A self-styled New York hipster is paid a surprise visit by his younger cousin from Budapest. From initial hostility and indifference a small degree of affection grows between the two. Along... See full summary »
As the extremely withdrawn Don Johnston is dumped by his latest woman, he receives an anonymous letter from a former lover informing him that he has a son who may be looking for him. A freelance sleuth neighbor moves Don to embark on a cross-country search for his old flames in search of answers.
In a vignette called "Strange to meet you," Roberto sits at a small table in a coffee bar. Five cups of coffee and two ashtrays are in front of him; he drinks and smokes. Steven joins him. ... See full summary »
DJ Zack and pimp Jack end up in prison for being too laid-back to avoid being framed for crimes they didn't commit. They end up sharing a cell with eccentric Italian optimist Roberto, whose limited command of the English language is both entertaining and infuriating -but rather more useful to them is the fact that Roberto knows an escape route Written by
Michael Brooke <firstname.lastname@example.org>
Zack writes the number of the days that he's spent in cellar on the wall. Before he fights Jack for the first time, he angrily writes two big lines (two days). In the next scene with Roberto they are normal length. See more »
Julie, what're you doing out here?
Just watching the light change.
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Jim Jarmusch trusts his camera, his directing, his writing, and most of all his performers. This is a gem of a film, without pretense. The story and film just move, sluggishly chugging forward to an ending that is really more of a dissolve. The story is ultimately of little importance, just enough movement to show us a bit of the big jokester in the skies irony. I was struck by the similarity's to Dead Man, similarities quite aside the black and white photography. The enigmatic character at the center, the drifting in and out of the main characters, the use of the boat, the disposal of the usual plot devices, the cutting away of obvious scenes (like the "how' of the escape) I wish more films displayed this sort of ease with themselves. Great stuff, 8/10.
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