| Giulietta Masina | ... | Amelia Bonetti / Ginger | |
| Marcello Mastroianni | ... | Pippo Botticella / Fred | |
| Franco Fabrizi | ... | Show host | |
| Friedrich von Ledebur | ... | Admiral Aulenti (as Frederick Ledebur) | |
| Augusto Poderosi | ... | Transvestite | |
| Martin Maria Blau | ... | Assistant director | |
| Jacques Henri Lartigue | ... | Brother Gerolamo (as Jacques Henry Lartigue) | |
| Totò Mignone | ... | Totò (as Toto Mignone) | |
| Ezio Marano | ... | The Intellectual | |
| Antoine Saint-John | ... | Bandaged man (as Antoine Saint Jean) | |
| Friedrich von Thun | ... | Kidnapped Industrialist (as Frederich Thun) | |
| Antonino Iuorio | ... | TV Inspector (as Antonio Iuorio) | |
| Barbara Scoppa | ... | Journalist | |
| Elisabetta Flumeri | ... | Journalist | |
| Salvatore Billa | ... | Clark Gable | |
| Ginestra Spinola | ... | Clairvoyant | |
| Stefania Marini | ... | TV secretary | |
| Francesco Casale | ... | Mafioso | |
| Gianfranco Alpestre | ... | Kidnapped Lawyer | |
| Filippo Ascione | ... | Pianist | |
| Elena Cantarone | ... | Nurse | |
| Cosima Chiusoli | ... | Fiance of the Unfrocked Priest | |
| Claudio Ciocca | ... | Television Cameraman | |
| Sergio Ciulli | ... | Son of clairvoyant | |
| Roberto De Sandro | |||
| Vittorio De Bisogno | ... | Television Director | |
| Fabrizio Fontana | ... | Honorable Tartina | |
| Laurentina Guidotti | ... | Production secretary | |
| Giorgio Iovine | ... | Hotel Porters | |
| Danika La Loggia | ... | Kidnapped Mother | |
| Isabelle Therese La Porte | ... | Hostess of television program | |
| Luigi Leoni | ... | Mayor | |
| Luciano Lombardo | ... | Unfrocked Priest | |
| Mariele Loreley | ... | Journalist | |
| Elena Magoia | ... | Literary critic | |
| Franco Marino | ... | Impresario Nanetti | |
| Mauro Misul | ... | Editor | |
| Jurgen Morhofer | ... | Rock guitarist | |
| Pippo Negri | ... | Inventor of the underpants | |
| Antonietta Patriarca | ... | Mrs. Silvestri | |
| Nando Pucci Negri | ... | Assistant Director | |
| Luigi Rossi | ... | Superdecorated man | |
| Franco Trevisi | ... | Carabinieri Captain | |
| Patti Vailati | ... | Patty the Secretary (as Patty Vailati) | |
| Narciso Vicario | ... | Television president (as Narcisio Vicario) | |
| Hermann Weisskopf | ... | Professor Kare Rulph Noiburg (as Hermann Weiskopf) | |
| rest of cast listed alphabetically: | |||
| Pino Ammendola | ... | Honorable Tartina (voice) | |
| Marcia Sedoc | |||
| Daniele Aldrovandi | ... | Marty Feldmann (uncredited) | |
| Ennio Antonelli | ... | Cameriere (uncredited) | |
| Claudio Botosso | ... | Un intervistatore (uncredited) | |
| Eolo Capritti | ... | Kojak (uncredited) | |
| Mario Conocchia | ... | Conocchia (uncredited) | |
| Gabriella Di Luzio | ... | Gabriella (uncredited) | |
| Rosario Galli | ... | Tv production secretary (uncredited) | |
| Barbara Montanari | ... | Bette Davis (uncredited) | |
| Federica Paccosi | ... | Dancer (uncredited) | |
| Alex Partexano | ... | Sailor (uncredited) | |
| Leonardo Petrillo | ... | Marcel Proust (uncredited) | |
| Moana Pozzi | ... | (uncredited) | |
Directed by | |||
| Federico Fellini | |||
Writing credits | ||
| Federico Fellini | (story) & | |
| Tonino Guerra | (story) | |
| Federico Fellini | (screenplay) & | |
| Tonino Guerra | (screenplay) & | |
| Tullio Pinelli | (screenplay) | |
Produced by | |||
| Alberto Grimaldi | .... | producer | |
| Heinz Bibo | .... | producer (uncredited) | |
Original Music by | |||
| Nicola Piovani | |||
Cinematography by | |||
