High school student Ferris Bueller wants a day off from school and he's developed an incredibly sophisticated plan to pull it off. He talks his friend Cameron into taking his father's prized Ferrari and with his girlfriend Sloane head into Chicago for the day. While they are taking in what the city has to offer school principal Ed Rooney is convinced that Ferris is, not for the first time, playing hooky for the day and is hell bent to catch him out. Ferris has anticipated that, much to Rooney's chagrin. Written by
The idea of a sequel had gone around for years with Ferris in college or on the job somewhere, but the idea was dropped. Matthew Broderick felt that the film didn't need a sequel, that this film was about a specific time and place that we'd all like to revisit and didn't need updating. See more »
Ben Stein is billed as an Economics teacher, however a still frame of Ferris's schedule on Rooney's computer (when Rooney is checking Ferris' absences) shows that he doesn't take an economics class. See more »
The city looks so peaceful from up here.
Anything is peaceful from one thousand, three hundred and fifty-three feet.
I think I see my dad.
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Mr. Rooney, having been chewed up by the dog, is walking down the street. A school bus driver lets him onto the bus, where the students are staring at him. Rooney notices one student has "SAVE FERRIS" written on his binder. See more »
Matthew Broderick looked so brilliant in those days. While this film single handedly made him Ferris Bueller forever, at least this is a film that can be seen all throughout the years without dating too badly. Sure, the music and props will signify a time of discontent and bad hairdos, but the idealistic look of a man simply wanting to ditch school has never been made more daringly and charmingly.
Everything about this film was gold, from the postmodern "conversations" with the audience to the little back stories which seem to shape the overall canvas of the film. While Alan Ruck was way too old to play in this movie, at least he proved to be a great opposite to the cool and nonchalant Ferris. Gross-out comedies may now be the norm, at least we can look back to this film and enjoy a good, genuine laugh.
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