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2016 | 2015 | 2014 | 2013 | 2012 | 2011 | 2010 | 2009 | 2004

8 items from 2016


Adam Driver’s ‘Paterson’ Gets Awards-Season Release Date (Exclusive)

18 hours ago | Variety - Film News | See recent Variety - Film News news »

Jim Jarmusch’s “Paterson” will hit theaters at the end of 2016, Variety has learned.

Amazon Studios is backing the indie drama and is partnering with Bleecker Street on the film’s release. The movie will get a platform release, expanding its theatrical footprint gradually. It will debut on Dec. 28, which allows it to qualify for awards. That’s a busy time of year, one that will also see the launches of Oscar contenders such as “Toni Erdmann,” an acclaimed German comedy, and “Patriot’s Day,” a drama about the Boston Marathon bombing.

Paterson” centers on a bus driver (Adam Driver of “Girls” and “Star Wars: The Force Awakens”), following him on his daily routine, as he ferries passengers around the city of Paterson, N.J. All the while, the driver, who is also named Paterson, channels his observations into poetry, scratching out his writing in a notebook that he carries. »

- Brent Lang

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Ava DuVernay Original Prison Documentary Set To Open The 54th New York Film Festival

19 July 2016 7:15 AM, PDT | LatinoReview | See recent LatinoReview news »

The Film Society of Lincoln Center announces Ava DuVernay’s documentary The 13th as the Opening Night selection of the 54th New York Film Festival (September 30 – October 16), making its world premiere at Alice Tully Hall. The 13th is the first-ever nonfiction work to open the festival, and will debut on Netflix and open in a limited theatrical run on October 7.

Chronicling the history of racial inequality in the United States, The 13th examines how our country has produced the highest rate of incarceration in the world, with the majority of those imprisoned being African-American. The title of DuVernay’s extraordinary and galvanizing film refers to the 13th Amendment to the Constitution—“Neither slavery nor involuntary servitude, except as a punishment for crime whereof the party shall have been duly convicted, shall exist within the United States . . . ” The progression from that second qualifying clause to the horrors of mass incarceration and »

- Kellvin Chavez

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Ava DuVernay’s ‘The 13th’ Will Open the 2016 New York Film Festival

19 July 2016 6:06 AM, PDT | The Film Stage | See recent The Film Stage news »

If the languid summer tentpole season has you down, fear not, as the promising fall slate is around the corner and today brings the first news of what we’ll see at the 2016 New York Film Festival. For the first time ever, a non-fiction film will open The Film Society of Lincoln Center’s festival: Ava DuVernay‘s The 13th. Her timely follow-up to Selma chronicles the history of racial inequality in the United States and will arrive on Netflix and in limited theaters shortly after its premiere at Nyff, on October 7.

“It is a true honor for me and my collaborators to premiere The 13th as the opening night selection of the New York Film Festival,” Ava DuVernay says. “This film was made as an answer to my own questions about how and why we have become the most incarcerated nation in the world, how and why we regard »

- Jordan Raup

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Jim Jarmusch Talks ‘Paterson,’ His Love for Poetry & Hip-Hop, Tilda Swinton, and Being Grateful

23 May 2016 9:28 AM, PDT | The Film Stage | See recent The Film Stage news »

Legendary American independent filmmaker Jim Jarmusch has been a frequent visitor to the Cannes Film Festival ever since winning the Camera d’Or for Stranger Than Paradise in 1984. He took the Grand Jury prize in 2005 for Broken Flowers but has never managed to nab the Big One. His latest film, Paterson, which premiered last week in competition here, is the story of a bus driver (played by Adam Driver) named Paterson who lives in Paterson NJ, walks his wife’s bulldog, Marvin, and writes poems in his spare time. We sat down with the great silver-haired Son of Lee Marvin to talk hip-hop, Tilda Swinton, and the poetry of everyday things.

Some critics have called this your most personal film. How do would you respond to a statement like that?

I don’t know. With our last film, Only Lovers Left Alive, everyone said “Aha! His most personal film!” I don’t know. »

- Rory O'Connor

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Match Factory orders Jim Jarmusch’s 'Coffee And Cigarettes'

11 May 2016 10:00 PM, PDT | ScreenDaily | See recent ScreenDaily news »

Exclusive: Film becomes the seventh Jarmusch title in the company’s classic collection.

