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Reviews & Ratings for
 Peking Opera Blues More at IMDbPro »Do ma daan (original title)

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24 out of 31 people found the following review useful:
Definitely one of the greatest films of all time, 3 March 2005
10/10
Author: devilside from Peking

absolutely perfect film-making in a way that storytelling here is of foremost interest and not just great shots and cinematography like overrated Wong Kar Wai and Zhang Yimou used to do. This film beautifully depicting characteristic traits of China like its values, culture and principles and cleverly Tsui Hark let this clashed with politics, authority and government - which the last lyrical image of the laughing Peking Opera actor beautifully addressing to that political institutions are very transient but not Chinese valuable roots and traditions.

Sure, it's not evidently among Tsui Hark's bigger masterpieces like "Seven Swords" or "Once Upon A Time In China", but yet i think this surely should be compared to those greatest classics in the world but it's very difficult when a lot of people can't respect and understand Chinese traditions, so what we now have here is a tremendously underrated masterpiece that should be studied in the years to come, because is very inspirational how to tell a story in a visual way. Peking Opera Blues is the perfect paradigm.

I'll never forget this truly great film.

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14 out of 16 people found the following review useful:
Tsui Hark's best action-comedy. One of best HK films ever., 4 March 2000
Author: johnrlewis from Lewisville, Texas USA

A strange, unique, but very accessable mix of hard action and outrageous comedy. Bigitte Lin is disguised as a man as usual. Great rooftop kungfu and shooting action. This is one of the best Hong Kong films ever made. Another difference from standard HK fare is that the three heroes are all women.

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12 out of 16 people found the following review useful:
This Movie is Awesome, 22 August 2000
10/10
Author: Haruka-2 (oilofangels@hotmail.com) from Canton, NY

You'd never see a movie like this in Hollywood. A pack of strong, intelligent women dominating every scene, of course not. The characters are interesting and distinct. Each action scene is fun and engaging. This film has everything you could ever want in a film, comedy, violence and a touch of romance. Not to mention the excellent lead actress Brigitte Lin who's performance is memorable.

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11 out of 15 people found the following review useful:
Great fun, 5 November 2002
10/10
Author: Brian Ellis from Chantilly, VA

Before I saw this movie, I had always considered Chinese opera rather boring. Now I would be willing to give it a chance. Not that any Chinese opera would be like this movie. Even though the movie is full of amazing stunts and also very funny, the film doesn't veer in the realm of ridiculous like a lot of movies in this genre do. Part of the credit must go to the three convincing female leads, each one with a different strength. Director Tsui Hark also should be given credit by keeping the movie together even while our three heroines are pursuing different goals (success, greed and justice). A fun movie for all.

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4 out of 5 people found the following review useful:
crazy and fun, 22 April 2003
9/10
Author: FilmLabRat

Really enjoyable film in so many ways ... funny, clever, exciting, thrill ride from start to finish. What the plot is or means we may never exactly know [what is that coveted document everyone is willing to die for, anyway? and how is the second general connected to the first?], but we get the basic story idea. Subtitles are such poor translations to make them added humor. I know this doesn't sound like a winner, but trust me - a bonafied "don't miss" feature.

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5 out of 7 people found the following review useful:
Not for beginners, 26 June 2007
8/10
Author: Matti-Man from London, England

Opinion seems pretty evenly divided on PEKING OPERA BLUES. One camp regards it as possibly the best film to come out of Hong Kong in the last twenty years, while the other camp thinks it's "stoopid".

Oddly, I come down somewhere between the two.

The first thing to understand is that POB is NOT a kung fu film. Yes, it has fighting in it. It has gunplay and it even has torture. But it is not a kung fu film. Mostly, it's a comedy adventure and those of us familiar with Hong Kong cinema will be well-aware that Hong Kong humour is, at best, an acquired taste, especially for us gwai-loh.

The next thing to understand is that its importance lies in the way it completely subverts the traditional gender roles in Chinese society. Some of this lies on the surface - in the way that Cherie Chung's character tries to get some stage acting in but is chastised by her father for it (at this time in China, all female roles on stage were played by men). Some of this lies in the subtext - in the way that Brigitte Lin's character is completely in charge of both her female and her male companions. And some of it lies in between - in the way that Lin dresses as a man (a long and honorable tradition in Chinese storytelling), but a bit odd here as she's not actually *disguised* as a man.

Add to this that all three female leads are headstrong women who know what they want (Brigitte Lin is just stronger, even, than the other two) and that the men are followers (Mark Cheng follows orders, then Brigitte, and Kwok Keung Cheung just follows Mark) and you can begin to see the impact this must have had when it came out in 1986 - years before we had Xena Warrior Princess or Veronica Mars.

Overall, I think POB is a good movie, though probably not a great one. When I watch it (I have the dodgy DeltaMac DVD release with the eccentric subtitling - "There's a girl. Knock her up!") I just can't help feeling that this should have been much better than it was.

Maybe if Tsui Hark were to do a remake today, POB would be the movie it always deserved to be ...

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3 out of 4 people found the following review useful:
A carousel of colors and suspenseful (yet, sometimes improbable) situations, all for the sake of the republic!, 27 March 2004
8/10
Author: Andrea Vidusso (vid@postino.it) from Milano, Italy

In Peking Opera Blues, director Tsui Hark takes us back to 1913 China: daughter of the general Tsao-Wan [Lin Ching Hsia] is torn between the love for her father, who plans to secure a loan from the Europeans in order to aid president Yuan, and the support for a rebellious group, who see in Yuan's leadership a peril for the republic and therefore plan to unmask him by stealing the loan papers and handing them to the congress.

