After getting into a serious car accident, a TV director discovers an underground sub-culture of scarred, omnisexual car-crash victims who use car accidents and the raw sexual energy they produce to try to rejuvenate his sex life with his wife.
A man tries to uncover an unconventional psychologist's therapy techniques on his institutionalized wife, while a series of brutal attacks committed by a brood of mutant children coincides with the husband's investigation.
After developing an addiction to the substance he uses to kill bugs, an exterminator accidentally murders his wife and becomes involved in a secret government plot being orchestrated by giant bugs in a port town in North Africa.
Seth Brundle, a brilliant but eccentric scientist attempts to woo investigative journalist Veronica Quaife by offering her a scoop on his latest research in the field of matter transportation, which against all the expectations of the scientific establishment have proved successful. Up to a point. Brundle thinks he has ironed out the last problem when he successfully transports a living creature, but when he attempts to teleport himself a fly enters one of the transmission booths, and Brundle finds he is a changed man. This Science-Gone-Mad film is the source of the quotable quote "Be afraid. Be very afraid." Written by
Mark Thompson <firstname.lastname@example.org>
David Cronenberg met with some opposition when he announced that he wanted to cast Jeff Goldblum in the lead role. The executive at Fox who was supervising the project felt that Goldblum was not a bankable star, and Chris Walas felt that his face would be difficult to work with for the make-up effects. Both, however, deferred to Cronenberg's judgment. Cronenberg himself later had reservations when Goldblum suggested Geena Davis, his girlfriend at the time, for the other lead role, as he did not want to have to work with a real-life couple. Cronenberg was convinced after Davis's first reading that she was right for the role. Producer Stuart Cornfeld suggested that they audition more actresses saying that it's the "script that is brilliant". Cornfeld relented after "nobody else even claim close". See more »
In the last scene when Veronica shoots the shotgun, in real life it would have ripped away from her, and probably injured her hands and wrists. You must brace a shotgun to the body to prevent injury from the recoil. See more »
What am I working on? Uhh... I'm working on something that will change the world, and human life as we know it.
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The background for the opening titles consists of an optically distorted, swirling mass of colors, which gradually transform into the opening shot of the film. This is a representation of how biologists believe a fly's vision would appear to a human. See more »
I think that this is a grossly underrated film - a noteworthy landmark in modern horror. I would expect nothing less than excellent from my favourite director Cronenberg, and this doesn't disappoint. Goldblum's performance is particularly good as the nervy scientist Brundle, but I think the main reason for the film's achievement is its structure - very subtle, very well made. Most of the action takes place in the last third of the picture, but there is a great suspense building up to that point. And the special effects are jaw-dropping - Brundle's hideous transformation is reminiscent of Lynch's 'The Elephant Man'. This film has a reputation for being unnecessarily gory, which is actually not at all true. It is a very intelligent picture, about love and other issues as much as horror, and a must-see for anyone.
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