5 items from 2016
“Game over, man, game over!” It’s rare for a sequel to live up to the original film, but James Cameron managed to fulfill expectations with Aliens (July 18, 1986). This summer marks the 30th Anniversary of the action-packed sci-fi classic, so “stop your grinnin’ and drop your linen.”
Tune-in Saturday, July 23, to an exclusive Aliens YouTube live stream Q&A with the filmmakers and cast from San Diego Comic-Con! Submit your questions in the comments below for a chance to get them answered. #Aliens30th
To celebrate the 30th anniversary of Aliens (1986), San Diego Comic-Con will host an Aliens reunion on Saturday, July 23. Attendees include director James Cameron, producer Gale Anne Hurd, Sigourney Weaver, Bill Paxton, Lance Henriksen, Paul Reiser, Michael Biehn, and Carrie Henn.
Subscribe to Fox Movies and follow on https://www.facebook.com/AlienAnthology so you don’t miss this exclusive live event.
The terror continues in James Cameron »
- Movie Geeks
“The Streetwalker And The Sucker”
Fans of Fritz Lang’s film noir of 1945, Scarlet Street, may do well to take a look at this little French gem from 1931. Lang’s film was a Hollywood remake of La Chienne, which was based on a novel by Georges de La Fouchardière (it was also adapted into a stage play by André Mouëzy-Éon). More significantly, La Chienne was the second—and first feature length—sound film by the great Jean Renoir.
Renoir had done well in the silent era, but the invention of talkies presented the filmmaker with a larger palette of tools with which to craft some of his greatest works. Beginning with La Chienne, Renoir became France’s premiere director, a position he held for a decade.
La Chienne translates as “The Bitch,” and viewers may question which woman in the picture the title is referring to—the lead, Lulu, a beautiful blonde “street woman” (a con artist and often a prostitute), who serves as the femme fatale of the story (and wonderfully played by Janie Marèze)... or the wife of our protagonist, such a shrew of a woman that there’s no wonder why we sympathize with the poor schmuck, Maurice (portrayed by the brilliant Michel Simon), a banker and part-time painter who does everything he can to get away from his marriage and set up Lulu as his mistress. Of course, Lulu is really being played by her lover and pimp, the nasty Andre (played by real-life Parisian gangster Georges Flamant, who was also an amateur actor). Maurice is merely the mark, the sucker who is seduced by lust and led to his ruin.
Unlike Scarlet Street, La Chienne is more melodrama than film noir. Renoir handles the material well without making it overwrought, and he succeeds in developing fine character studies of the three leads. Those familiar with the director’s later masterpieces such as Grand Illusion (1937) and The Rules of the Game (1939) will find this early work fascinating. Renoir’s signature mise-en-scène is easily identifiable, even in its baby steps. Also impressive are the street scenes shot on location—this was the real Paris of 1931, displayed in glorious black and white.
Michel Simon, like Renoir, was one of France’s biggest film artists. Originally Swiss, Simon made French silent films and later had a long run as an actor in talkies. He has a distinctive Bassett Hound face, perfect for betraying first the joy and then the pain Lulu puts him through. According to Renoir scholar Christopher Faulkner, who talks about the movie in one of the disk’s supplements, apparently Simon fell in love with the actress playing Lulu off-screen. But, like in the film, Janie Marèze was seeing Flamant, and this relationship was encouraged by Renoir. Not long after production was completed, Marèze was killed in an automobile accident with Flamant at the wheel. At the funeral, Simon allegedly threatened Renoir with a gun, but he must have calmed down, for Simon starred in a subsequent Renoir feature, the excellent Boudu Saved from Drowning (1932; incidentally, this was remade in Hollywood in 1986 as Down and Out in Beverly Hills).
The Criterion Collection’s release features a new, restored 4K digital transfer that looks so pristine and sharp you might think the film was made last week. There’s an uncompressed monaural soundtrack and a new English subtitles translation. Supplements include an introduction to the film by Renoir himself, shot in 1961; the aforementioned interview with Faulkner on the movie; a sparkling new restoration of Renoir’s first sound film, the short On purge bébé (also 1931), a comic bauble based on a one-act play by Georges Feydeau and also starring Michel Simon; and a ninety-five minute 1967 French TV program featuring a conversation between Renoir and Simon. An essay by film scholar Ginette Vincendeau adorns the booklet.
A fine, notable release, and a must for lovers of European cinema.
Click Here To Order From Amazon
- firstname.lastname@example.org (Cinema Retro)
“The Eleventh” follows a young girl’s journey to getting to know her estranged grandmother in order to bring closure to the past and unite her family. The show is currently in production for multi-platform distribution.
“Uniting iconic television legends to share the screen again has been an incredible experience, and we can’t wait to share the final product,” said Feeln CEO Rob Fried, who will serve as an exec producer on “The Eleventh” with Cristina Malavenda and Laurence Braun. John Dion created the series.
“The Eleventh” marks a »
- Elizabeth Wagmeister
March 2016 is a sad month for some Netflix subscribers.
Say goodbye to '90s films "American Pie" (1999), "Hackers" (1995), Mel Gibson's "Hamlet" (1990), "Indecent Proposal" (1993) and "Jumanji" (1995) in March. Also disappearing: Will Smith movies "Hitch" (2005) and "Men in Black II" (2002), as well as oodles of TEDTalks that are all expiring next month.
Here's the complete list of what's leaving Netflix streaming in March.
Leaving March 1, 2016
"American Pie" (1999)
"American Wedding" (2003)
"Atlantis: The Lost Empire" (2001)
"The Babysitters" (2007)
"The Chosen One" (2010)
"Down and Out in Beverly Hills" (1986)
"Gone in 60 Seconds" (2000)
"Hannie Caulder" (1971)
"Hart's War" (2002)
"Indecent Proposal" (1993)
"Johnny Dangerously" (1984)
"Masters of the Universe" (1987)
"Men in Black II" (2002)
"The Monster Squad" (1987)
"Not Another Teen Movie" (2001)
"The United States of Leland" (2003)
Leaving March 2, 2016
"Stevie Nicks: In Your Dreams" (2013)
Leaving March 3, 2016
"Night Catches Us" (2010)
Leaving March 4, 2016
- Sharon Knolle
It's time to bulk up your Netflix queue, people, because the streaming giant is putting quite a few movies and TV shows on the chopping block throughout March. From hilarious titles like American Pie to tearjerkers like Hardball, check out which of your favorites are disappearing soon, and then see everything that's definitely here to stay, plus the new movies and shows coming in March! Expiring March 1 Switchmas Alvin and the Chipmunks Meet the Wolfman American Pie American Wedding Atlantis: The Lost Empire Down and Out in Beverly Hills Emily Bronte's Wuthering Heights Gone in 60 Seconds Hackers Hamlet Hannie Caulder Hardball Hart's War Hitch Indecent Proposal Johnny Dangerously Jumanji Masters of the Universe Men in Black II Not Another Teen Movie Paycheck The Babysitters The Chosen One The Monster Squad The United States of Leland Wings Expiring March 2 Stevie Nicks: In Your Dreams Expiring March 3 Night Catches Us »
- Quinn Keaney
5 items from 2016
IMDb.com, Inc. takes no responsibility for the content or accuracy of the above news articles, Tweets, or blog posts. This content is published for the entertainment of our users only. The news articles, Tweets, and blog posts do not represent IMDb's opinions nor can we guarantee that the reporting therein is completely factual. Please visit the source responsible for the item in question to report any concerns you may have regarding content or accuracy.See our NewsDesk partners