The members of SADUSEA (Song And Dance Unit South East Asia) fall in and out of love while trying to dodge Malayan Communist bullets in the late 1940s. Not only that, they have to contend ... See full summary »
A member of the English upper class dies, leaving his estate and his business to an American, whom he thinks is his son who was lost as a baby and then found again. An Englishman who thinks... See full summary »
In 1905, after 10 years of missionary work in Africa, the Rev. Charles Fortesque is recalled to England, where his bishop gives him his new assignment - to minister to London's prostitutes.... See full summary »
Yellowbeard, a pirate's pirate, is allowed to escape from prison to lead the authorities to his treasure. He finds that his wife neglected to tell him that he now has a son, 20, and shame ... See full summary »
Fresh-faced young Michael Rimmer worms his way into an opinion poll company and is soon running the place. He uses this as a springboard to get into politics, and in the mini-skirted ... See full summary »
Brian Stimpson is the headmaster of a comprehensive (high) school in England. He sets himself, his staff and pupils very high standards. On the way to a conference at which he is to talk, all manner of disasters strike. Written by
Much of the film was shot in the West Midlands and Humberside. These made up the urban scenes. The rural scenes were shot in Shropshire. See more »
The headrests in Gwenda's car disappear then reappear between shots as she is leaving the railway station. See more »
[ringing bell at the monastery]
Oh come on please! Turn the bloody record player down for God's sake!
[the window opens]
Now, hello, would you have a tractor would you?
[looks around the place]
Ooh dear, a monastery. I might have guessed!
See more »
Impeccably executed British Comedy classic. Timeless.
There are a great many films which are painful in their bland mainstreaminess.
And a very few which manage to pull it off, and remain funny to virtually everyone, over a period of several years.
This John Cleese vehicle from the mid 1980s manages to fit into the latter category - it is simply such a very well crafted traditional comedy, that it is impossible not to be touched.
Here we see Cleese very much in Basil Fawlty mode, as an aspiring head-teacher for whom things just don't run smooth when it really matters.
The other classic elements of British Farce are there - major misunderstandings, people getting undresses, well-intentioned old ladies who say the wrong things at the wrong times, and of course Geoffrey Palmer as a straight man.
And just a touch of poignant surrealism in the way the final minute leading into the credits is played out, to offset the traditional production values.
It's straightforward, and unchallenging, and probably the best film about lateness ever made. High praise indeed, for something so mainstream.
21 of 23 people found this review helpful.
Was this review helpful to you?