Several people are hunted by a cruel serial killer who kills his victims in their dreams. While the survivors are trying to find the reason for being chosen, the murderer won't lose any chance to kill them as soon as they fall asleep.
There is panic throughout the nation as the dead suddenly come back to life. The film follows a group of characters who barricade themselves in an old farmhouse in an attempt to remain safe from these flesh eating monsters.
It's the first week of winter in 1982. An American Research Base is greeted by an alien force, that can assimilate anything it touches. It's up to the members to stay alive, and be sure of who is human, and who has become one of the Things.
Following an ever-growing epidemic of zombies that have risen from the dead, two Philadelphia S.W.A.T. team members, a traffic reporter, and his television executive girlfriend seek refuge in a secluded shopping mall.
Seth Brundle (Jeff Goldblum), a brilliant but eccentric scientist attempts to woo investigative journalist Veronica Quaife (Geena Davis) by offering her a scoop on his latest research in the field of matter transportation, which against all the expectations of the scientific establishment have proved successful. Up to a point. Brundle thinks he has ironed out the last problem when he successfully transports a living creature, but when he attempts to teleport himself a fly enters one of the transmission booths, and Brundle finds he is a changed man. This Science-Gone-Mad film is the source of the quotable quote "Be afraid. Be very afraid." Written by
Mark Thompson <firstname.lastname@example.org>
Most science fiction films are big on ideas and special effects, but weak on coherence and character development; most horror films are just the same, except without the ideas. But David Cronenberg's 'The Fly' takes one simple idea, develops it properly, and eschews (its genuinely terrifying) special effects until its truly horrific climax. And by paying some attention to the personalities of its protagonists, it actually makes you care about them (Jeff Goldblum is excellent in the lead role), and adds a level of serious reflection on the very nature of human mortality to the raw shock. The mix amounts to a gruesomely good film.
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