Acting under the cover of a Hollywood producer scouting a location for a science fiction film, a CIA agent launches a dangerous operation to rescue six Americans in Tehran during the U.S. hostage crisis in Iran in 1980.
High school student Ferris Bueller wants a day off from school and he's developed an incredibly sophisticated plan to pull it off. He talks his friend Cameron into taking his father's prized Ferrari and with his girlfriend Sloane head into Chicago for the day. While they are taking in what the city has to offer school principal Ed Rooney is convinced that Ferris is, not for the first time, playing hooky for the day and is hell bent to catch him out. Ferris has anticipated that, much to Rooney's chagrin. Written by
Polly Noonan who plays the girl that Rooney sits next to on the bus wore glasses that were specially made by the prop department. The lenses distorted her vision so much that they made her nauseous. Also, the glasses were so heavy that she had to hold her head in a certain position to keep them from falling down. See more »
When Cameron is spoofing Sloan's father, Ferris calls in and Grace answers his call on line three. After Rooney speaks with Ferris, the scene cuts to a shot of his phone. Ferris is now on line two. See more »
What could happen to it? It's in a garage.
It could get wrecked, stolen, scratched, breathed on wrong... a pigeon could shit on it! Who knows?
See more »
Mr. Rooney, having been chewed up by the dog, is walking down the street. A school bus driver lets him onto the bus, where the students are staring at him. Rooney notices one student has "SAVE FERRIS" written on his binder. See more »
Matthew Broderick looked so brilliant in those days. While this film single handedly made him Ferris Bueller forever, at least this is a film that can be seen all throughout the years without dating too badly. Sure, the music and props will signify a time of discontent and bad hairdos, but the idealistic look of a man simply wanting to ditch school has never been made more daringly and charmingly.
Everything about this film was gold, from the postmodern "conversations" with the audience to the little back stories which seem to shape the overall canvas of the film. While Alan Ruck was way too old to play in this movie, at least he proved to be a great opposite to the cool and nonchalant Ferris. Gross-out comedies may now be the norm, at least we can look back to this film and enjoy a good, genuine laugh.
108 of 146 people found this review helpful.
Was this review helpful to you?