| Tonino Delli Colli | (director of photography) | ||
| Ennio Guarnieri | (director of photography) | ||
Film Editing by | |||
| Nino Baragli | |||
| Ugo De Rossi | |||
| Ruggero Mastroianni | |||
Production Design by | |||
| Dante Ferretti | |||
Art Direction by | |||
| Nazzareno Piana | |||
Set Decoration by | |||
| Franco Fumagalli | (as Gian Franco Fumagalli) | ||
| Angelo Santucci | |||
Costume Design by | |||
| Danilo Donati | |||
Makeup Department | |||
| Adriano Carboni | .... | makeup artist | |
| Rino Carboni | .... | chief makeup artist | |
| Desideria Corridoni | .... | hair stylist | |
| Patrizia Corridoni | .... | hair stylist | |
| Corrado Cristofori | .... | hair stylist | |
| Adonella De Rossi | .... | makeup artist | |
| Fernanda De Rossi | .... | makeup artist | |
| Massimo De Rossi | .... | makeup artist | |
| Renato Francola | .... | makeup artist | |
| Maria-Luisa Fraticelli | .... | hair stylist (as Maria Luisa Fraticelli) | |
| Alberta Giuliani | .... | hair stylist | |
| Rita Luciani | .... | hair stylist | |
| Rosa Luciani | .... | hair stylist | |
| Giancarlo Marin | .... | hair stylist | |
| Aldo Signoretti | .... | hair stylist | |
| Alfredo Tiberi | .... | makeup artist | |
| Rosalba Cimino | .... | additional makeup artist (uncredited) | |
Production Management | |||
| Franco Coduti | .... | production manager (as Gianfranco Coduti) | |
| Raymond Leplont | .... | production manager | |
| Tullio Lullo | .... | production supervisor | |
| Roberto Mannoni | .... | production manager | |
| Franco Marino | .... | production supervisor | |
| Walter Massi | .... | production manager | |
| Fernando Rossi | .... | production supervisor | |
| Viero Spadoni | .... | production supervisor | |
Art Department | |||
| Stefano Cecchini | .... | graphic artist | |
| Franco Ceraolo | .... | assistant production designer | |
| Ambrogio Cranna | .... | set furnishing | |
| Giuliano Geleng | .... | painter | |
| Rinaldo Geleng | .... | painter | |
| Gianni Gianese | .... | set furnishing (as Giovanni Gianese) | |
| Carlo Latour | .... | set furnishing | |
| Luigi Sergianni | .... | set constructor | |
| Giacomo Setaccioli | .... | graphic artist | |
| Italo Tomassi | .... | set constructor | |
Sound Department | |||
| Fabio Ancillai | .... | sound | |
| Fausto Ancillai | .... | sound mixer | |
| Antonio Barba | .... | boom operator | |
| Furio Castelli | .... | dubbing | |
| Sergio Marcotulli | .... | sound technician | |
| Fabio Palmisano | .... | sound syncronisation | |
| Tommaso Quattrini | .... | sound | |
| Massimo Rinchiusi | .... | sound synchronisation | |
| Giuseppe Testa | .... | boom operator | |
| Roberto Tommaselli | .... | boom operator (as Roberto Tomaselli) | |
| Edmondo Gintili | .... | sound effects editor (uncredited) | |
| Mark Headley | .... | sound producer: English version (uncredited) | |
Special Effects by | |||
| Adriano Pischiutta | .... | special effects | |
Visual Effects by | |||
| Marco Bechis | .... | visual effects artist (uncredited) | |
Camera and Electrical Department | |||
| Deborah Imogen Beer | .... | still photographer (as Deborah Beer) | |
| Giovanni Fiore Coltellacci | .... | camera operator (as Giovanni Fiore) | |
| Luca Luparini | .... | assistant camera | |
| Aldo Marchiori | .... | camera operator | |
| Pierluigi Praturlon | .... | still photographer | |
| Antonio Scaramuzza | .... | assistant camera | |
| Marco Sperduti | .... | assistant camera | |
| Carlo Tafani | .... | camera operator | |
| Gianfranco Torinti | .... | assistant camera | |
