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Down and Out in Beverly Hills (1986)

R | | Comedy | 31 January 1986 (USA)
A rich but troubled family find their lives altered by the arrival of a vagrant who tries to drown himself in their swimming pool.

Director:

Writers:

(play), (screenplay) | 1 more credit »

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Nominated for 2 Golden Globes. Another 1 win & 3 nominations. See more awards »

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Cast

Cast overview, first billed only:
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Mike the Dog ...
Matisse (as Mike)
Donald F. Muhich ...
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Sidney Waxman
...
Pearl Waxman
Jack Bruskoff ...
Mel Whiteman
Geraldine Dreyfuss ...
Sadie Whiteman
...
Lou Waltzberg
...
Sheila Waltzberg
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Storyline

Beverly Hills couple Barbara and Dave Whiteman are very rich but not happy Dave is a hard working business man, his wife is only interested in yoga, aerobics and other meditation classes, and he sleeps with the house maid. Their teenage son is confused about his sexuality and their daughter is suffering from eating disorders. While they are celebrating thanksgiving having plenty of food, street tramp Jerry is hungry, homeless, sleeping rough and has lost his dog. Jerry decides to end his life by drowning himself in their swimming pool. Dave rescues him and invites him to stay for a while. How does this stranger change the life style of this family? Written by Sami Al-Taher <staher2000@yahoo.com>

Plot Summary | Add Synopsis

Taglines:

See what happens when a dirty bum meets the filthy rich.

Genres:

Comedy

Certificate:

R | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

31 January 1986 (USA)  »

Also Known As:

Zoff in Beverly Hills  »

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Box Office

Budget:

$14,000,000 (estimated)

Opening Weekend USA:

$5,726,495, 2 February 1986, Wide Release

Gross USA:

$62,134,225

Cumulative Worldwide Gross:

$91,411,255
See more on IMDbPro »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

Color:

(Technicolor)

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

One of two 1986 movies starring actress-comedian Bette Midler. The other film was Ruthless People (1986). Both were made by Touchstone Pictures. In both flicks, Midler's character was first named Barbara, Barbara Whiteman in this movie and Barbara Stone in the other film. See more »

Goofs

When the alarm is set off in the beginning of the movie, Max Whiteman jumps out of his bed and grabs his video camera. As he leaps from the bed it is apparent that he is wearing a man's night gown. He runs directly onto the front driveway and appears in long-john underwear. See more »

Quotes

Dave Whiteman: [Barb is visibly smashed] Hey, Barb?
Barbara Whiteman: Mmmmmm?
Dave Whiteman: I thought we weren't going to drink any more.
Barbara Whiteman: Well, Dave, yeah. It's true. I *am* a vegetarian. But I hear... that vodka... comes from a potato!
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Crazy Credits

The credits open on scenes showing sites featured in Beverly Hills The end credits scroll on the alleyway outside the Whiteman's home, during which a bum pushing a trolley walks by, pauses to check on the Whiteman's dumpster, then continues on his way. See more »

Connections

Referenced in Who Wants to Be a Millionaire: Episode #7.101 (2009) See more »

Soundtracks

ONCE IN A LIFETIME
Written by David Byrne & Brian Eno
Performed by The Talking Heads
Courtesy of Sire Records and EMI Records, Limited
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User Reviews

 
Excellent all around
22 November 2006 | by See all my reviews

Still funny upon seeing it the second time - 20 years after its first-run viewing. Every character is likable - Nolte, Dreyfuss and Midler in the starring roles, and every one of the primary co-star and the supporting cast.

Nolte is an outstanding actor, and this role and his harder-edged character in the great "North Dallas Forty," are among his very best. Many actors exhibit far different personalities off-screen than "on" ( e.g. Nicholson), or are downright goofy in real life (Cruise, Jolle, Affleck/Lopez, etc.). But I've never seen any whom I wish might be more like his on-screen persona than Nolte. The guy has charisma, believability, and is completely likable in every role.

Here, he staggers, pretty much literally, homeless, into the mansion of a Beverly Hills wealthy family as dysfunctional (although pleasantly so) as any on the planet.

Of course, his presence and "counsel" take care of all their neuroses - bringing a relaxed enjoyment of life to Dreyfuss, a reawakening of sexual delight in Midler, enjoyment (and relief from anorexia/bulimia) to the winsome daughter, direction to the frustrated adolescent son, happiness to the sexy Latino maid, and effecting a change in the family pooch to where he can now enjoy the pleasant life of a contented, happy pet.

The diversions and hi-jinks in the story are also pleasant - often these necessary components of a film can detract - and the equally necessary closing events lead to a pleasant rapprochement and a happy ending.

An excellent, "feel good" viewing experience.


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