Pool hustler Fast Eddie Felson finds the young, promising pool player Vincent in a local bar and he sees in him a younger version of himself. To try and make it as in the old days, Eddie offers to teach Vincent how to be a hustler. After some hesitations Vincent accepts and Eddie takes him and Vincent's girlfriend Carmen on a tour through the country to work the pool halls. However, Vincent's tendency to show off his talent and by doing so warning off the players and losing money, soon leads to a confrontation with Eddie. Written by
Leon Wolters <wolters@strw.LeidenUniv.nl>
Many top pool players of the 80's were part of the cast and/or provided assistance, such as Steve Mizerak ("The Miz") who was the hefty player Eddie beat in Atlantic City; Jimmy Mataya ("Pretty Boy Floyd"), who was accompanying Julian (John Turturro) when he saw Eddie in Atlantic City; Keith McCready, who played Grady Seasons; and others such as Michael Sigel, Ewa Mataya Laurance, (who at the time was Jimmy Mataya's wife) acted as pro shot makers and advisors who set up the shots for the actors, and Howard Vickery, the bearded man who was in the montage of people who Felson hustles. See more »
When Vince is letting Eddie know he dumped the match between the two he refers to his banked 5-ball but it's actually the 3-ball he banked and missed. See more »
I can always go back to whiskey; it's been very good to me. I mean, you're sitting in it, and I'm wearing it.
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"The Color Of Money" continues the story of pool player/hustler 'Fast Eddie' Felson (Paul Newman). He's 25 years old, and 25 years wiser as he's spent that time watching pool hustles and schemes and selling wine after his 'early' retirement from pool playing in the original.
But now he's got a new excitement and energy to the game, as he meets Vincent (Tom Cruise), a young, cocky but talented fresh player who's not well known around the low-level pool rooms Eddie has been frequenting. Eddie and Vincent's girlfriend, Carmen (Mary Elizabeth Mastrantonio) see Vincent as a cash cow. Indeed, everybody uses everyone, and we're never quite sure the relationship between the three. That's the beauty of it.
Scorsese's never been more refined yet quietly flashy, dealing with a traditional 'old' Hollywood tale of a mentor and protege as small time hustlers playing each other and getting played. The film is an underrated gem, truly downplayed in Scorsese's overall filmography.
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