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Beverly Hills couple Barbara and Dave Whiteman are very rich but not happy Dave is a hard working business man, his wife is only interested in yoga, aerobics and other meditation classes, and he sleeps with the house maid. Their teenage son is confused about his sexuality and their daughter is suffering from eating disorders. While they are celebrating thanksgiving having plenty of food, street tramp Jerry is hungry, homeless, sleeping rough and has lost his dog. Jerry decides to end his life by drowning himself in their swimming pool. Dave rescues him and invites him to stay for a while. How does this stranger change the life style of this family? Written by
Sami Al-Taher <email@example.com>
Near the end of the film during the pool scene when they've all jumped in, if you look closely you will see Max Whiteman in the pool. But just a a couple of minutes later, he appears on screen with his friends and then jumps into the pool with them. See more »
The credits open on scenes showing sites featured in Beverly Hills The end credits scroll on the alleyway outside the Whiteman's home, during which a bum pushing a trolley walks by, pauses to check on the Whiteman's dumpster, then continues on his way. See more »
Still funny upon seeing it the second time - 20 years after its first-run viewing. Every character is likable - Nolte, Dreyfuss and Midler in the starring roles, and every one of the primary co-star and the supporting cast.
Nolte is an outstanding actor, and this role and his harder-edged character in the great "North Dallas Forty," are among his very best. Many actors exhibit far different personalities off-screen than "on" ( e.g. Nicholson), or are downright goofy in real life (Cruise, Jolle, Affleck/Lopez, etc.). But I've never seen any whom I wish might be more like his on-screen persona than Nolte. The guy has charisma, believability, and is completely likable in every role.
Here, he staggers, pretty much literally, homeless, into the mansion of a Beverly Hills wealthy family as dysfunctional (although pleasantly so) as any on the planet.
Of course, his presence and "counsel" take care of all their neuroses - bringing a relaxed enjoyment of life to Dreyfuss, a reawakening of sexual delight in Midler, enjoyment (and relief from anorexia/bulimia) to the winsome daughter, direction to the frustrated adolescent son, happiness to the sexy Latino maid, and effecting a change in the family pooch to where he can now enjoy the pleasant life of a contented, happy pet.
The diversions and hi-jinks in the story are also pleasant - often these necessary components of a film can detract - and the equally necessary closing events lead to a pleasant rapprochement and a happy ending.
An excellent, "feel good" viewing experience.
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