High school student Ferris Bueller wants a day off from school and he's developed an incredibly sophisticated plan to pull it off. He talks his friend Cameron into taking his father's prized Ferrari and with his girlfriend Sloane head into Chicago for the day. While they are taking in what the city has to offer school principal Ed Rooney is convinced that Ferris is, not for the first time, playing hooky for the day and is hell bent to catch him out. Ferris has anticipated that, much to Rooney's chagrin. Written by
In 2010, Edie McClurg told Vanity Fair magazine that her character's hairdo should be from the 1960s, "because Grace felt she looked best in the 60s and kept her look from that era." But the women's hairdresser on the set had mainly been hired to blow out Mia Sara's long, straight hair and didn't know how to set the big, dated '60s hairstyles - so McClurg teased, set, and styled her own character's hair. Once McClurg arrived on the set, John Hughes looked at her hairstyle, and the first thing he said was, "How many pencils do you think you can fit in that hair?" They tested it with one pencil, then two and three, but the fourth one fell out--so that was the origin of Grace's first scene in the movie, in which she pulls several lost pencils out of her hair. See more »
When Cameron first falls into the pool, his chair stays on the diving board; in the next shot it can be seen in the water behind him as he sinks. When Ferris dives in to save him, the chair is back on the diving board. See more »
Matthew Broderick looked so brilliant in those days. While this film single handedly made him Ferris Bueller forever, at least this is a film that can be seen all throughout the years without dating too badly. Sure, the music and props will signify a time of discontent and bad hairdos, but the idealistic look of a man simply wanting to ditch school has never been made more daringly and charmingly.
Everything about this film was gold, from the postmodern "conversations" with the audience to the little back stories which seem to shape the overall canvas of the film. While Alan Ruck was way too old to play in this movie, at least he proved to be a great opposite to the cool and nonchalant Ferris. Gross-out comedies may now be the norm, at least we can look back to this film and enjoy a good, genuine laugh.
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