After developing an addiction to the substance he uses to kill bugs, an exterminator accidentally murders his wife and becomes involved in a secret government plot being orchestrated by giant bugs in a port town in North Africa.
After getting into a serious car accident, a TV director discovers an underground sub-culture of scarred, omnisexual car-crash victims who use car accidents and the raw sexual energy they produce to try to rejuvenate his sex life with his wife.
A man tries to uncover an unconventional psychologist's therapy techniques on his institutionalized wife, while a series of brutal attacks committed by a brood of mutant children coincides with the husband's investigation.
Seth Brundle, a brilliant but eccentric scientist attempts to woo investigative journalist Veronica Quaife by offering her a scoop on his latest research in the field of matter transportation, which against all the expectations of the scientific establishment have proved successful. Up to a point. Brundle thinks he has ironed out the last problem when he successfully transports a living creature, but when he attempts to teleport himself a fly enters one of the transmission booths, and Brundle finds he is a changed man. This Science-Gone-Mad film is the source of the quotable quote "Be afraid. Be very afraid." Written by
Mark Thompson <email@example.com>
Originally, David Cronenberg turned down the film because of scheduling conflicts with the shooting of Total Recall (1990) for Dino De Laurentiis. The producers then hired Robert Bierman; unfortunately, Bierman experienced a terrible family tragedy just prior to the beginning of production and decided he couldn't make such a dark film. At about the same time, Cronenberg realized that he and De Laurentis were not seeing eye to eye on Total Recall and backed out, leaving him free to direct this film. Bierman has since stated that he has never seen the film, as it brings back bad memories and he does not want his own vision of it compromised. See more »
When Veronica interviews Seth for the first time, she has to flip the tape because it reached the end. Later on, when she presents the tape to Stathis, it apparently starts from the beginning. See more »
What am I working on? Uhh... I'm working on something that will change the world, and human life as we know it.
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David Cronenberg's version of "The Fly" has little in common with Kurt Neumann's 1958 film of the same title, one of the cheaply made 'creature-features' of the 1950s Instead, it reveals many of the director's obsessions
Jeff Goldblum is Seth Brundle, a Mad Scientist who is working on 'teleporting', a means of transporting objects through space Geena Davis is Veronica Quaife, a magazine writer who becomes interested in his work, and in him They start an affair, but Seth believes Veronica is still seeing her former lover In a rage he tries to transport himself, and his genes become caught up with a fly that gets into the machine Slowly Seth takes on the features of an insect
As in other Cronenberg's films, sexuality is seen as a dangerous force that leads to disaster Seth cannot get his amazing machine to transport living creatures until he has experienced the delights of sex with Veronica, but then almost immediately his jealousy leads more like a fly he develops a raging libido; the more physically repulsive he is, the more he wants sex
Like many successful films of the 1980s, "The Fly" is a hybrid, fusing elements of both horror and science fiction Considering that the plot is from the latter genre, the elements of fear and disgust with the human body are traditional to horror Both genres, as this film will illustrate, benefited greatly from the increasing sophistication of contemporary special effects technique, and the make-up abilities The success of the film led to sequel in 1989, in which the son of Seth and Veronica begins to display familiar symptoms
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