Set in a dreary urban landscape of an anonymous Canadian city, LOVE AND HUMAN REMAINS is a dark comedy about a group of twentysomethings looking for love and meaning in the '90s. The film ... See full summary »
Young Leo Lauzon is torn between two worlds - the squalid Montreal tenement that he inhabits with his severely dysfunctional (and largely insane) family, and the imaginative world that he ... See full summary »
The year is 1952, in Quebec City. Rachel, 16, unmarried, and pregnant, works in the church. Filled with shame, she unburdens her guilt to a young priest, under the confidentiality of the ... See full summary »
Marcel, recently released from prison, attempt to rebuild his relationship with his girlfriend Julie (now a prostitute) and especially his father Albert (who thinks he's been away on a long... See full summary »
Four very different Montreal university teachers gather at a rambling country house to prepare a dinner. Remy (married), Claude (a homosexual), Pierre (involved with a girlfriend) and Alain (a bachelor) discuss sex, the female body and their affairs with them. Meanwhile, their four female guests, Louise (Remy's wife of 15 years), Dominique (a spinster), Diane (a divorcée) and Danielle (Pierre's girlfriend) are spending the time at a downtown health gym. They also discuss sex, the female body and, naturally, men. Later in the evening, they finally meet at the country house and have dinner. The discussion? Well, you can guess it... However, a ninth guest, named Mario, who used to know Diane, drops in on the group for some talk and has a surprise of his own. Written by
The house in which the majority of the events take place, in Magog, burned down in 1989, was later rebuilt. The scene in which one of the women characters is having sex, seen through a window from outside, was actually shot through a garage window. The actress was sitting on the snow tires which the owner of the house stored in the garage. She told him that, thanks to the tires, it was one of the most comfortable scenes she had ever done. See more »
And also on having seen the Barbarian Invasions. I loved it the first time around, startled by its depiction of the dialogue on sex and realizing it was also reaching for something deeper. Men bragging to each other, the macho-ness of it all. The over-intellectualizing analysis of the battle of the sexes. The vulnerability underlying all the scenes, the false bravado. The acceptance of homosexuality. The jarring introduction of the brute biker primitive to the sophistication of the academics' table. The tangible hurt of Louise at the offhanded way Remy admits to affairs with her best friends. The devastating betrayal she feels and her seeking comfort from the only safe person - Claude, someone who cannot hurt her. Diane, wounded, angry acting out with her brutal lover. So much richness and depth. And the Barbarian Invasions, 18 years later in the lives of all, only enhances it. Bravo, Denys and everyone. 8 out of 10.
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