While Miss Marple is on vacation in a luxurious Caribbean resort, a fellow guest confides he has evidence that another resident of the hotel is an unscrupulous serial murderer but is poisoned before he can reveal his identity to her.
Robert Michael Lewis
When Mark Easterbrook is accused of murdering a priest, he sets out to prove his innocence. In the process, he discovers a series of deaths, seemingly from natural causes, that may also be ... See full summary »
A mathematician and author, Luke Williams, is travelling up to London on a train when he meets a old lady, Lavinia Fullerton, who is also going to London, to Scotland Yard. Lavinia tells ... See full summary »
Olivia de Havilland
A socialite while having dinner with her husband, her sister, her aunt, a friend of her sister and her husband, her husband's assistant and an English reporter, dies. It is later learned ... See full summary »
Robert Michael Lewis
Hercule Poirot is called in by his crime writer friend, Ariadne Oliver and discovers that she is troubled. She has been asked to create a "Murder Hunt" game for a fair at Nass House and she is puzzled with all the help she is getting. Poirot and his assistant, Captain Hastings arrive at the fair to see what is going on. They find a couple on the brink of divorce, a rich Lord and a dizzy Lady, an old lady, trapped in the horrors of the past and a womanizing architect. Things take a turn for the worse when during the "Murder Hunt" the girl playing the "dead" body is murdered for real, an old man's body is pulled from the local lake and the Lady of the manor goes missing when a face from her past shows up. It is clear to Poirot that someone is playing the game for real and he sets out to discover who it is... Written by
Lee Horton <Leeh@tcp.co.uk>
The title of Ariadne Oliver's latest novel, "Hatchets Blood and a Parakeet", is - dependent on how you read it - incorrect in either grammar or punctuation, something which would be picked up at the proof-reading editorial stage by her publishers. See more »
[Visiting the Nasse House wine cellar]
You know, every wine, even a small wine, has its own personality with its own secret past and its own promises of pleasure in the future. And so those of us who have been witnesses of death as we have - for them, this is a manifestation of life. What is it, it's...
[inspects label on bottle]
Lynch-Bages 1944! You know that when these grapes were being picked, the battle was raging all the way round the vineyard, but picked they were. That's life. And now, ...
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Yet another one of Peter Ustinov's made-for-TV Hercule Poirot mysteries. These movies are a far cry from his theatrically released "Death on the Nile" and "Evil Under the Sun" in almost every way (cast, production values, scripting, etc.), but taken on their own they have their moments. "Dead Man's Folly" doesn't have too many of those moments, though. As the music score (which would be more appropriate for a slapstick comedy) quickly signals, this movie is played too broadly. Ustinov takes the comedic aspects of Poirot just a step too far in this one - he does a lot of mugging and even some double-takes. Hastings is not as idiotic here as he was in "Murder in Three Acts", but Hugh Fraser is much better in the David Suchet series. Jean Stapleton is OK as Mrs. Oliver, but again, Zoë Wanamaker was better in Suchet's "Cards on the Table". The cast on the whole is not bad, and there are a couple of real stunners in it (Nicolette Sheridan, Caroline Langrishe). But the direction is bland, and the result is a murder mystery more trivial than thrilling. (**)
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