Cult director Jim Jarmusch is a major presence at this year’s Cannes with two films in official selection. Now, one of his classics from a decade ago, Coffee And Cigarettes (2003), has been added to The Match Factory’s Jarmusch library

The Match Factory’s Jarmusch library already includes Permanent Vacation (1980), Stranger Than Paradise (1984), Down By Law (1986), Mystery Train (1989), Night On Earth (1991), and Dead Man (1995). With the addition of Coffee And Cigarettes, there are are seven Jarmusch titles in the Tmf classic collection.

Coffee And Cigarettes consists of a series of short films shot over a period of almost 20 years, featuring icons like Tom Waits, Iggy Pop, Roberto Benigni, Bill Murray and Cate Blanchett.

“With the motif of coffee and smoke, Jim Jarmusch has brought together the most outstanding figures from the film and music scene. I’m thrilled to handle this original and timeless »

- geoffrey@macnab.demon.co.uk (Geoffrey Macnab)

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The Alchemist Cookbook D.P Adam J. Minnick on lensing the Hermit in the Woods

25 March 2016 8:32 PM, PDT | Cinelinx | See recent Cinelinx news »

If you've had the privilege to see a film lensed by D.P Adam J. Minnick, you'd have recognized an eye disciplined by the story it's telling rather than by personal inclinations or some sybaritic style that steals from the story. Buzzard, was shot super raw and cold on a 5D, The Alchemist Cookbook was shot formally composed with a warm palllete on an Alexa, and Actor Martinez (Us Premiering this April at Tribeca) was shot with Altman inspired slow zooms on a Red Epic Dragon. The aesthetic decisions and stories speak for his adaptability and understanding of the form. And, his latest release, The Alchemist Cookbook, which hit SXSW hard when it world premiered, has audiences, critics, and filmmakers predominately sitting on the 'loved it' side of its divisive disposition. 

We were fortunate to talk with the cinematographer on how the hell the team pulled it off.

Could you »

- feeds@cinelinx.com (Aaron Hunt)

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The Alchemist Cookbook Director Of Photography Adam J. Minnick on lensing the Hermit in the Woods

25 March 2016 1:26 PM, PDT | Cinelinx | See recent Cinelinx news »

Could you give us a general overview of your working relationship with Joel? 

Joel and I are first and foremost friends...he's always been one of my closest. We've been making music, watching films and making little movies together starting in high school. He and I were really the only two buddies in our tight group that pursued visual arts of any sort through college and beyond, so it made sense that one day we could ultimately work together on a professional level, too. There's a trust that I can't really put into words, but we know that it's there. The Alchemist Cookbook was a new endeavor into a different filmmaking experience for both of us, and his trust in me as an image maker was very clear from the beginning. As far as collaborative art goes, I've never been more aligned with anyone, so I consider myself very fortunate »

- feeds@cinelinx.com (Aaron Hunt)

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Berlin: Cinephil Stirs Up a ‘Tempestad’

10 February 2016 7:00 PM, PST | Variety - Film News | See recent Variety - Film News news »

Tel Aviv-based documentary sales company Cinephil has acquired “Tempestad” from director Tatiana Huezo (“The Tiniest Place”).

Tempestad” makes its world premiere Saturday in Berlin’s Forum. It is produced by Mexico’s Pimienta Films, which also co-produced Rafi Pitts’ Berlin competition entry, “Soy Nero.” Jim Stark (“Down by Law,” “Mystery Train,” “Night on Earth”) executive produced “Tempestad.”

Tempestad” traces a woman’s 1,200 mile journey back to her home in southern Mexico after she’s realeased from prison in the north.  Her off-camera narration mixes with a second woman’s story, their voices echoing over shots of the landscapes and highways of Mexico.

“ ‘Tempestad’ fits perfectly with our portfolio of socially aware films.  In addition, the filmmakers have incredible integrity, an aesthetic vision and a strong authorial voice,” said Cinephil’s Philippa Kowarsky.

For us, working with Tatiana was also an opportunity to highlight the enormous amount of talent of Mexican woman directors, »

- John Hopewell

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2016 | 2015 | 2014 | 2013 | 2012 | 2011 | 2010 | 2009 | 2004

8 items from 2016


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