Henry Wilt is a more or less failure of a teacher who fantasizes about murdering his dominant, non-attentive wife Eva. At a party Wilt is stuck to an inflatable doll and makes a complete ... See full summary »
Griff Rhys Jones,
In 1905, after 10 years of missionary work in Africa, the Rev. Charles Fortesque is recalled to England, where his bishop gives him his new assignment - to minister to London's prostitutes.... See full summary »
Brian and Charlie (B & C) work for a gangster. When the boss learns they want to "leave", he sets them up to be killed, after they help rob the local Triads of their drug dealing profits. B... See full summary »
Brian Stimpson is the headmaster of a comprehensive (high) school in England. He sets himself, his staff and pupils very high standards. On the way to a conference at which he is to talk, all manner of disasters strike. Written by
When Brian Stimpson and Laura stop the Porsche the driver states that the car was new and had only "12 miles on the clock" After Laura steals the Porsche we see a close up of the tachometer the clock clearly reads that the car has 754 miles "on the clock". See more »
Impeccably executed British Comedy classic. Timeless.
There are a great many films which are painful in their bland mainstreaminess.
And a very few which manage to pull it off, and remain funny to virtually everyone, over a period of several years.
This John Cleese vehicle from the mid 1980s manages to fit into the latter category - it is simply such a very well crafted traditional comedy, that it is impossible not to be touched.
Here we see Cleese very much in Basil Fawlty mode, as an aspiring head-teacher for whom things just don't run smooth when it really matters.
The other classic elements of British Farce are there - major misunderstandings, people getting undresses, well-intentioned old ladies who say the wrong things at the wrong times, and of course Geoffrey Palmer as a straight man.
And just a touch of poignant surrealism in the way the final minute leading into the credits is played out, to offset the traditional production values.
It's straightforward, and unchallenging, and probably the best film about lateness ever made. High praise indeed, for something so mainstream.
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