An American movie actress, best known for playing dumb blondes, is Scotland Yard's prime suspect when her husband, Lord Edgware, is murdered. The great detective, Hercule Poirot, digs deeper into the case.
In Acapulco, Hercule Poirot attends a dinner party in which one of the guests clutches his throat and suddenly dies. The causes seem to be natural until another party with most of the same guests produces another corpse.
Rosemary Barton, the beautiful wife of a top attorney, dies during their anniversary party at an exclusive restaurant. Later a suicide note is found along with traces of cyanide in her drink, but murder cannot be ruled out.
Robert Michael Lewis
Hercule Poirot is called in by his crime writer friend, Ariadne Oliver and discovers that she is troubled. She has been asked to create a "Murder Hunt" game for a fair at Nass House and she is puzzled with all the help she is getting. Poirot and his assistant, Captain Hastings arrive at the fair to see what is going on. They find a couple on the brink of divorce, a rich Lord and a dizzy Lady, an old lady, trapped in the horrors of the past and a womanizing architect. Things take a turn for the worse when during the "Murder Hunt" the girl playing the "dead" body is murdered for real, an old man's body is pulled from the local lake and the Lady of the manor goes missing when a face from her past shows up. It is clear to Poirot that someone is playing the game for real and he sets out to discover who it is... Written by
Lee Horton <Leeh@tcp.co.uk>
Amy Folliat quotes Sixteenth Century poet Edmund Spenser's work "The Faerie Queene": "Sleep after toil, port after stormy seas,/ Ease after war, death after life, doth greatly please." This verse is inscribed on Agatha Christie's tombstone. See more »
The title of Ariadne Oliver's latest novel, "Hatchets Blood and a Parakeet", is - dependent on how you read it - incorrect in either grammar or punctuation, something which would be picked up at the proof-reading editorial stage by her publishers. See more »
There is a considerable difference between military intelligence and... normal intelligence.
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Entertaining version of an Agatha Christie story which was never one of my favorites...
There's plenty to admire in the costumes and settings for DEAD MAN'S FOLLY, most of which takes place at a handsome English villa in the countryside where a murder party game is being prepared by mystery writer Ariadne Oliver (JEAN STAPLETON). Unfortunately, Stapleton plays her role as broadly as she did Edith Bunker and there are times where her strident voice and manner becomes almost unbearable.
Elegant settings aren't enough to bring this one up to the standard of PETER USTINOV's theatrical movies DEATH ON THE NILE or EVIL UNDER THE SUN. However, the color photography is impressive and everything looks worthy of a theatrical showing--except that none of the cast members have roles that are really fleshed out. As a result, the identity of the murderer is one of those "it could have been anybody" sort of things because, as is usual with Christie, there are almost too many red herrings among the suspects.
Never a favorite of mine, this version has the heavily overweight Ustinov strutting around and putting Hastings down with some blunt remarks--mostly for comic value. JONATHAN CECIL plays Hastings with a humorous slant--far different from the Hastings in the David Suchet series--but his contribution is an entertaining one. NICOLETTE SHERIDAN as Hattie is delightful as the dim-witted lady of the manor.
Not the best of the Ustinov TV adaptations, but it's good enough entertainment to pass the time.
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