After developing an addiction to the substance he uses to kill bugs, an exterminator accidentally murders his wife and becomes involved in a secret government plot being orchestrated by giant bugs in a port town in North Africa.
Several people are hunted by a cruel serial killer who kills his victims in their dreams. While the survivors are trying to find the reason for being chosen, the murderer won't lose any chance to kill them as soon as they fall asleep.
After getting into a serious car accident, a TV director discovers an underground sub-culture of scarred, omnisexual car-crash victims who use car accidents and the raw sexual energy they produce to try to rejuvenate his sex life with his wife.
Seth Brundle (Jeff Goldblum), a brilliant but eccentric scientist attempts to woo investigative journalist Veronica Quaife (Geena Davis) by offering her a scoop on his latest research in the field of matter transportation, which against all the expectations of the scientific establishment have proved successful. Up to a point. Brundle thinks he has ironed out the last problem when he successfully transports a living creature, but when he attempts to teleport himself a fly enters one of the transmission booths, and Brundle finds he is a changed man. This Science-Gone-Mad film is the source of the quotable quote "Be afraid. Be very afraid." Written by
Mark Thompson <email@example.com>
Most of the makeup work and puppets used for the film are now located in Bob Burns' collection. See more »
When Seth is changing into a fly, he demonstrates how he can walk on the ceiling and walls like a fly. While upside down on the wall, he lifts his t-shirt to show the side of his body then places it back down. The reaction of the t-shirt to gravity (or lack thereof) made it obvious that he was filmed right side up and then the film rotated to get the effect. See more »
What am I working on? Uhh... I'm working on something that will change the world, and human life as we know it.
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I think that this is a grossly underrated film - a noteworthy landmark in modern horror. I would expect nothing less than excellent from my favourite director Cronenberg, and this doesn't disappoint. Goldblum's performance is particularly good as the nervy scientist Brundle, but I think the main reason for the film's achievement is its structure - very subtle, very well made. Most of the action takes place in the last third of the picture, but there is a great suspense building up to that point. And the special effects are jaw-dropping - Brundle's hideous transformation is reminiscent of Lynch's 'The Elephant Man'. This film has a reputation for being unnecessarily gory, which is actually not at all true. It is a very intelligent picture, about love and other issues as much as horror, and a must-see for anyone.
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