Several people are hunted by a cruel serial killer who kills his victims in their dreams. While the survivors are trying to find the reason for being chosen, the murderer won't lose any chance to kill them as soon as they fall asleep.
Seth Brundle, a brilliant but eccentric scientist attempts to woo investigative journalist Veronica Quaife by offering her a scoop on his latest research in the field of matter transportation, which against all the expectations of the scientific establishment have proved successful. Up to a point. Brundle thinks he has ironed out the last problem when he successfully transports a living creature, but when he attempts to teleport himself a fly enters one of the transmission booths, and Brundle finds he is a changed man. This Science-Gone-Mad film is the source of the quotable quote "Be afraid. Be very afraid." Written by
Mark Thompson <firstname.lastname@example.org>
The first bar and the last bar of music on the soundtrack is taken from the last bar of music from Puccini's tragic opera 'Madama Butterfly'. Perhaps a reference to the deleted dream sequence of the heroine giving birth to a butterfly. See more »
In the "steak experiment" sequence, Seth cuts the meat in two pieces, and teleports the bigger one. Later, Veronica eats a bit of this bigger half and finds that "it tastes like a steak", and when Seth gives her a piece of the smaller one and says "now try this teleported half", she finds that "it tastes synthetic". This is a continuity mistake. (It has been suggested that Seth deliberately misled Veronica as to which steak was teleported, to test Veronica's psychological reaction. However, this is unlikely; if the test were merely to determine Veronica's aversion to eating teleported meat, then it would not have led directly to the realization that the computer was incorrectly reassembling flesh). See more »
What am I working on? Uhh... I'm working on something that will change the world, and human life as we know it.
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The background for the opening titles consists of an optically distorted, swirling mass of colors, which gradually transform into the opening shot of the film. This is a representation of how biologists believe a fly's vision would appear to a human. See more »
Most science fiction films are big on ideas and special effects, but weak on coherence and character development; most horror films are just the same, except without the ideas. But David Cronenberg's 'The Fly' takes one simple idea, develops it properly, and eschews (its genuinely terrifying) special effects until its truly horrific climax. And by paying some attention to the personalities of its protagonists, it actually makes you care about them (Jeff Goldblum is excellent in the lead role), and adds a level of serious reflection on the very nature of human mortality to the raw shock. The mix amounts to a gruesomely good film.
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