A self-styled New York hipster is paid a surprise visit by his younger cousin from Budapest. From initial hostility and indifference a small degree of affection grows between the two. Along... See full summary »
As the extremely withdrawn Don Johnston is dumped by his latest woman, he receives an anonymous letter from a former lover informing him that he has a son who may be looking for him. A freelance sleuth neighbor moves Don to embark on a cross-country search for his old flames in search of answers.
In a vignette called "Strange to meet you," Roberto sits at a small table in a coffee bar. Five cups of coffee and two ashtrays are in front of him; he drinks and smokes. Steven joins him. ... See full summary »
DJ Zack and pimp Jack end up in prison for being too laid-back to avoid being framed for crimes they didn't commit. They end up sharing a cell with eccentric Italian optimist Roberto, whose limited command of the English language is both entertaining and infuriating -but rather more useful to them is the fact that Roberto knows an escape route Written by
Michael Brooke <firstname.lastname@example.org>
Jim Jarmusch had intended that the shack that the fugitives find refuge in after escaping prison would have bunk beds, so as to make it look exactly like the prison cell. Incredibly, they found a shack where two bunk beds were already standing, so no extra furniture had to be added. See more »
Zack writes the number of the days that he's spent in cellar on the wall. Before he fights Jack for the first time, he angrily writes two big lines (two days). In the next scene with Roberto they are normal length. See more »
Julie, what're you doing out here?
Just watching the light change.
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No action, all mood but it goes down like a cool beer on a hot summer evening
A cult classic - and yet still relatively little known. Jim Jarmusch is a master when it comes to creating atmosphere (and nobody uses stretches of silence to better comedic effect than he does). Shot in beautiful black and white, this tale of three prisoners who make for very unlikely companions is all mood, deadpan humour and practically no action.
Don't expect a story - just enjoy the ride, the dialogues (consisting mainly of the word 'F***' - unless it's Benigni talking: his chaotic, broken English lines are another highlight of the film) and the fantastic soundtrack by John Lurie and Tom Waits. Perhaps the epitome of a cult movie, this one goes down like a cool beer on a hot summer evening (and as with all cult movies, it is best seen with an audience that already knows and loves the film). A minimalistic comedy masterpiece. 9 stars out of 10.