| John Cleese | ... | Brian Stimpson | |
| Penny Leatherbarrow | ... | Woman Teacher | |
| Howard Lloyd-Lewis | ... | Ted | |
| Jonathan Bowater | ... | Clint | |
| Stephen Moore | ... | Mr. Jolly | |
| Alison Steadman | ... | Gwenda Stimpson | |
| Mark Bunting | ... | Studious Boy | |
| Robert Wilkinson | ... | Streaker | |
| John Bardon | ... | Ticket Collector | |
| Mark Burdis | ... | Glen Scully | |
| Nadia Sawalha | ... | Mandy Kostakis (as Nadia Carina) | |
| Dickie Arnold | ... | Man at Station | |
| Angus MacKay | ... | First Class Passenger (as Angus Mackay) | |
| Peter Needham | ... | Porter | |
| Peter Lorenzelli | ... | Taxi Driver | |
| Chip Sweeney | ... | Paul Stimpson | |
| Sharon Maiden | ... | Laura Wisely | |
| Joan Hickson | ... | Mrs. Trellis | |
| Constance Chapman | ... | Mrs. Wheel | |
| Ann Way | ... | Mrs. Way | |
| Ann-Marie Gwatkin | ... | Petrol Station Cashier | |
| Mohammed Ashiq | ... | Manager | |
| Pat Keen | ... | Mrs. Wisely | |
| Geoffrey Hutchings | ... | Mr. Wisely | |
| Geoffrey Greenhill | ... | Policeman with Mrs Wheel | |
| Richard Ridings | ... | Policeman at Crash | |
| Geoffrey Davion | ... | Policeman at Crash | |
| Charles Bartholomew | ... | Man in Telephone Box | |
| Sheila Keith | ... | Pat's Mother | |
| Penelope Wilton | ... | Pat | |
| Christian Regan | ... | Pat's Son | |
| Alan Parnaby | ... | Policeman at Telephone Box | |
| Tony Haygarth | ... | Ivan with the Tractor | |
| Michael Aldridge | ... | Prior | |
| Ronald Sowton | ... | Monk | |
| Alan Granton | ... | Monk | |
| Susan Field | ... | Woman in Lane | |
| Leslie Schofield | ... | Policeman Arresting Pat (as Leslie Scofield) | |
| Mike Glynn | ... | Policeman with Black Eye | |
| Benjamin Whitrow | ... | Headmaster | |
| Geoffrey Palmer | ... | Headmaster | |
| Nicholas Le Prevost | ... | Headmaster (as Nicholas le Prevost) | |
| Peter Cellier | ... | Headmaster | |
| David Conville | ... | Headmaster | |
| Patrick Godfrey | ... | Headmaster | |
| Rupert Massey | ... | Headmaster | |
| John Rowe | ... | Headmaster | |
| Philip Voss | ... | Headmaster | |
| Jeffrey Wickham | ... | Headmaster (as Jeffry Wickham) | |
| Nick Stringer | ... | Det. Sgt. Rice | |
| Graeme Green | ... | Detective Constable | |
| Sidney Livingstone | ... | Porsche Driver | |
| Michael Percival | ... | Man in Wood | |
| Peter Jonfield | ... | Det. Insp. Laundryman | |
| Brian Portsmouth | ... | Detective Constable |
Directed by | |||
| Christopher Morahan | |||
Writing credits(in alphabetical order) | ||
| Michael Frayn | original screenplay | |
Produced by | |||
| Michael Codron | .... | producer | |
| Nat Cohen | .... | executive producer | |
| Gregory Dark | .... | associate producer | |
| Verity Lambert | .... | executive producer | |
Original Music by | |||
| George Fenton | |||
Cinematography by | |||
| John Coquillon | (director of photography) | ||
Film Editing by | |||
| Peter Boyle | |||
Casting by | |||
| Priscilla John | |||
Production Design by | |||
| Roger Murray-Leach | |||
Art Direction by | |||
| Diana Charnley | |||
Costume Design by | |||
| Judy Moorcroft | |||
Makeup Department | |||
| Kezia De Winne | .... | chief makeup artist (as Kezia de Winne) | |
| Michael Morris | .... | chief makeup artist | |
| Stephen Rose | .... | chief hair stylist | |
Second Unit Director or Assistant Director | |||
| Tim Coddington | .... | third assistant director | |
| Tony Hopkins | .... | first assistant director | |
| Crispin Reece | .... | second assistant director | |
Art Department | |||
| Bruce Bigg | .... | property master | |
| Brian P. Harris | .... | supervising props (as Brian Harris) | |
| Les London | .... | supervising props | |
| Bill McMinimee | .... | construction manager | |
| Lucy Morahan | .... | art department runner | |
| Michael G. Ploog | .... | storyboard artist (as Mike Ploog) | |
| Brian Read | .... | production buyer | |
| Tom Jung | .... | poster designer (uncredited) | |
Sound Department | |||
| Pat Gilbert | .... | assistant footsteps editor | |
| Ray Merrin | .... | sound re-recording mixer | |
| Chris Munro | .... | sound recordist | |
| Rocky Phelan | .... | footsteps editor | |
| Bill Rowe | .... | sound re-recording mixer | |
| David Sharpe | .... | assistant dubbing editor | |
| Don Sharpe | .... | dubbing editor | |
| John Stevenson | .... | boom operator | |
Camera and Electrical Department | |||
| Tony Breeze | .... | focus puller | |
| Douglas Dawson | .... | still photographer | |
| Wick Finch | .... | gaffer | |
| Gary Hutchings | .... | grip | |
| Dickie Lee | .... | grip | |
| George Parrish | .... | best boy | |
| Gary Spratling | .... | clapper loader | |
| Alan Taylor | .... | electrician | |
| Malcolm Vinson | .... | camera operator | |
| John Ward | .... | Steadicam operator | |
Costume and Wardrobe Department | |||
| Karen Hore | .... | wardrobe assistant | |
| Keith Morton | .... | wardrobe master | |
Editorial Department | |||
| Keith Mason | .... | second assistant editor | |
| Kant Pan | .... | first assistant editor | |
Music Department | |||
| Keith Grant | .... | music recording engineer | |
Other crew | |||
| Julie Baines | .... | production coordinator | |
| John Bernard | .... | location manager | |
| Vicky Burton | .... | production runner | |
| Jeremy Child | .... | cutting room runner | |
| Diana Dill | .... | script supervisor | |
| Graham Easton | .... | production executive | |
| Cherry Fiddaman | .... | cashier (as Cherry Taylor) | |
| Pauline Granby | .... | assistant accountant | |
| Bob Mercer | .... | production associate | |
| Catherine O'Brien | .... | publicist | |
| Terry Pearce | .... | location manager | |
| Krystyna Plater | .... | secretary to producers | |
| Iona Price | .... | secretary to producers | |
| Arthur Tarry | .... | production accountant | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb UK section |
A scrupulously punctual headmaster in an English comprehensive school sets off for the Headmaster's Conference to deliver a keynote speech. One little slip sees him boarding the wrong train, which leads to a chain of consequences conspiring to keep him from his goal. This is one of the finest farces I've ever seen brought to the screen, written naturally enough by theatre farce-meister Michael Frayn. The frenetic energy of John Cleese in his prime really lifts this above the norm, as he hitches a ride with a student, bumps into and kidnaps an ex-girlfriend and winds up naked in a monastery. The climactic scenes at the HMC amount to perhaps the finest pay-off seen in farce. This is, indeed, a historic moment.