In a future world, young people are increasingly becoming addicted to an illegal (and potentially deadly) battle simulation game called Avalon. When Ash, a star player, hears of rumors that... See full summary »
A boy stands on a station platform as a train is about to leave. Should he go with his mother or stay with his father? Infinite possibilities arise from this decision. As long as he doesn't choose, anything is possible.
In the year 2154, the very wealthy live on a man-made space station while the rest of the population resides on a ruined Earth. A man takes on a mission that could bring equality to the polarized worlds.
Seth Brundle, a brilliant but eccentric scientist attempts to woo investigative journalist Veronica Quaife by offering her a scoop on his latest research in the field of matter transportation, which against all the expectations of the scientific establishment have proved successful. Up to a point. Brundle thinks he has ironed out the last problem when he successfully transports a living creature, but when he attempts to teleport himself a fly enters one of the transmission booths, and Brundle finds he is a changed man. This Science-Gone-Mad film is the source of the quotable quote "Be afraid. Be very afraid." Written by
Mark Thompson <email@example.com>
Screenwriter Charles Edward Pogue wrote the first draft of the script. When David Cronenberg was hired as director, one condition was that he be able to rewrite the script to his satisfaction. Cronenberg substantially altered the characters (and their names), the dialogue, and much of the plot. However, key details from Pogue's script (the fusion of man and fly and details of the metamorphosis) were retained. See more »
The camera crew is reflected in the glass of the telepod. See more »
What am I working on? Uhh... I'm working on something that will change the world, and human life as we know it.
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Truly great but very nasty update of the classic 1958 sci-fi film with both Jeff Goldblum and Geena Davis in the roles of their lives. Technically, this is a remake, but with a genius like David Cronenberg in the director's chair, it's obvious that this isn't anything like the uninspired and irritating remakes that are being released nowadays ("The Amityville Horror", "The Texas Chainsaw Massacre" ). Cronenberg's interpretation of this ultimate terror-tale differs greatly from the original. In fact, the only resemblance is the basic premise of a fusion between an obsessive scientist and an ordinary housefly. Goldblum is terrifically cast as the brilliant, but slightly confused mastermind Seth Brudle, whose lifework are "telepods"; funny looking machines capable of transmitting matter through space. Journalist Davis, with whom he has a romantic adventure, closely observes the progress of his work but when he teapot's himself through space, the catastrophe happens. Mentally as well as physically, Brudle undergoes a horrible transformation into a fly and it cannot be stopped. "The Fly" is a very devastating film. Powerful enough, but not exactly pleasant to look at. Like only the greatest directors can pull this off, Cronenberg overwhelms the audience with a sublime mixture drama, misery and repulsiveness. You feel as helpless as the characters themselves and you painfully wait for the unhappy ending to come! The screenplay is filled with genuine metaphors and the romance between Goldblum and Davis is beautifully illustrated. The special effects, mainly created by Chris Walas (who went on directing the 1989-sequel) are definitely still staggering and they don't look the least bit dated by today's standards.
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