High school student Ferris Bueller wants a day off from school and he's developed an incredibly sophisticated plan to pull it off. He talks his friend Cameron into taking his father's prized Ferrari and with his girlfriend Sloane head into Chicago for the day. While they are taking in what the city has to offer school principal Ed Rooney is convinced that Ferris is, not for the first time, playing hooky for the day and is hell bent to catch him out. Ferris has anticipated that, much to Rooney's chagrin. Written by
Although one of the key scenes in the film has Ferris, Sloane and Cameron enjoying a Cubs game at Wrigley Field, John Hughes stated on the DVD commentary that he was not a Cubs fan. The scene was set there because of its iconic status and due to the Chicago White Sox rarely playing day games in 1985 during production. See more »
The parade in the movie is the Baron von Steuben Parade, which is a real event but takes place on a Saturday in September. While the film was actually in production during early autumn, it is supposed to be taking place in late spring, and obviously the other events in the film do not work if they're not taking place between Monday and Friday. See more »
Mr. Rooney, having been chewed up by the dog, is walking down the street. A school bus driver lets him onto the bus, where the students are staring at him. Rooney notices one student has "SAVE FERRIS" written on his binder. See more »
Please Please Please Let Me Get What I Want
Written by Morrissey (as Steve Morrissey) and Johnny Marr
Performed by The Dream Academy
Courtesy of Warner Bros. Records Inc.
By Arrangement with Warner Special Products See more »
Matthew Broderick looked so brilliant in those days. While this film single handedly made him Ferris Bueller forever, at least this is a film that can be seen all throughout the years without dating too badly. Sure, the music and props will signify a time of discontent and bad hairdos, but the idealistic look of a man simply wanting to ditch school has never been made more daringly and charmingly.
Everything about this film was gold, from the postmodern "conversations" with the audience to the little back stories which seem to shape the overall canvas of the film. While Alan Ruck was way too old to play in this movie, at least he proved to be a great opposite to the cool and nonchalant Ferris. Gross-out comedies may now be the norm, at least we can look back to this film and enjoy a good, genuine laugh.
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