Amelia and Pippo are reunited after several decades to perform their old music-hall act (imitating Fred Astaire and Ginger Rogers) on a TV variety show. It's both a touchingly nostalgic ... See full summary »
Four directors tell tales of Eros fit for a 1970s Decameron. Working-class lovers, Renzo and Luciana, marry but must hide it from her employer; plus, they need a room of their own. A ... See full summary »
Three directors each adapt a Poe short story to the screen: "Toby Dammit" features a disheveled drugged and drunk English movie star who nods acceptance in the Italian press and his ... See full summary »
Cinecitta, the huge movie studio outside Rome, is 50 years old and Fellini is interviewed by a Japanese TV crew about the films he has made there over the years as he begins production on ... See full summary »
In 1914, a luxury ship leaves Italy in order to scatter the ashes of a famous opera singer. A lovable bumbling journalist chronicles the voyage and meets the singer's many eccentric friends and admirers.
Amelia and Pippo are reunited after several decades to perform their old music-hall act (imitating Fred Astaire and Ginger Rogers) on a TV variety show. It's both a touchingly nostalgic journey into the past, and a viciously satirical attack on television in general and Italian TV in particular, portraying it as a mindless freakshow aimed at morons Written by
Michael Brooke <email@example.com>
In August 1985, one month after filming had wrapped, director Federico Fellini fell ill due to a mini stroke. Fortunately, the ailment did not have any lasting negative effects on his health. See more »
This wasn't a bad film, though those without previous knowledge of Fellini's films may not like it as much. Giuletta Masina and Marcello Mastroani give their usual great performances. I actually thought Marcello gave one of his better performances here, in that he displayed a great comedic timing. I am mostly familiar with Fellini's pre-1970 films so I was not sure how a film made in the 1980's would do (given how much cinema had changed from the 50's/60's to the 80's), but he still delivers an enjoyable film, thanks in large part to good acting by the two leads. I enjoyed the satirical attack on television and the modern era (advertisting, etc.), which I happen to strongly agree with. The TV show scene near the end contains your typical Fellini "magic" and aesthetics, so I enjoyed that as well. This is by no means comparable to Fellini's masterpieces, but is still a well-made and enjoyable film, and more accessible than some of his more outrageous stuff he's made in past years. 7/10.
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