Sebastien is a small town boy who moves to Paris and begins to explore the gay night life there. When a friend from back home calls to announce he's coming to Paris, Sebastien confronts some unrequited feelings.
Young girl spends her adolescence in an institution for minors, developing some masculine traits in her personality. In this hostile environment, she can only find some sympathy in a ... See full summary »
Ana Beatriz Nogueira,
In a village in the Southwest of France, 1962. Maite and Francois are 18 years old. They are friends, not lovers. In Francois's classroom, there are Serge, whose brother has just married to... See full summary »
Oscar-nominated director Bruce Beresford (Driving Miss Daisy, Tender Mercies) crafts a tender coming-of-age tale that introduces one of Australian literature's most beloved characters to ... See full summary »
Working class and middle-upper class worlds come together in this interesting look at class conflict within the gay world from the German director Reiner Werner Fassbinder. Fassbinder plays... See full summary »
Rainer Werner Fassbinder
Rainer Werner Fassbinder,
Millicent Wetherby is a middle-aged woman whose life is devoid of love and affection. Millicent's solitary existence changes when she encounters Burt Hansen a charismatic younger man. As ... See full summary »
After the death of her daughter, Julia Lofting, a wealthy housewife, moves to London to re-start her life. All seems well until she is haunted by the sadness of losing her own child and the ghosts of other children.
An immediately identifiable film that ultimately gives you far too many questions to answer.
There are passages in "The Fringe Dwellers" where the characters' irrationality goes beyond the limits of understandability. They do foolish things and interact in such destructive and confusing ways that it often makes them impossible to identify with. As much as this is a film designed to give you insight into current (at least, for 1986) social drama in the Aboriginal culture, that might not be a very positive experience. This is a story that leaves you more with a sense of confusion and alienation than anything else. And, unfortunately, that extends to even the most central themes of the story. We are told that the racist people condone the Aboriginal girl's actions because they figure "she doesn't know better". But by the end of the film, we are asked, even expected, to do the very same.
As for Bruce Beresford's directorial style here, it has more in common with films like "Crimes of the Heart" and "Mister Johnson" than "Tender Mercies" or "Driving Miss Daisy". Which is to say, more overacting than realism. Beresford has one main strength, and that is how he works with actors. If he doesn't succeed in this pursuit, his films often feel somewhat gutted. That is partly the case with "The Fringe Dwellers". There are scenes with Trilby (Kristina Nehm) that draw the viewer in with a very real sort of intensity. Nehm has a deeply charismatic feeling about her. There are other great, brief scenes. The highlight of the entire film is a long, uncut passage where a mother speaks of the past as her daughter lies in bed after giving birth. This is a movie of convincing silences. When observation takes over conversation, it is nearly perfect in its realization.
In the end, there's something about it all that just doesn't come together. Thanks to cinematographer Donald McAlpine, it's often a very stunning film to look at. But the uneven acting, the strange directions the script takes, and the inability to construct something truly heartbreaking leaves "The Fringe Dwellers" as somewhat more of a curiosity than a proper classic.
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