Eddie Murphy plays a detective with a speciality of finding lost children. He is told he is the 'Chosen one' who will find and protect the Golden Child, a Bhuddist mystic who was kidnapped by an evil sorcerer. Murphy disbelieves the mysticism but finds more and more evidence of demon worship as he investigates. Written by
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John Barry was commissioned by Paramount Pictures to compose, produce, and record a complete score. However, Barry was taken off the project after creative differences and reaction to test screenings . Although Michel Colombier completed the score, a few cues by Barry remain in the film, and one, "Wisdom of the Ages", was released on the original soundtrack LP. As of the present, the entirety of both Barry's largely unused music and Colombier's final theatrical version score have been issued on a limited edition 3-CD soundtrack by Capitol/La-La Land Records. See more »
During the "dream" sequence, when Fu steps behind Chandler he is wearing a red and blue visor. As he steps away he is wearing a yellow visor. The visor changes once more to red/blue and then finally to black and white as he leaves the room. The error in continuity may very well be intentional due to the fact that it is a dream sequence and the constantly changing visor adds to the surreality of the dream as do the horse walking by and the mirror with no reflection. See more »
People should really lighten up and just ENJOY this movie.
Why hardly anybody seems to appreciate this film anymore is without doubt one of the greatest mysteries of our time. I'm truly perplexed. Roger Ebert seems to be the only critic to at least half-realise how truly funny, entertaining and brilliant a film THE GOLDEN CHILD really is.
Without doubt it's one of Eddie Murphy's finer films; it's impossible to not have a good time while watching this movie... his one-liners keep coming thick and fast, and if you can't find humour and fun in this movie, then surely your heart is made of stone. Visually, its cinematography is executed very well, the special effects are fantastic (except in one poorly executed shot where Charles Dance turns into a rat) and the theme tune has a strange kind of catchiness to it.
Don't be prejudiced against this movie, just because everybody else is. People are so easily swayed by popular opinion these days that true cinematic gems like THE GOLDEN CHILD are forgotten. Four stars out of four. Long live 80s movies!
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