The movie follows the deeds of three women, different by social class (one is daughter of the general, another one a greedy street musician whose goal is to get rich and leave China, the third one a theatre performer - or, more precisely, an aspiring theatre performer, as acting at the time was only allowed to men) and, yet, put together by Fate. As the three eventually join forces, we get to see a lot of colorful Peking Opera performing, as well as amusing and endearing situations. The movie, indeed, deals with the problems of mutual trust and loyalty, especially in those situations when the ideals come to clash against the personal ambitions.

The only aspect of the movie I was a bit put off by is the ease with which the group is always able to escape the most dangerous situations. Even the hardest-to-die Bruce Willis would have been puzzled on how to leave the mansion... and Spiderman himself would need more than one try to leap successfully from a mansion to the top of a tower! Apart from this, Peking Opera Blues is a beautiful movie, more over enriched by a gripping soundtrack, dazzling theatre choreography and, most of all, an intense story that is sure to make you smile with joy at some moments and shiver with terror in other circumstances. 8/10

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1 out of 1 people found the following review useful:
Peking Opera Blues is a modern classic of Hong Kong cinema., 20 September 2009
9/10
Author: G K from Mars

*** This review may contain spoilers ***

First I should mention that I enjoy watching films from Hong Kong. Even so, I didn't find out about Peking Opera Blues for some time. Sure I've seen another popular film by director Tsui Hark; the excellent Once Upon A Time In China. But the reason I didn't get to watch Peking Opera Blues earlier is because it's not easy to find. It's not readily available online or in video stores like other Hong Kong films, and it wasn't available at my local library. After that, having read reviews about how good the film is I decided to find it. It was available at the city library so I headed there and checked out the DVD. The opening of the film is reminiscent of the opening from Once Upon A Time In China. It contains shots of Peking Opera performers along with their accessories, and it's aided by a catchy song in Cantonese. I knew then that I was in for something special. The film is set in 1913 Beijing, during Yuan Shikai's presidency of the Republic of China. It depicts the adventures of three unlikely heroines: Tsao Wan (Brigitte Lin), a patriotic rebel who dresses as a man; Sheung Hung (Cherie Chung), a musician in search of a missing box of jewels; and Pat Neil (Sally Yeh), the daughter of a Peking Opera impresario. What the viewer should expect is that Peking Opera Blues is a slapstick comedy. The plot is simply there for the three women to get into comical and sometimes dangerous situations. However, the film also offers some fast and breathtaking fight scenes, along with several shootouts. These alone don't make an excellent film however. What sets Peking Opera Blues apart from other Hong Kong releases is its style and the three female leads. For once we get to see women generate humor and duke it out with the bad guys. This is the film's charm. Did I mention that the actresses are beautiful? I especially liked Sally Yeh in the role of Pat Neil. She's the most righteous of the three women. She also gets to perform in the opera during one important scene. American film director Quentin Tarantino once referred to Peking Opera Blues as "one of the craziest movies ever made" and "the best and a lot of fun." That statement pretty much sums it up. Those people who like Hong Kong cinema will like this film. Even those who don't usually watch foreign films may like it as well. Peking Opera Blues is a modern classic of Hong Kong cinema.

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Kung Fu Hustle meets John Woo...Except better!, 9 July 2009
9/10
Author: p_h_a_r_o_a_h_e from United States

This film is simply amazing. It is the most entertaining movie I have ever seen and it is well filmed. This movie didn't have the biggest budget, but it has the largest ambition.

I would recommend seeing Farewell My Concubine(great movie) first to better understand the setting of this movie, which takes place in 1920's China. Once you have seen Farewell My Concubine, this movie becomes much more accessible to the casual viewer.

Peking Opera Blues has a bit of everything...and then some. Tons of comedy, excellent action sequences, dramatic twists, well implemented music, fast pacing, etc. Peking Opera Blues has all the ingredients of a recipe for success, and I would say it is the ultimate light hearted flick.

NOTE: The once infamous subs are now fixed with YesAsia's version of the DVD. It has a really clear image too. Buy it now!

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0 out of 1 people found the following review useful:
Worth the Time, 14 April 2007
9/10
Author: Jillers from Staten Island, NY

This movie is not for everyone. If you're a fan of Kung-Fu movies, with tons of action and light on plot, avoid this movie. If you don't like stylized Chinese movies, avoid this movie. If you don't really know that General Tsao isn't just a chicken dish (a delicious one at this) then avoid this movie.

For the rest of us, just sit back and watch a good movie.

Granted, the acting is very 1980's Hong Kong stylized acting. If you know a thing or two about Chinese theater (and, for that matter, Chinese Opera) you can easily get past this, since the history is that of traditional stylized movements.

The characters are pretty straightforward, in as far as you can get from the English subtitles, which are basic, and sometimes happen way too fast - which is why a pause button works wonders when trying to determine just who this guy is and why he's so happy.

There's the girl who dresses like a man, her male friend, the girl who wants to enter the man's world, and the girl who just likes money. And you can tell one thing from this all - they are all actually strong, intelligent characters. Strong, intelligent female characters.

The plot moves fast, and, if you pay attention, can really keep you on the edge of your seat. The funny moments are truly funny because they're supposed to be, and the sad moments are, indeed, sad.

So, pick it up sometime if you get the chance, and you are aware of all the caveats. It's really worth the time. It completely took me by surprise because I thought it was going to be more Chinese Opera, and less movie.

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