He was a writer. He thought he wrote about the future but it really was the past. In his novel, a mysterious train left for 2046 every once in a while. Everyone who went there had the same ... See full summary »
In a future world, young people are increasingly becoming addicted to an illegal (and potentially deadly) battle simulation game called Avalon. When Ash, a star player, hears of rumors that... See full summary »
A boy stands on a station platform as a train is about to leave. Should he go with his mother or stay with his father? Infinite possibilities arise from this decision. As long as he doesn't choose, anything is possible.
Seth Brundle, a brilliant but eccentric scientist attempts to woo investigative journalist Veronica Quaife by offering her a scoop on his latest research in the field of matter transportation, which against all the expectations of the scientific establishment have proved successful. Up to a point. Brundle thinks he has ironed out the last problem when he successfully transports a living creature, but when he attempts to teleport himself a fly enters one of the transmission booths, and Brundle finds he is a changed man. This Science-Gone-Mad film is the source of the quotable quote "Be afraid. Be very afraid." Written by
Mark Thompson <firstname.lastname@example.org>
During his audition, John Getz recalls having a terrible migraine the entire time. Later, while filming Stathis' first scene where he and Veronica (Geena Davis) discuss the tape, David Cronenberg asked if he could have the headache again. This is why Getz has his fingers on his head throughout much of the scene (especially during the line, "He's conning you.") See more »
When Brundlefly opens the medicine cabinet to deposit his teeth, the mirror reveals a person in a red long-sleeved shirt pointing at him. See more »
What am I working on? Uhh... I'm working on something that will change the world, and human life as we know it.
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Most science fiction films are big on ideas and special effects, but weak on coherence and character development; most horror films are just the same, except without the ideas. But David Cronenberg's 'The Fly' takes one simple idea, develops it properly, and eschews (its genuinely terrifying) special effects until its truly horrific climax. And by paying some attention to the personalities of its protagonists, it actually makes you care about them (Jeff Goldblum is excellent in the lead role), and adds a level of serious reflection on the very nature of human mortality to the raw shock. The mix amounts to a gruesomely good film.
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