A Florida con man uses the passing of the long time Congressman from his district who he just happens to share a name with, to get elected to his version of paradise, Congress, where the ... See full summary »
"Sugar" Ray is the owner of an illegal casino, who contend with the pressures of vicious gangster and corrupt policemen who want to see him go out of business. In the world of organized ... See full summary »
Roper, a hostage negotiator catches a murderous bank robber after a blown heist. The bank robber escapes and immediately goes after the man who put him behind bars. The ending is played out... See full summary »
Eddie Murphy plays a detective with a speciality of finding lost children. He is told he is the 'Chosen one' who will find and protect the Golden Child, a Bhuddist mystic who was kidnapped by an evil sorcerer. Murphy disbelieves the mysticism but finds more and more evidence of demon worship as he investigates. Written by
John Vogel <firstname.lastname@example.org>
Chandler and the Golden Child show up to the house at the end in a green car yet leaves in a brown car. Chandler sees the brown car before he goes into the house. When he leaves, he sees that the brown car is closer and he decides to use that one instead, that's why he says "there's no keys in the car, there's no keys in the car". This is because this is not his car and he is trying to steal it. See more »
Only a man whose heart is pure can wield the knife, and only a man whose ass is narrow can get down these steps. And if mine's is such an ass, then I shall have it.
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People should really lighten up and just ENJOY this movie.
Why hardly anybody seems to appreciate this film anymore is without doubt one of the greatest mysteries of our time. I'm truly perplexed. Roger Ebert seems to be the only critic to at least half-realise how truly funny, entertaining and brilliant a film THE GOLDEN CHILD really is.
Without doubt it's one of Eddie Murphy's finer films; it's impossible to not have a good time while watching this movie... his one-liners keep coming thick and fast, and if you can't find humour and fun in this movie, then surely your heart is made of stone. Visually, its cinematography is executed very well, the special effects are fantastic (except in one poorly executed shot where Charles Dance turns into a rat) and the theme tune has a strange kind of catchiness to it.
Don't be prejudiced against this movie, just because everybody else is. People are so easily swayed by popular opinion these days that true cinematic gems like THE GOLDEN CHILD are forgotten. Four stars out of four. Long live 80s movies!
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