| Photos (See all 19 | slideshow) | Videos (see all 4) |
| Tom Waits | ... | Zack | |
| John Lurie | ... | Jack | |
| Roberto Benigni | ... | Roberto | |
| Nicoletta Braschi | ... | Nicoletta | |
| Ellen Barkin | ... | Laurette | |
| Billie Neal | ... | Bobbie | |
| Rockets Redglare | ... | Gig | |
| Vernel Bagneris | ... | Preston | |
| Timothea | ... | Julie | |
| L.C. Drane | ... | L.C. | |
| Joy N. Houck Jr. | ... | Detective Mandino (as Joy Houck Jr.) | |
| Carrie Lindsoe | ... | Young Girl | |
| Ralph Joseph | ... | Detective | |
| Richard Boes | ... | Detective | |
| Dave Petitjean | ... | Cajun Detective | |
| Adam Cohen | ... | Uniformed Cop | |
| Alan Kleinberg | ... | Corpse | |
| Archie Sampier | ... | Prisoner | |
| David Dahlgren | ... | Guard #1 | |
| Alex Miller | ... | Guard #2 | |
| Eliott Keener | ... | Guard #3 (as Elliot Keener) | |
| Jay Hilliard | ... | Guard #4 | |
| rest of cast listed alphabetically: | |||
| Pruitt Taylor Vince | ... | (scenes deleted) | |
Directed by | |||
| Jim Jarmusch | |||
Writing credits | ||
| Jim Jarmusch | (written by) | |
Original Music by | |||
| John Lurie | |||
Cinematography by | |||
| Robby Müller | (director of photography) | ||
Film Editing by | |||
| Melody London | |||
Production Design by | |||
| Janet Densmore | |||
Costume Design by | |||
| Carol Wood | |||
Makeup Department | |||
| Donita Miller | .... | hair stylist | |
| Donita Miller | .... | makeup artist | |
Production Management | |||
| Rudd Simmons | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Guido Chiesa | .... | second assistant director | |
| Claire Denis | .... | assistant director | |
Art Department | |||
| Janet Densmore | .... | prop master | |
| Janet Densmore | .... | set dresser | |
| Roger Knight | .... | assistant props and sets | |
Sound Department | |||
| John Auerbach | .... | supervising sound editor | |
| Martin Bisi | .... | additional sound recordist | |
| Matthew Corey | .... | apprentice sound editor (as Matt Corey) | |
| Mark Goodermote | .... | boom operator | |
| Stanley Kastner | .... | sound re-recordist (as Stan Kastner) | |
| Robin Katz | .... | second assistant sound editor | |
| Frank Kern | .... | sound editor | |
| Drew Kunin | .... | sound mixer | |
| Peter Waggoner | .... | sound re-recordist | |
| Sylvia Waliga | .... | first assistant sound editor | |
Camera and Electrical Department | |||
| Jack Anderson | .... | first assistant camera | |
| Hank Billeaud | .... | best boy | |
| Hank Billeaud | .... | gaffer | |
| Theo Cremona | .... | second assistant camera | |
| Paul Ferrara | .... | key grip | |
| Christopher Porter | .... | gaffer | |
| Michael Ruggles | .... | best boy | |
| Louis Tancredi | .... | electrician | |
| Louis Tancredi | .... | swing grip | |
Casting Department | |||
| Claudia Splecher | .... | additional casting | |
| Alison Walsh | .... | casting assistant | |
Costume and Wardrobe Department | |||
| Lynn Simpson | .... | costume assistant | |
Editorial Department | |||
| Tim Brennan | .... | negative matcher | |
| Lori Mozilo | .... | assistant film editor | |
| Jay Rabinowitz | .... | apprentice film editor | |
| Tom Salvatore | .... | color timer | |
| John Dowdell | .... | hd colorist (uncredited) | |
Music Department | |||
| Doug Bowne | .... | musician: drums | |
| Curtis Fowlkes | .... | musician: trombone | |
| Tony Garnier | .... | musician: acoustic bass | |
| Lisa Krueger | .... | music coordinator | |
| Tom Lazarus | .... | music mixer | |
| Tom Lazarus | .... | music recordist | |
| Arto Lindsay | .... | musician: guitar | |
| Eugene J. Moye | .... | musician: cello (as Eugene Moye) | |
| Marc Ribot | .... | musician: trumpet and banjo | |
| E.J. Rodriguez | .... | musician: percussion | |
| Nana Vasconcelos | .... | musician: percussion | |
Other crew | |||
| Billy Bragg | .... | available lighting | |
| Allison Brandin | .... | production assistant | |
| Joe Catalanotto | .... | independent studios | |
| Charles De Cuir | .... | production assistant | |
| Sara Driver | .... | production troubleshooter | |
| Peter Grand | .... | script supervisor | |
| Matthew A. Handal | .... | production assistant (as Matthew Handal) | |
| Kathie Hersch | .... | production coordinator/auditor | |
| Eric Hoffman | .... | projectionist | |
| Tom Jarmusch | .... | production assistant | |
| Lisa Krueger | .... | assistant to producer | |
| David Ross McCarty | .... | location unit manager | |
| Tommy Samona | .... | production assistant | |
| Stephanie Samuel | .... | assistant location manager | |
| Ida Schonfeld | .... | intern | |
| Phil Seifert III | .... | production assistant | |
| Mary Shelton | .... | location assistant | |
| Camela Smyke | .... | office coordinator: New York | |
| Lynn Staats | .... | production controller | |
| Alison Walsh | .... | assistant coordinator | |
Thanks | |||
| Simon Brook | .... | special thanks | |
| Don Donigi | .... | special thanks | |
| Bill Nisselson | .... | special thanks | |
| Pascale Ogier | .... | dedicatee | |
| Melvin Pukowsky | .... | special thanks | |
| Phil Sodano | .... | special thanks | |
| Enzo Ungari | .... | dedicatee | |
| Irwin Young | .... | special thanks | |
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| Simple Men | My Own Private Idaho | Freeway | Boxcar Bertha | The Shawshank Redemption |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb USA section |
Jim Jarmusch trusts his camera, his directing, his writing, and most of all his performers. This is a gem of a film, without pretense. The story and film just move, sluggishly chugging forward to an ending that is really more of a dissolve. The story is ultimately of little importance, just enough movement to show us a bit of the big jokester in the skies irony. I was struck by the similarity's to Dead Man, similarities quite aside the black and white photography. The enigmatic character at the center, the drifting in and out of the main characters, the use of the boat, the disposal of the usual plot devices, the cutting away of obvious scenes (like the "how' of the escape) I wish more films displayed this sort of ease with themselves. Great stuff, 8/10.