High school student Ferris Bueller wants a day off from school and he's developed an incredibly sophisticated plan to pull it off. He talks his friend Cameron into taking his father's prized Ferrari and with his girlfriend Sloane head into Chicago for the day. While they are taking in what the city has to offer school principal Ed Rooney is convinced that Ferris is, not for the first time, playing hooky for the day and is hell bent to catch him out. Ferris has anticipated that, much to Rooney's chagrin. Written by
When Ferris hacks into the school's computer to change the number of absences he had, it is a subtle reference to a scene in WarGames (1983) when Matthew Broderick hacks into the school's computer to change his grades. See more »
The weather changes during Tom Bueller's drive home from work. Just before turning onto the street where he encounters the old woman driving erratically, you can see behind him that the sky is overcast. When he turns onto the street, the sky is blue. See more »
Cameron has never been in love - at least, nobody's ever been in love with him. If things don't change for him, he's gonna marry the first girl he lays, and she's gonna treat him like shit, because she will have given him what he has built up in his mind as the end-all, be-all of human existence. She won't respect him, 'cause you can't respect somebody who kisses your ass. It just doesn't work.
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Mr. Rooney, having been chewed up by the dog, is walking down the street. A school bus driver lets him onto the bus, where the students are staring at him. Rooney notices one student has "SAVE FERRIS" written on his binder. See more »
Matthew Broderick looked so brilliant in those days. While this film single handedly made him Ferris Bueller forever, at least this is a film that can be seen all throughout the years without dating too badly. Sure, the music and props will signify a time of discontent and bad hairdos, but the idealistic look of a man simply wanting to ditch school has never been made more daringly and charmingly.
Everything about this film was gold, from the postmodern "conversations" with the audience to the little back stories which seem to shape the overall canvas of the film. While Alan Ruck was way too old to play in this movie, at least he proved to be a great opposite to the cool and nonchalant Ferris. Gross-out comedies may now be the norm, at least we can look back to this film and enjoy a good, genuine laugh.
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