| Massimo Rinella | .... | grip (uncredited) | |
Casting Department | |||
| Fiammeta Profili | .... | casting associate (as Fiammetta Profili) | |
Costume and Wardrobe Department | |||
| Rosanna Andreoni | .... | assistant costume designer | |
| Bruno Lenzi | .... | assistant costumer | |
| Luigi Urbani | .... | assistant costumer | |
Editorial Department | |||
| Helga Borsche | .... | assistant editor | |
| M. Elvira Castagnolo | .... | assistant editor (as Maria Elvira Castagnolo) | |
| Viviana Massi | .... | assistant editor | |
| Marcello Olasio | .... | assistant editor | |
| Renato Serafini | .... | color technician | |
| Pietro Tomassi | .... | assistant editor | |
| Elvira Tonini | .... | assistant editor | |
Music Department | |||
| Angelo Giovagnoli | .... | musician: french horn solo | |
| Nicola Piovani | .... | conductor | |
| Donato Salone | .... | music assistant | |
Transportation Department | |||
| Albino Biancifiori | .... | transportation | |
Other crew | |||
| Dario Bellini | .... | opticals | |
| Dario Bellini | .... | titles | |
| Carla Ferroni | .... | production secretary | |
| Lyda Garozzo | .... | production secretary | |
| Norma Giacchero | .... | script supervisor (as Norma Del Pace Giacchero) | |
| Alberto Grimaldi | .... | presenter | |
| Miro Grisanti | .... | opticals | |
| Miro Grisanti | .... | titles | |
| Enzo Lucarini | .... | administrator (as Vincenzo Lucarini) | |
| Mario Maldesi | .... | dubbing director | |
| Alessandro Mancini | .... | production secretary | |
| Benito Mancini | .... | administrator | |
| Marcello Mancini | .... | production secretary | |
| Pasquale Manzollino | .... | administrator | |
| Raffaele Manzollino | .... | accountant | |
| Mario Milani | .... | edition coordinator | |
| Luigi Millozza | .... | general organiser | |
| Isabella Paolucci | .... | assistant choreographer | |
| Maurizio Pigna | .... | production secretary | |
| Maurizio Saraceni | .... | administrator | |
| Filippo Spoletini | .... | production secretary | |
| Tony Ventura | .... | choreographer | |
| Antonella Villanti | .... | administrator | |
| Otto Simánek | .... | voice dubbing (uncredited) | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb Italy section |
Before I saw this movie, I had heard how it was considered one of Federico Fellini's more accessible movies. If this was meant of Fellini's films from the sixties on, I can agree with that. The film is basically two things: one big jab at television and giving Giuletta Masina the opportunity to show everyone how adorable she is (she succeeds). The TV angle, however scathing it may have been in 1986; today with the plethora of reality TV shows, the film just seems prescient. The film's very basic storyline is Masina reuniting with old dance partner Marcello Mastroianni for a TV show. Filling in the rest of the movie (and sometimes obscuring the main story) are the many oddball characters scheduled for the TV show. As anyone familiar with Fellini knows, he loves outrageous people. In this film, for example, there are transsexuals, psychics, a midget troupe and a cow with many teats. The first part of the movie, at the hotel, is a little too much because everything is thrown at the viewer at once. The characters, television, Ginger and Fred, all vie for your attention and it can be overwhelming. Once at the studio, the film kind of settles down and one is able to enjoy the film and it's characters. Not one of Fellini's best but also not only for fanatics of Fellini either.