Ulrik is reluctantly let out of prison after serving 12 years for murder. He has to cope with his gang, his ex, a few women - and a snitch. His son has a fiancé. Her family doesn't approve ... See full summary »
A miserable conman and his partner pose as Santa and his Little Helper to rob department stores on Christmas Eve. But they run into problems when the conman befriends a troubled kid, and the security boss discovers the plot.
Billy Bob Thornton,
DJ Zack and pimp Jack end up in prison for being too laid-back to avoid being framed for crimes they didn't commit. They end up sharing a cell with eccentric Italian optimist Roberto, whose limited command of the English language is both entertaining and infuriating -but rather more useful to them is the fact that Roberto knows an escape route Written by
Michael Brooke <firstname.lastname@example.org>
Only Jim Jarmusch film made with "American money" as Jarmusch himself calls it. He says that he prefers not to have his films funded by Americans because there are too many "strings attached". See more »
Zack writes the number of the days that he's spent in cellar on the wall. Before he fights Jack for the first time, he angrily writes two big lines (two days). In the next scene with Roberto they are normal length. See more »
Julie, what're you doing out here?
Just watching the light change.
See more »
This movie was a total surprise to me. I'm sure it's very famous, but somehow had never seen it before. From the beginning scenes, I was expecting a gritty low life, wind up in the gutter, down and out kind of crime movie and that was fine with me, especially if set in New Orleans. At the same time there was a surprising freshness about it, that caught my attention, like a wake up call. Literally, there was writing on the wall that signaled "this is not that kind of movie!" The opening scenes reminded me of the opening of Sopranos -- the rolling shot of a neighborhood with an ominous sounding song in the background. (Were the Sopranos producers inspired by this film?) But once Roberto Benigni appeared on the scene, announcing that "Life is Sad and Beautiful" the whole story began to feel more like a strange fairy tale. Throughout the film, I appreciated the way the director took his time, letting the story evolve slowly, giving the characters time to develop their tenuous bonds. I could watch this again and again, knowing I would keep discovering hidden meanings, references, and ironies. Loved it!!!!
40 of 44 people found this review helpful.
Was this review helpful to you?