one of his best roles. I don't understand the pervading lack of 'love' for its efforts, at all. Perhaps it was released at a time when the establishment had grown weary of knockabout, thrill-a-minute adventures? Steven Spielberg started it with Indiana Jones; it's unfair to make this one a scapegoat when what is possibly its biggest sin is also utterly harmless. There's nothing necessarily wrong with trying to capitalise on trends.
Yes it's silly, but even an occasional observer should be able to understand that 'ridiculous' is where Hollywood's idea of mysticism begins and ends. What's more important than believability with a story like this is that the audience have entertaining tour guides on hand to show them the mysterious sights. Michael Ritchie and Eddie Murphy fit the bill for this capacity just fine. My advice to you is to buy the ticket and take the ride.
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